Жанр: Prog-Rock, Psychedelic-Folk
Носитель: LP
Год выпуска: Issues 2006
Лейбл: Shadoks Music
Страна-производитель: DE
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 02:12:11
Источник оцифровки: LP Rip & Full Scan LP Cover: Fran Solo
Код класса состояния винила: Mint/Mint/Mint
Cleaning: RCM Moth MkII Pro Vinyl
Устройство воспроизведения: Marantz 6170
Головка звукоснимателя: SHURE M97xE With Jico SAS Stylus
Предварительный усилитель: Sansui 9090DB
АЦП: E-MU 0404
Программа-оцифровщик: XLD
Обработка:
DeClick with iZotope RX3
ClickRepair: Only Manual (Click per click)
Blops (1970)
Год выпуска: Issue 2006 (1970)
Лейбл: Shadoks Music/SHADOKS 058 - DE 180g Mono Pressing
Продолжительность: 00:45:53
Треклист:
Side Red
A1 Barroquita
A2 Los Momentos
A3 La Muerte Del Rey
A4 Niebla
A5 Vertigo
Side Blue
B1 La Manana Y El Jardin
B2 Santiago Oscurece El Pelo En El Agua
B3 Patita
B4 Atlantico
B5 Maquinaria
Спектр
DR10
----------------------------------------------------------------------------------------------
Analyzed folder: /Blops - Blops (LP)
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR11 -0.21 dB -13.52 dB 01 Blops - LADO 1- Barroquita.wav
DR11 -1.69 dB -14.74 dB 02 Blops - Los Momentos.wav
DR11 -0.24 dB -13.58 dB 03 Blops - La Muerte Del Rey.wav
DR11 -1.36 dB -14.22 dB 04 Blops - Niebla.wav
DR11 -0.28 dB -13.40 dB 05 Blops - Vertigo.wav
DR12 -0.13 dB -12.99 dB 06 Blops - LADO 2- La Manana Y El Jardin.wav
DR11 -0.97 dB -14.39 dB 07 Blops - Santiago Oscurece El Pelo En El Agua.wav
DR11 -0.32 dB -14.08 dB 08 Blops - Patita.wav
DR11 -0.69 dB -13.82 dB 09 Blops - Atlantico.wav
DR12 -0.97 dB -15.60 dB 10 Blops - Maquinaria.wav
----------------------------------------------------------------------------------------------
Number of files: 10
Official DR value: DR11
==============================================================================================
Personnel
Bass – Juan Pablo Orrego
Design – Paula Sanchez
Engineer – Angel Arados*
Flute, Organ – Juan Contreras
Guitar, Accordion [Hexatron] – Eduardo Gatti, Julio Villalobos
Instrumentation By – Blops
Percussion – Sergio Bezard
Photography By – Tono Larrea*, Felipe Orrego, Vicho
Доп. информация
Notes
Original pressing relased in a thin paper cover, protected by an outer plastic bag.
First album of three eponymous ones.
About
Los Blops’ first album is without a doubt the most engaging and interesting of their three official studio releases from the early seventies. Like so much acid folk of that era, these are compositions recorded in simply and earnestly by young university students (on only two-track recordings, I believe). Today many of these artists would be considered naive and almost primitive, but of course for those of us who count ourselves fans that is precisely where their charms and appeal lie. The opening “Barroquita” is also the first song the band composed together. Like most of the rest of the album this is an acoustic instrumental with a hauntingly familiar and sedate tone. The song highlights the exquisite blend of Western influences and native instrumentation that made the Blops and their Chilean countrymen El Congreso, Los Jaivas and Congregacion such powerful and regionally popular progressive folk voices at a difficult time in their homeland.
The instrumentals are the stars of this album; along with “Barroquita”, the songs “La Muerte del Rey”, “Patita” and “Atlantico” are solid, melodic and Latin-tinged folk delights that show a band of musicians who may still be developing their technical skills but are clearly in-synch as a single-minded collective. The intricate acoustic guitar fingering and simple piano set the tone for each, while the breathy flute and liberally-sprinkled percussion spice each up and give them contextual meaning.
Elsewhere the tracks with vocals such as “Los Momentos” and “Maquinaria” are decent enough, but their appeal is probably stronger with those of the same language families than to a broader prog folk audience. The band does manage to showcase the breadth of their musical influences on the ranging and moody “Santiago Oscurece El Pelo en El Agua” though, which undoubtedly included many British acid folk acts as well as psych masters of the day including Hendrix and the Doors (check out the ambitious electric guitar work on the second half of this tune as well as the spacey vocals and tempo of “Valle De Los Espejos”).
