Crystal Bowersox - 《All That for This》(2013)【iTunes/百度】

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专辑英文名：All That for This
专辑表演者：Crystal Bowersox
专辑风格：Pop,Rock,R&B/Soul,Adult Contemporary,Singler/Songwriter Contemporary,Singler/Songwriter American Trad
Rock
专辑类别：录音室专辑
发行时间：2013年3月26日
发行地点：美国
发行厂商：℗ 2013 Shanachie Ent. Corp.
资源格式：iTunes Plus AAC
歌手简介：
Taking cues from her favorite songwriters — including Melissa Etheridge, Janis Joplin, and Sista Otis —  Crystal Bowersox brought a relaxed, folksy vibe to the ninth season of American Idol. Although she auditioned for the show in Chicago, Bowersox grew up five hours east in Elliston, Ohio, a small town with fewer than 100 residents. She began writing songs as a ten-year-old and, by her early teens, had formed a band with her brothers. Dubbed “Oldinuph” — a name that poked fun at their own adolescence — the siblings played shows throughout Ottawa County for several years, with Bowersox writing most of their original material. She eventually moved to Chicago at the age of 17, looking to pursue her career in a bigger city.
Bowersox spent five years in Chicago before moving back home to give birth to her son, Tony. She continued performing in local venues, though, and auditioned for American Idol during a weekend trip to Chicago in 2009. Although her blonde dreadlocks and earthy vocals made her a rarity among most Idol contenders, Bowersox quickly became an audience favorite, breezing through each round of the competition with performances of “You Can’t Always Get What You Want,” “Me and Bobby McGee,” and other rootsy songs. Following Siobhan Magnus' elimination in early May, Bowersox was the only female contestant left, and she eventually finished as the runner-up to American Idol champion Lee DeWyze. Her debut album, Farmer's Daughter, appeared later that year. Farmer's Daughter received a standard post-Idol media push, but the album failed to turn into a hit. The following year, RCA records went under a restructuring that left Bowersox without a record label. In 2012, she signed with Shanachie Records and the label teamed her with producer Steve Berlin (best-known as a member of Los Lobos), and the resulting record, All That for This, showed up in March of 2013.

专辑简介：
Crystal Bowersox crystallizes the American Idol paradox: it showcases singers who specialize in sounds and styles the record industry has left behind despite the large audience hungering for new vocalists in that style, but when they succeed on Idol, they then get their rough edges sanded off, so they wind up as just another singer. Bowersox's post-Idol 2010 debut Farmer's Daughter certainly attempted to refashion her hippie-soul for a larger audience but it was compromised, its Chad Kroeger power ballads sitting uneasily with her neo-flower child persona. So 19 dropped her and she wound up on the roots label Shanachie, who teamed her with Los Lobos' Steve Berlin for 2013's All That for This, an album that is truer to Bowersox's spirit than her major-label debut. Berlin can not only rope in a marquee duet partner in Jakob Dylan, but he keeps things lean and simple, never pushing commerciality or roots too hard. Although Berlin certainly has learned a few tricks from analog evangelist T-Bone Burnett — the air between Bowersox and Dylan on their duet "Stitches" is nearly visible — he never fetishizes authenticity, preferring to follow Bowersox's elastic rhythms. She sounds as comfortable in the southern soul grooves of "Movin' On" and "Everything Falls Into Place" as she does delivering a spruced-up, streamlined cover of the Sundays' post-Smiths classic "Here's Where the Story Ends." There's an ease to her delivery that's alluring, and the very sound of All That for This is appealing, perhaps because Berlin is smart enough to use hints of classic '60s and '70s rock & soul to inform a production that isn't stuck in the past; it's true to tradition without being reverential, so it feels familiar yet somewhat fresh, a blend that suits Bowersox, a singer raised on the classics but not necessarily pining for the past. Berlin understands this delicate balance and helps steer her through a sharp selection of songs that presents her in the best possible light, resulting in a wholly satisfying album. It's easy to say All That for This is what Bowersox should have released the first time around, but this is too intimate for the 19 machine; she needed to get back down to the minor leagues so she could deliver an album that's truer to her talent.
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