(Experimental Rock)[LP][24/96] The Velvet Underground - The Velvet Underground &

沙田

The Velvet Underground - The Velvet Underground & Nico
Жанр: Experimental Rock
Год выпуска: 1967
Год издания: 2007
Лейбл: Universal Music
Страна-производитель: Japan
Номер по каталогу: UIJY-9005
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:48:40
Треклист:
Side one
"Sunday Morning" (Reed, Cale) – 2:54
"I'm Waiting for the Man" – 4:39
"Femme Fatale" – 2:38
"Venus in Furs" – 5:12
"Run Run Run" – 4:22
"All Tomorrow's Parties" – 6:00
Side two
"Heroin" – 7:12
"There She Goes Again" – 2:41
"I'll Be Your Mirror" – 2:14
"The Black Angel's Death Song" (Reed, Cale) – 3:11
"European Son" (Reed, Cale, Morrison, Tucker) – 7:46
Источник оцифровки: aksman
Спектр





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Уровень записи





Technical Informations
Hannl"limited" Record Cleaning Machine with Rotating Brush
Music Hall MMF 9.1 Turntable
Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
Nagaoka MP-500
Brocksieper Phonomax (Tube Phono-PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Silent Wire NF 5
Wavelab 6.1 recording software
iZotope RX Advanced 2.0
Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
analyze (no clipping, no DC Bias offset) > split into individual Tracks
> resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.

От aksman
With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
                                                                                                                                                               
                       
                       
                       
                       
                       
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