This is a band that never got the sort of recognition they deserved, unlike their more well-known and publicized Chilean counterparts like Los Jaivas and El Congreso. To bad, because this album, and to a slightly lesser extent their second one as well, have a definite place in the collections of any serious progressive folk fan. I’m torn between three and four stars so in the interest of this warm and uplifting spring day I’m going to err on the positive side and go with four stars. Well recommended to folks who appreciate South American modern folk, as well as acid folk fans of all stripes and persuasion.
Review by ClemofNazareth, progarchives.com
Scans
Del Volar De Las Palomas (1971)
Год выпуска: Issue 2006 (1971)
Лейбл: Shadoks Music/SHADOKS 059 - DE 180g Mono Pressing
Продолжительность: 00:46:50
Треклист:
Side Manana (Morning)
A1 Que Lindas Son Las Mananas (They are beautiful mornings)
A2 Pintando Azul El Mar (Painting blue sea)
A3 Manchufela
A4 El Rio Donde Va (The river where it goes)
A5 Esencialmente Asi No Mas (Essentially so no more)
A6 El Proclive Necesario (The inclined required)
Side Tarde (Afternoon)
B1 La Rodandera
B2 Tarde (Afternoon)
B3 Del Volar De Las Palomas (From flying pigeons)
B4 Campos Verdes (Green fields)
B5 Pisandose La Cola (Treading tail)
Спектр
DR12
----------------------------------------------------------------------------------------------
Analyzed folder: /Blops - Del Volar De Las Palomas (LP)
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR11 -0.96 dB -13.18 dB 01 Blops - LADO 1- Que Lindas Son Las Mananas.aiff
DR10 -1.56 dB -13.52 dB 02 Blops - Pintando Azul El Mar.aiff
DR12 -0.67 dB -13.39 dB 03 Blops - Manchufela.aiff
DR11 -0.87 dB -12.96 dB 04 Blops - El Rio Donde Va.aiff
DR11 -1.53 dB -14.14 dB 05 Blops - Esencialmente Asi No Mas.aiff
DR11 -1.33 dB -14.18 dB 06 Blops - El Proclive Necesario.aiff
DR11 -0.18 dB -12.17 dB 07 Blops - LADO 2- La Rodandera.aiff
DR10 -1.29 dB -12.77 dB 08 Blops - Tarde.aiff
DR11 -0.62 dB -12.53 dB 09 Blops - Del Volar De Las Palomas.aiff
DR11 -1.30 dB -13.03 dB 10 Blops - Campos Verdes.aiff
DR12 -0.11 dB -12.94 dB 11 Blops - Pisandose La Cola.aiff
----------------------------------------------------------------------------------------------
Number of files: 11
Official DR value: DR11
==============================================================================================
Personnel
Artwork – Paula Sanchez
Bass, Backing Vocals [Coro], Vocals – Juan Pablo Orrego
Cello – Eduardo Salgado (tracks: A5), Patricio Barria (tracks: B2)
Engineer – Angel Araos
Flute, Organ – Juan Contreras
Guitar, Accordion, Piano – Julio Villalobos
Guitar, Vocals, Timpani – Eduardo Gatti
Liner Notes – Angel Parra, Hector Fernandez
Percussion, Drums, Backing Vocals [Coro], Maracas, Bongos – Sergio Bezard
Photography By – Rene Combeau
Violin – Maria Saavedra (tracks: B2)
Vocals – Angel Parra (tracks: B3)
About
"Del Volar De Las Palomas ("From flying pigeons")" or "Blops" is the second album of Chilean Folk-Rock group "Los Blops", published in 1971. Strictly speaking, it is the second self-titled album, but has become known under the title "Del Volar De Las Palomas" following the most famous song of the album.
This album is based on the concept of a day in the life of a person, LP dividing into two parts: "Manana (Morning)" and "Tarde (Afternoon)" respectively. At the same time, the theme song of the plate are in a rather homely environment.
"Del Volar De Las Palomas" was produced by musician Angel Parra (Violeta's brother), who also collaborated on guitar and lead vocals on the song that gives title track.
wikipedia.org
Доп. информация
Notes
Original pressing is relased on a dark red label in a cover with a plastic outer bag and an additional booklet.
