Mozart - Wind Serenades - Chamber Soloists of the RPO - Naim (88-24) 1.08GB

洛杉矶

顿莫扎特 管乐专辑
Mozart · Haydn - Wind music - 24/88






莫扎特管乐小夜曲，No.10 in B flat，No.12 in C minor：
Mozart - Wind Serenades - Chamber Soloists of the RPO - Naim (88-24) 1.08GB
72f3cfe8fd134e237f77a0c6e104f8835009fc84
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Genre: Classical
Year of publication: 2007
Publisher (label): Naim Records
Number of Discs: 2
Audio Codec: FLAC, 24bit 88.2kHz
Duration: 71:00

Wolfgang Amadeus Mozart
- Serenade No. 10 in B flat (Gran Partita), K361 for thirteen wind instruments
莫扎特10号小夜曲，K361，使用十三种管乐器。
Largo - Allegro molto; Minuet and Trios I and II; Adagio; Minuet (Allegretto) and Trios I and II; Romance (Adagio); Theme with Variations; Rondo (Allegro molto)
The Viennese newspapers of 23 March 1784 announced a concert at the Imperial Royal National Court Theatre to be given by the clarinettist Anton Stadler, ‘at which, among other well chosen pieces, a large wind work of a very special kind composed by Herr Mozart will be performed'. A member of the audience, Johann Friedrich Schink, listed the thirteen instruments in his diary and noted that ‘at each instrument sat a master - oh, what an effect it made - glorious and grand, excellent and sublime!' Although Schink heard only four movements, this must have been the Serenade in B flat, K361. (The misspelt title ‘Gran Partitta' and the erroneous date ‘1780' were added to Mozart's manuscript by an unknown hand.) Mozart was a close friend of Anton Stadler, and later wrote the Clarinet Concerto and Quintet for him: in his honour, Mozart augmented the basic ‘Harmonie' octet with a second pair of horns, two basset-horns and a string bass (or contrabassoon), thus creating this ‘large wind work of a very special kind'. We do not know which four movements Schink heard; nor do we know when, or for what occasion, the remaining three movements were added.
Wolfgang Amadeus Mozart
- Serenade No. 12 in C minor, K388 for wind octet
Allegro; Andante; Minuetto in canone (and Trio ‘in canone al rovescio'); Allegro
18世纪后期，在奥地利和波西米亚非常流行将被称为“和声”合奏的管乐器组合（通常是成对的双簧管，单簧管，巴松管和牛角），并由海顿、贝多芬和胡默尔创作了精美的作品。音乐通常采用谐谑曲和小夜曲形式，旨在为宴会或其它户外活动场合提供令人愉悦的背景。
The combination of wind instruments known as a ‘Harmonie' ensemble - generally pairs of oboes, clarinets, bassoons and horns - was very popular in Austria and Bohemia in the late eighteenth century, with fine works composed for it by Haydn, Beethoven and Hummel as well as many lesser composers such as Krommer, Myslivecek and Druschetzky. The music usually took the form of a ‘Divertimento' or ‘Serenade', a leisurely collection of numerous movements intended to provide a pleasant background to a banquet or other occasion, frequently out of doors. Mozart wrote several such works (and others are spuriously attributed to him); one evening, he was agreeably surprised to be serenaded by one of his own serenades (in E flat, K375) outside his window, just as he was going to bed.
The C minor Serenade, K388, is a very different kind of work, written with far more care and intensity than such a piece would normally be expected to receive. The circumstances and date of its composition are unknown. Unusually, it is in a minor key, Mozart's darkest and most serious C minor; and, instead of the usual assemblage of several movements, it is laid out in four tightly structured movements, like a symphony.







巴松演奏家 Sergio Azzolini，莫扎特海顿巴松协奏曲：
Sergio Azzolini - Mozart, M. Haydn_Bassoon Concerto & Serenade (2017) [24-48]
4e9e5ce79ebc3a2f78519983654f0ad6fd24a44c
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Product details
Performer: Sergio Azzolini
Audio CD (25 Aug. 2017)
Label: Sony Music Classical
Number of Discs: 1
Duration: 01:00:35

巴松管演奏家和早期音乐专家塞尔吉奥·阿佐利尼 Sergio Azzolini，录制了莫扎特唯一巴松管协奏曲、和海顿Haydn 小夜曲的精彩唱片。与博尔扎诺弦乐学院 Streicherakade - mie Bozen 合作，录制了新唱片。莫扎特一生只写了一个巴松管协奏曲 K.191，但被认为是他在所有乐器中最好的协奏曲之一。
A stunning recording by bassoonist and early music specialist Sergio Azzolini of Mozart’s only bassoon concerto and a new recording of Michael Haydn’s Serenade with the Streicherakade-mie Bozen. Mozart wrote only one bassoon concerto (K.191), but it is considered one of his best concertos across all instruments. A world premiere recording of Serenade by Michael Haydn (1737-1806), reconstructed by Azzolini himself.