Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1959/2016
Жанр: Vocal, International Pop/Rock, Calypso, Caribbean Traditions
Продолжительность: RCA Victor / Stereo Sound (Japan)
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
Disc 1
01-Introduction Darlin’ Cora
02-Sylvie
03-Cotton Fields
04-John Henry
05-Take My Mother Home
06-The Marching Saints
07-Day O
08-Jamaica Farewell
09-Man Piaba
10-All My Trials
Disc 2
01-Mama Look A Boo Boo
02-Come Back Liza
03-Man Smart (Woman Smarter)
04-Hava Nageela
05-Danny Boy
06-Merci Bon Dieu (From The “Haitian Suite”)
07-Cu Cu Ru Cu Cu Paloma
08-Shenandoah
09-MatildaКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0Доп. информация: Stereo Sound (Japan) SSVs 001-002 / TDGD 90033-4 (2016)
2x SACD rips via PS3 to 2x iso (3.91GB) | Only 2ch Hybrid | Originally Living Stereo LSO 6006 (1959)
Источник (релизер): ManWhoCan (PS³SACD) https://www.hraudio.net/showmusic.php?title=12343&showall=1 https://www.discogs.com/Harry-Belafonte-Belafonte-At-Carnegie-Hall-The-Complete-C...release/14603951 http://www.valueyourmusic.com/items/143243574229-harry-belafonte-at-carnegie-hall...acd-ssvs-001-002
Лог DR
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foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2020-08-27 12:51:14
---------------------------------------------------------------------------------------------
Analyzed: Harry Belafonte / Belafonte at Carnegie Hall The Complete Concert Disc 1
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DR Peak RMS Duration Track
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DR11 -4.64 dB -20.25 dB 3:57 01-Introduction - Darlin' Cora
DR12 -6.60 dB -23.54 dB 5:01 02-Sylvie
DR11 -5.92 dB -20.43 dB 4:18 03-Cotton Fields
DR11 -6.19 dB -21.21 dB 5:12 04-John Henry
DR11 -6.03 dB -22.97 dB 5:11 05-Take My Mother Home
DR11 -4.40 dB -19.80 dB 4:36 06-The Marching Saints
DR10 -6.76 dB -20.81 dB 3:41 07-Day O
DR11 -6.45 dB -21.83 dB 5:12 08-Jamaica Farewell
DR11 -6.44 dB -22.50 dB 6:32 09-Man Piaba
DR11 -6.22 dB -20.71 dB 3:55 10-All My Trials
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Number of tracks: 10
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
==========================================================
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Analyzed: Harry Belafonte / Belafonte at Carnegie Hall The Complete Concert Disc 2
---------------------------------------------------------------------------------------------
DR Peak RMS Duration Track
---------------------------------------------------------------------------------------------
DR12 -4.46 dB -20.29 dB 5:22 01-Mama Look A Boo Boo
DR12 -8.43 dB -24.52 dB 3:08 02-Come Back Liza
DR12 -5.50 dB -20.83 dB 4:29 03-Man Smart (Woman Smarter)
DR10 -5.27 dB -19.67 dB 4:01 04-Hava Nageela
DR10 -8.18 dB -24.01 dB 5:30 05-Danny Boy
DR14 -5.63 dB -23.22 dB 2:50 06-Merci Bon Dieu (From The "Haitian Suite")
DR11 -4.71 dB -20.35 dB 6:51 07-Cu Cu Ru Cu Cu Paloma
DR11 -7.78 dB -23.89 dB 3:53 08-Shenandoah
DR11 -4.16 dB -18.66 dB 12:44 09-Matilda
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Number of tracks: 9
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
==========================================================
Об альбоме (сборнике)
Bellafonte’s golden masterpiece live album is converted from analogue master tape to SACD!
Harry Bellafonte was a vocalist known for folk songs & calypso who was born in New York & spent his childhood in Jamaica. This is a recording of the charity concert held in April 1959, when Bellafonte was in his early 30s. He is backed by an orchestra conducted by Robert Coman (Robert Decormier), who used Norman Keenan’s contrabass, as well as guitar & Latin percussion ensembles.
Bellafonte sings songs such as “The Marching Saints,” & “Danny Boy,” etc., which have been used in audio show demonstrations for a long time, & the 12-minute “Matilda” that marks the end of the album is the highlight of the album.
When the Japanese LP record was released for the 1st time, RCA Victor (USA) supplied a 2-track, 15 ips analogue master tape. As a result of repeated listening, it was decided that this was the best of various master tapes, so it was used for the SACD too. $ony Music Studio engineer, Yuta Nakamura transferred the tapes to 24bit/96kHz PCM, then Koji Suzuki, another engineer at $ony Music Studio did the mastering from this PCM for the LP & SACD.