Жанр: Ambient, New Age
Носитель: LP
Год выпуска: 2019
Лейбл: Light in the Attic (LITA 167)
Страна-производитель: США
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 02:00:22
Треклист
01. Satoshi Ashikawa - Still Space (4:00)
02. Yoshio Ojima - Glass Chattering (5:56)
03. Hideki Matsutake - Nemureru Yoru (Karaoke Version) (6:25)
04. Ayuo Takahashi - Nagareru (2:49)
05. Joe Hisaishi - Islander (5:13)
06. Yoshiaki Ochi - Ear Dreamin' (4:46)
07. Masashi Kitamura & Phonogenix - Variation-III (3:35)
08. Interior - Park (4:10)
09. Yoichiro Yoshikawa - Nube (2:08)
10. Yoshio Suzuki - Meet Me in the Sheep Meadow (3:26)
11. Ryuichi Sakamoto - Dolphins (3:24)
12. Toshi Tsuchitori - Ishiura (Abridged) (5:13)
13. Shiho Yabuki - Tomoshibi (Abridged) (2:37)
14. Toshifumi Hinata - Chaconne (4:26)
15. Yasuaki Shimizu - Seiko 3 (1:21)
16. Inoyama Land - Apple Star (6:01)
17. Hiroshi Yoshimura - Blink (4:44)
18. Fumio Miyashita - See the Light (Abridged) (6:49)
19. Akira Ito - Praying for Mother/Earth Part 1 (4:12)
20. Jun Fukamachi - Breathing New Life (4:57)
21. Takashi Toyoda - Snow (4:59)
22. Yellow Magic Orchestra - Loom (5:17)
23. Takashi Kokubo - A Dream Sails Out to Sea (Scene 3) (6:47)
24. Masahiro Sugaya - Umi no Sunatsubu (1:13)
25. Haruomi Hosono - Original BGM (15:54)
Источник оцифровки: unheard78
Код класса состояния винила: Mint
Устройство воспроизведения: Technics SL-QD33
Головка звукоснимателя: Audio-Technica AT3482P
Предварительный усилитель: BBE FJB-200X
АЦП: Creative X-Fi USB
Программа-оцифровщик: Soundforge 10
Обработка: Sides normalized individually and then split into individual tracks. Minimal automated declicking performed via iZotope RX 4.
Условия оцифровки
Transferred with a Technics SL-QD33 turntable with standard tonearm and an Audio Technica AT3482P stylus. Preamp is a BBE FJB-200X Phono Preamp. Recorded at 24 bit, 96 kHz via a Creative X-Fi USB soundcard in Soundforge 10. Sides normalized individually and then split into individual tracks. Minimal automated declicking performed via iZotope RX 4. Files then converted to FLAC level 8 and tagged in foobar.
Спектры
Об альбоме (сборнике)
Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres.
In the 1970s, the concepts of Brian Eno’s “ambient” and Erik Satie’s “furniture music” began to take hold in the minds of artists and musicians around Tokyo. Emerging fields like soundscape design and architectural acoustics opened up new ways in which sound and music could be consumed. For artists like Yoshimura, Ojima and Ashikawa, these ideas became the foundation for their musical works, which were heard not only on records and in live performances, but also within public and private spaces where they intermingled with the sounds and environments of everyday life. The bubble economy of 1980s Japan also had a hand in the advancement of kankyō ongaku. In an attempt to cultivate an image of sophisticated lifestyle, corporations with expendable income bankrolled various art and music initiatives, which opened up new and unorthodox ways in which artists could integrate their avant-garde musical forms into everyday life: in-store music for Muji, promo LP for a Sanyo AC unit, a Seiko watch advert, among others that can be heard in this collection.
Kankyō Ongaku is expertly compiled by Spencer Doran (Visible Cloaks) who, with a series of revelatory mixtapes as well as his label Empire of Signs (Music For Nine Postcards), has been instrumental in shepherding interest in this music outside of Japan. Together with Light In The Attic’s celebrated anthologies I Am The Center and The Microcosm, Kankyō Ongaku helps to broaden our understanding of this quietly profound music, regardless of the environment in which it’s heard.
От релизера
Surface noise is very audible in this rip. This is because it is an ambient record and all the pieces are quiet, making it very noticeable. The pressing itself is not bad by general standards, but perhaps more care could have been taken in creating this vinyl release to reduce the surface noise further. That said, I was requested to rip and share this release as it has an additional two tracks not included on the CD or digital releases.
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发表于 2020-9-23 13:49:56
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