[电子]惬意生活小音调-Bibio《Ambivalence Avenue》(2009)[iTunes Plus AAC][百度]

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专辑英文名: Ambivalence Avenue
歌手: Bibio
音乐风格: 电子Electronic
版本: iTunes Plus AAC
发行时间:2009年6月22日
地区: 美国
语言: 英语

专辑介绍：

[iTunes介绍]Bibio is the folk-meets-electronica project of self-taught producer/multi-instrumentalist Stephen Wilkinson, from England's Black Country (aka the West Midlands). As a student of sonic arts at London's Middlesex University, Wilkinson was first inspired by '90s electronic acts such as Aphex Twin, Autechre, and especially Boards of Canada, but became equally intrigued by mid-20th century British folk. He combined these sounds in his own music, along with found sounds and field recordings, for a unique mix of organic and synthetic atmospheres. Boards of Canada's Marcus Eoin handed Wilkinson's demos to Mush Records, which released Bibio's debut album, Fi, in 2004, and its more song-based follow-up, Hand Cranked, two years later. Wilkinson also released the limited-edition Sheila Sets Sail/Tribio on the Artist's Valley imprint, part of a collective Wilkinson has with producers Andy Harber and Richard Roberts. The Ovals and Emeralds EP, which featured organ instead of Bibio's usual acoustic guitars, arrived in 2008; Vignetting the Compost followed in 2009. That summer, Bibio moved to Warp for the eclectic Ambivalence Avenue, followed several months later by the release of a remix-heavy album, The Apple and the Tooth. For 2011's Mind Bokeh — named after the term for the blurry area in a photograph — Wilkinson moved further away from folktronica and deeper into the meticulously sampled, electro/hip-hop direction he began on Ambivalence Avenue. For Bibio's sixth album, 2013's Silver Wilkinson, he balanced the pastoral leanings of his earlier work with a more experimental electronic bent.

[酷我介绍]Although UK electronic/experimental artist Bibio issued no fewer than three
substantial recordings in 2009, it's unlikely that not even his loved ones
were prepared to hear beats on his Warp debut. Born Stephen Wilkinson, Bibio
writes tranquil, murky folk music that integrates as much tape-reel
manipulation as it does feathery light guitar picking. Ambivalence Avenue is
scatterbrained but usually charming, and it differs considerably from his
months-old Mush Records releases梬hile "Abrasion" is rich with the carefree
'60s sound he'd captured for this year's Vignetting the Compost or even
2006's Hand Cranked, "Fire Ant" is full-on One Word Extinguisher-type
hip-hop, a glitchy, sample-heavy banger with far-left-field origins.

The jittery framework of "Fire Ant" on Ambivalence Avenue would strike most
as improbable if there weren't such perse influences at work here.
Wilkinson's fondness for psychedelia and perpetual nods toward friends Boards
of Canada ring true in his application of analog equipment, but he'll
probably garner some comparisons to California producers Nobody or Madlib,
too. At the very least, the sparkling, freaked-out beat-driven numbers such
as "Cry! Baby!" or "S'vive" will have Wilkinson's West Coast musical brethren
big-upping Ambivalence Avenue and then promptly loading it into their
samplers.



专辑曲目:

1        Ambivalence Avenue
2        Jealous of Roses
3        All the Flowers
4        Fire Ant
5        Haikuesque (When She Laughs)
6        Sugarette
7        Lovers' Carvings
8        Abrasion
9        S'vive
10        The Palm of Your Wave
11        Cry! Baby!
12        Dwrcan





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