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[摇滚] (Progressive Rock / Art Rock) [LP] [24/44.1] King Crimson - Three Of A Perfect P

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发表于 2020-9-24 11:44:16 | 显示全部楼层 |阅读模式
King Crimson - Three Of A Perfect Pair [30th anniversary edition]
Жанр: Progressive Rock / Art Rock
Носитель: LP
Год выпуска: 2019
Лейбл: DGM KCLP10
Страна-производитель: UK
Аудио кодек: FLAC
Тип рипа: image+.cue
Формат записи: 24/44.1
Формат раздачи: 24/44.1
Продолжительность: 39:37
Источник оцифровки: автором раздачи
Код класса состояния винила: Mint
Устройство воспроизведения: Technics SL-1200
Головка звукоснимателя: Technics SL-1200
Предварительный усилитель: Technics SL-1200
АЦП: Realtek High Definition Audio
Программа-оцифровщик: Audacity 3.2.3
Обработка: Untouched
Side A
1 Three of a Perfect Pair 4:01
2 Model Man 3:42
3 Sleepless 5:12
4 Man with an Open Heart 2:58
5 Nuages (That Which Passes, Passes Like Clouds) 4:37
CUE

REM GENRE Progressive Rock
REM DATE 2019
REM COMMENT KCLP10
PERFORMER "King Crimson"
TITLE "Three Of A Perfect Pair"
FILE "Side A.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Three of a Perfect Pair"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Model Man"
    INDEX 01 04:01:16
  TRACK 03 AUDIO
    TITLE "Sleepless"
    INDEX 01 07:43:20
  TRACK 04 AUDIO
    TITLE "Man with an Open Heart"
    INDEX 01 12:55:26
  TRACK 05 AUDIO
    TITLE "Nuages (That Which Passes, Passes Like Clouds)"
    INDEX 01 15:52:72

Dynamic Range Meter

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2019-10-21 15:58:37
--------------------------------------------------------------------------------
Analyzed: King Crimson / Three Of A Perfect Pair
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -5.36 dB   -19.73 dB      4:01 01-Three of a Perfect Pair
DR12      -4.27 dB   -19.80 dB      3:42 02-Model Man
DR13      -5.02 dB   -19.65 dB      5:12 03-Sleepless
DR14      -5.85 dB   -22.47 dB      2:58 04-Man with an Open Heart
DR12      -7.94 dB   -23.98 dB      4:37 05-Nuages (That Which Passes, Passes Like Clouds)
--------------------------------------------------------------------------------
Number of tracks:  5
Official DR value: DR12
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1459 kbps
Codec:             FLAC
================================================================================

Spectrum





log file

General
Complete name                            : E:\ncore\Side A.flac
Format                                   : FLAC
Format/Info                              : Free Lossless Audio Codec
File size                                : 214 MiB
Duration                                 : 20 min 29 s
Overall bit rate mode                    : Variable
Overall bit rate                         : 1 459 kb/s
Audio
Format                                   : FLAC
Format/Info                              : Free Lossless Audio Codec
Duration                                 : 20 min 29 s
Bit rate mode                            : Variable
Bit rate                                 : 1 459 kb/s
Channel(s)                               : 2 channels
Channel positions                        : Front: L R
Sampling rate                            : 44.1 kHz
Bit depth                                : 24 bits
Stream size                              : 214 MiB (100%)
Writing library                          : libFLAC 1.2.1 (UTC 2007-09-17)


Side B
1 Industry 6:50
2 Dig Me 3:10
3 No Warning 3:22
4 Larks’ Tongues in Aspic III 5:45
CUE

REM GENRE Progressive Rock
REM DATE 2019
REM COMMENT KCLP10
PERFORMER "King Crimson"
TITLE "Three Of A Perfect Pair"
FILE "Side B.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Industry"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Dig Me"
    INDEX 01 06:50:00
  TRACK 03 AUDIO
    TITLE "No Warning"
    INDEX 01 09:59:64
  TRACK 04 AUDIO
    TITLE "Larks’ Tongues in Aspic III"
    INDEX 01 13:22:04

Dynamic Range Meter

foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2019-10-21 16:04:29
--------------------------------------------------------------------------------
Analyzed: King Crimson / Three Of A Perfect Pair
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR16      -6.22 dB   -25.76 dB      6:50 01-Industry
DR14      -6.08 dB   -23.18 dB      3:10 02-Dig Me
DR12      -6.69 dB   -23.49 dB      3:22 03-No Warning
DR14      -5.81 dB   -22.07 dB      5:45 04-Larks’ Tongues in Aspic III
--------------------------------------------------------------------------------
Number of tracks:  4
Official DR value: DR14
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1410 kbps
Codec:             FLAC
================================================================================

Spectrum





log file

General
Complete name                            : E:\ncore\Side B.flac
Format                                   : FLAC
Format/Info                              : Free Lossless Audio Codec
File size                                : 193 MiB
Duration                                 : 19 min 7 s
Overall bit rate mode                    : Variable
Overall bit rate                         : 1 410 kb/s
Audio
Format                                   : FLAC
Format/Info                              : Free Lossless Audio Codec
Duration                                 : 19 min 7 s
Bit rate mode                            : Variable
Bit rate                                 : 1 410 kb/s
Channel(s)                               : 2 channels
Channel positions                        : Front: L R
Sampling rate                            : 44.1 kHz
Bit depth                                : 24 bits
Stream size                              : 193 MiB (100%)
Writing library                          : libFLAC 1.2.1 (UTC 2007-09-17)


Infos
Cut from the 30th anniversary masters series - overseen and approved by Robert Fripp - Three Of A Perfect Pair is the eleventh release in the King Crimson LP reissue series.
Released in April 1984, Three Of A Perfect Pair is the final part of the band’s 1980s studio trilogy (also including Discipline and Beat).
Crimson’s complex and distinctive mixture of rock, electronica, minimalism, world music, funk and pure pop songs during this period established the band as one of the most innovative artists of the 80s. 


200g edition, cut at Loud Mastering by Jason Mitchell.
Adrian Belew: Voice, Fretted & Fretless Guitar Robert Fripp:¬ Guitar
Tony Levin: Bass, Stick, Synth, Background Voice Bill Bruford: Acoustic & Electronic Drumming
Having released two albums in a nine month period between October 1981 and July 1982, “Three of a Perfect Pair” is the final part of the recorded trilogy begun with “Discipline” and “Beat”. Originally released in April 1984, from the pointillist minimalism of the title track through to the urgent rush of ‘Sleepless’ and the album’s closer ‘Larks’ Tongues in Aspic III’ - the only reference to the 1970s incarnations of the band – Crimson’s distinctive mixture of rock, electronica, funk and pure pop songs, ensured the group’s status as one of the most interesting and innovative bands of the decade.
Following the release of the album, the band embarked on a tour of Japan and from there America and Canada. At the completion of the last date in July 1984, Fripp, Bruford, Levin and Belew went their separate ways to pursue their respective solo commitments. King Crimson would reconvene in the
mid-1990s with a double trio line-up featuring all of the 1908s band members, while the band’s current line-up (2014 – present) features both Robert Fripp and Tony Levin from the 1980s band.
The simultaneous release of Three of a Perfect Pair and Beat completes the availability on vinyl of all King Crimson studio albums from 1969 – 1984 for the first time since the late 1980s and with all titles manufactured on 200 gram vinyl and cut from masters approved by Robert Fripp, they have never sounded better in the 12” format of their original release.
This edition of the album was cut at Loud Mastering by Jason Mitchell.

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