Crosby & Nash - Graham Nash/David Crosby
Жанр: Rock, Folk, World, & Country
Носитель: LP
Год выпуска: 1972
Лейбл: Atlantic/SD 7220
Страна-производитель: US
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 35:45
Треклист:
A1 Southbound Train
A2 Whole Cloth
A3 Blacknotes
A4 Strangers Room
A5 Where Will I Be?
A6 Page 43
B1 Frozen Smiles
B2 Games
B3 Girl To Be On My Mind
B4 The Wall Song
B5 Immigration Man
Источник оцифровки: LP Rip & Full Scan LP Cover: Fran Solo
Код класса состояния винила: Ex
Устройство воспроизведения: Technics SL-1200MK2 Quartz
Головка звукоснимателя: SHURE M97xE With JICO SAS Stylus
Предварительный усилитель: Marantz 2252
АЦП: E-MU 0404
Обработка: DeClick with iZotope RX5: Only Manual (Click per click)
Спектр
АЧХ
Уровень записи
Сэмпл
Любой трек
DR14
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Analyzed folder: /Graham Nash-David Crosby - Graham Nash-David Crosby (LP)
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DR Peak RMS Filename
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DR13 -1.74 dB -16.19 dB 01 Graham Nash-David Crosby - LADO 1- Southbound Train.wav
DR16 -0.12 dB -19.81 dB 02 Graham Nash-David Crosby - Whole Cloth.wav
DR17 -6.89 dB -27.86 dB 03 Graham Nash-David Crosby - Blacknotes.wav
DR14 -0.12 dB -18.86 dB 04 Graham Nash-David Crosby - Strangers Room.wav
DR11 -4.11 dB -21.90 dB 05 Graham Nash-David Crosby - Where Will I Be?.wav
DR14 -1.54 dB -20.18 dB 06 Graham Nash-David Crosby - Page 43.wav
DR14 -0.71 dB -16.55 dB 07 Graham Nash-David Crosby - LADO 2- Frozen Smiles.wav
DR15 -0.79 dB -20.78 dB 08 Graham Nash-David Crosby - Games.wav
DR13 -0.72 dB -16.86 dB 09 Graham Nash-David Crosby - Girl To Be On My Mind.wav
DR13 -2.21 dB -17.82 dB 10 Graham Nash-David Crosby - The Wall Song.wav
DR13 -1.03 dB -16.10 dB 11 Graham Nash-David Crosby - Immigration Man.wav
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Number of files: 11
Official DR value: DR14
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Personel
Design – Tom Wilkes (2)
Engineer – Bill Halverson, Doc Storch
Photography By [Back & Inside] – Joel Bernstein
Photography By [Front] – Robert Hammer (2)
Producer – Bill Halverson, David Crosby, Graham Nash
Vocals – David Crosby, Graham Nash
Written-By – David Crosby (tracks: A2, A5 to A6, B2, B4), Graham Nash (tracks: A1, A3 to A4, B1, B3, B5)
About
This self-titled release is one of – if not arguably the – most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash.
The best elements of each are readily available here, punctuated at every turn by their complicated vocal arrangements and air-lock harmonies. In the wake of the enormous successes garnered by the albums Crosby Stills & Nash, Deja Vu, and Four Way Street, the principal members were essentially given carte blanche studio access to pursue solo projects as well. This release is the first in what would turn out to be a series of collaborative efforts between Crosby and Nash. Musically it continues in much the same vein as their respective debut solo releases, If I Could Only Remember My Name and Songs for Beginners. Nash's contributions include "Girl to Be on My Mind," "Stranger's Room," and "Southbound Train" – a twangy piece of Americana featuring a high and lonesome steel guitar solo from Jerry Garcia that likewise hearkens to the Grateful Dead's American Beauty, Elton John's Tumbleweed Connection, or the Band's Music From Big Pink. These tracks co-exist in stark contrast to Crosby's more cerebral and incisive contributions, such as "Whole Cloth," "Games," and "The Wall Song." The latter features some outstanding instrumental support from the Grateful Dead's Jerry Garcia (guitar), Phil Lesh (bass), and Billy Kreutzman (drums). The core band revolves around another set of all-stars: Russell Kunkel (drums), Leland Skylar (bass), Craig Doerge (keyboards), and Danny "Kootch" Kortchmar (guitar). This same band would more or less continue to back up Crosby and Nash's duo efforts throughout the remainder of the '70s. Graham Nash/David Crosby offers much of the same unique songwriting and personal style which informed their better contributions not only to the CSN-related efforts, but as far back as their offerings with the Hollies and the Byrds. Interested enthusiasts are also urged to locate Another Stoney Evening – a live acoustic release from October 10, 1971 – which includes seminal live versions of "Southbound Train," "Where Will I Be," "Immigration Man," and "Stranger's Room."
allmusic.com
Доп. информация
Manufactured By – Atlantic Recording Corporation
Trifold die cut cover.
Inner lyric sleeve.
PR in label matrix = Presswell pressing plant
Barcode and Other Identifiers
Matrix / Runout (Side A runout): ST-A-722465-D AT PR
Matrix / Runout (Side B runout): ST-A-722466-G PR