美国爵士乐大师 24bit keith jarrett 凯斯·杰瑞 (1945)

洛杉矶

美国爵士乐大师  24bit
keith jarrett 凯斯·杰瑞 (1945)







Keith Jarrett 24 Bit Vinyl Pack (1972-1986) (10 Disc) 10.28GB
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Michelle Makarski, Keith Jarrett -
Bach - Six Sonatas for Violin and Piano - (2013) [44.1-24]
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Product details
Performer: Michelle Makarski, Keith Jarrett
Composer: Johann Sebastian Bach
Audio CD (23 Sept. 2013)
Number of Discs: 2
Label: ECM NEW SERIES

Product Description
Johann Sebastian Bach began work on his Six Sonatas for violin and harpsichord (BWV 1014-19) while at the courts of Weimar and Köthen and returned to the compositions over several decades, revising and polishing until the years before his death. C.P.E. Bach would later pronounce the pieces "among the best works of my dear father". Prefiguring the classic duo sonata, violin and keyboard meet on equal terms in this music, and both are challenged by Bach's compositional demands.
Violinist Michelle Makarski invited Keith Jarrett to join her in exploring these pieces, the two musicians - friends since Jarrett's own compositions recording, Bridge of Light - meeting frequently over a two-year period, simply for the pleasure of playing the Sonatas. The idea of documenting them came late in the process: in November 2010 Makarski and Jarrett recorded the sonatas at the American Academy of Arts and Letters in New York. This is the great jazz pianist's first 'classical' recording since his Mozart Piano Concertos discs of 1996, and only the second occasion on which he has recorded Bach on piano rather than harpsichord.
Keith Jarrett's earlier Bach recordings on ECM include Das Wohltemperierte Klavier (Buch 1, 1987; Buch II, 1990), Goldberg Variations (1989), 3 Sonaten für Viola da Gamba und Cembalo (1991, with Kim Kashkashian), and The French Suites (1991). Michelle Makarski's New Series recordings include the recital discs Caoine (1995, with music of Bach, Biber, Hartke, Reger and Rochberg), Elegio per un'ombra (1999, with music of Tartini, Berio, Dallapiccola, Carter and Petrassi) and To Be Sung On The Water (2004, with music of Tartini and Crockett).
Personnel: Michelle Makarski (violin), Keith Jarrett (piano)

Review
(5 stars) Lively and incisive...Both musicians give impeccable technical performances and, while there is no shortage of recordings of these Sonatas, Jarrett and Makarski's interpretations add something individual. --BBC Music Magazine, (Barry Witherden), December 2013
(5 stars) Makarski has a somewhat Russian style, which suits the elegiac tone of the first sonata's opening Adagio, and effects the switch between the vivacious Allegro and elegant Andante with panache...beautifully measured interplay. --The Independent, (Andy Gill), September 21, 2013
There is nothing gimmicky here: from Jarrett come soft hands producing clear textures, well-judged tempi and precise but never fussy articulation; from Makarski, stylish and musical playing, Baroque in its low vibrato and relaxed tone but with still a touch of 'modern' sweetness to the sound. --Gramophone, (Lindsay Kemp), October 2013
Makarski renews her fruitful association with legendary jazz pianist Keith Jarrett in these strikingly individual accounts. Jarrett emerges as the stronger personality and makes a persuasive case for using the piano in Bach performance, adopting a fresh, spontaneous approach and drawing a remarkable variety of colour...However, Makarski matches him all the way with responsive, spirited playing and an intuitive sense of style, full of expressive detail. --The Strad, (Robin Stowell), October 1, 2013
There is nothing gimmicky here: from Jarrett come soft hands producing clear textures, well-judged tempi and precise but never fussy articulation; from Makarski, stylish and musical playing, Baroque in its low vibrato and relaxed tone but with still a touch of 'modern' sweetness to the sound. --Gramophone, (Lindsay Kemp), October 2013