(Hard Rock) [LP] [24/192] AC/DC - '74 Jailbreak (1984) - 2003, FLAC (tracks+.cue

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AC/DC - '74 Jailbreak (1984)
Жанр: Hard Rock
Год выпуска: 2003
Лейбл: Sony 180g LP / Cat.#: 510758 1
Страна-производитель: EU
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:24:09
Треклист:
Side A
01. "Jailbreak" 4:40
02. "You Ain't Got a Hold on Me" 3:31
03. "Show Business" 4:46
Side B
04. "Soul Stripper" Malcolm Young, Angus Young 6:25
05. "Baby, Please Don't Go" Big Joe Williams 4:50
All songs written and composed by Bon Scott, Malcolm Young and Angus Young, except where noted.
Personnel
Personnel
Bon Scott – lead vocals
Angus Young – lead guitar, rhythm guitar
Malcolm Young – rhythm guitar, lead guitar, backing vocals
George Young - bass guitar, production, backing vocals
Rob Bailey - bass guitar
Mark Evans – bass guitar on "Jailbreak"
Tony Currenti - drums, percussion
Peter Clack - drums, percussion
Phil Rudd – drums, percussion on "Jailbreak"
Harry Vanda - production
Источник оцифровки: aksman, AvaxHome
Код класса состояния винила: Ex
Устройство воспроизведения: Music Hall MMF 9.1 Turntable
Головка звукоснимателя: Nagaoka MP-500
Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp)
АЦП: E-MU 0404 external USB 2.0 Audiointerface
Программа-оцифровщик: WaveLab 6 recording software
Обработка: В технической информации
Спектр




АЧХ, Уровень записи



Доп. информация:
Техническая информация
Technical Log
RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Personal Note (from aksman)
With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
                                                                                                                                                               
                       
                       
                       
                       
                       
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