In prog collectors circles this album is often referred to as ''Del Volar De Las Palomas'', to discern it from their also eponymous first album.
DR12
----------------------------------------------------------------------------------------------
Analyzed folder: /Blops - Locomotora (LP)
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR12 -0.28 dB -15.13 dB 01 Blops - LADO 1- Allegro Ma Non Troppo.wav
DR11 -0.17 dB -13.35 dB 02 Blops - Tartaleta De Frutillas.wav
DR12 -0.41 dB -13.84 dB 03 Blops - LADO 2- Locomotora.wav
DR11 -0.23 dB -13.12 dB 04 Blops - Piromano.wav
DR12 -0.36 dB -15.42 dB 05 Blops - Sandokan.wav
----------------------------------------------------------------------------------------------
Number of files: 5
Official DR value: DR12
==============================================================================================
Personnel
Bass – Juan Pablo Orrego
Drums – Sergio Bezard
Electric Piano – Juan Carlos Villegas
Flute, Organ – Juan Contreras
Guitar – Eduardo Gatti
About
Eng
"Blops" or "Locomotive" is the third and final album of the Chilean band Los Blops, recorded in 1972, released in 1973. Unlike their last two albums, the style of this album is characterized by neglecting completely the Folk-Rock that characterized fully covering the progressive-rock, with longer than previous ones and 100% instrumentals. Neither attended the guitarist Julio Villalobos, who at that time and not part of the official group (having finally retired in May 1973), being replaced by pianist Juan Carlos Villegas. The master tape was lost in the post-coup era.
This album was recorded at RCA studios in Buenos Aires, Argentina, in only 14 hours. This study was available for the band thanks to his producer Pepe Romeu.
The album had little promotion, being published only 500 copies in Chile.
wikipedia.org
Доп. информация
Artwork – Hugo Galvez, Victor Galvez
Original pressing is released on a dark blue label in a cover with a plastic outer bag.
Scans
About
Группа - инициатор рок-движения в Чили (вместе с Congresso и Los Jaivas)... Создана в 1964 году в Сантьяго. Оригинальный состав - Julio Villalobos (гитара, вокал), Alejandro Greene (гитара), Pedro Greene (ударные). Исполняли каверы The Beatles, The Rolling Stones, Tje Doors, The Animals, Cream, The Kinks, Bob Dylan. В процессе диалектического развития состав несколько раз менялся и в "классическом виде" полностью сформировался в 1969 году: Эдуардо Гатти (гитара, вокал, ex-The Apparition), Хуан Контрерас (флейта, клавишные), басист Хуан Пабло Оррего (научный сотрудник университета), Серхио Безард (ударные, перкуссия), который изучал искусство в Universidad de Chile. Вели общино-коммунный образ жизни, т.е. жили все вместе... В дополнение к элементам чилийской народной музыки, Blops с самого начала не скрывали свой интерес (и любовь) к английскому року, который для них представляли Эрик Клэптон, Джими Хендрикс, Cream, Blind Faith. Дебютный альбом - Blops, вышел в 1970 году. Кстати, официально все их 3 альбома называются одинаково - Blops, это при переиздании второму и третьему дали новые названия - Del volar de las palomas и Locomotora... В 1971 работали вместе с Виктором Хара (Victor Jara) над его альбомом El derecho de vivir en paz, а также выпустили свой второй альбом. В 1972 к группе присоединяется клавишник Хуан Карлос Вильегас, продюсер группы Jose "Pepe" Romeu получает 14 часов для записи в студии RCA в Буэнос-Айресе (Аргентина), группа записывает свой 3-й альбом - Blops III или Locomotora, где группа усложнила своё фолк-звучание добавлением джаза и фьюжна... В Чили попало всего 500 экземпляров пластинки. Вернувшись из Аргентины, группа решила разойтись (из-за внутренних проблем и финансовых затруднений). После военного переворота 1973 года Эдуардо Гатти отправился в Испанию, Хуан Пабло Оррего - в Канаду, Хуан Контрерас стал художником, Серхио Безард уехал в Чикаго учиться музыке, где он получил диплом и стал профессиональным музыкантом. После переворота 11 сентября 1973 года в Чили оригинальные мастер-ленты Blops были уничтожены. Военная диктатура была сильнейшим ударом по движению хиппи в Чили...
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发表于 2020-9-24 11:14:10
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