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[摇滚] (Rock) [LP] [24/96] Eagles – On The Border - 1974 (1975 SM Re), FLAC (tracks+.cu

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发表于 2020-9-24 11:46:37 | 显示全部楼层 |阅读模式
Eagles – On The Border
Жанр: Rock
Носитель: LP
Год выпуска: 1974 (1975 Santa Maria Pressing Plant, Repress)
Лейбл: Asylum Records – 7E-1004
Страна-производитель: US
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 32/96
Формат раздачи: 24/96
Продолжительность: 40:31
Треклист:
A1 Already Gone
A2 You Never Cry Like A Lover
A3 Midnight Flyer
A4 My Man
A5 On The Border
B1 James Dean
B2 Ol' 55
B3 Is It True?
B4 Good Day In Hell
B5 Best Of My Love
Источник оцифровки: saidalani
Устройство воспроизведения: Dr. Feickert Blackbird + INERTIA platter
Головка звукоснимателя: Transfiguration Proteus
Предварительный усилитель: Allnic H-3000 (+32 dB GAIN, charge impedance 29 Ohm)
АЦП: Lavry AD11 ---> RME Fireface UC via cable coaxial digital OYAIDE.
Программа-оцифровщик: Adobe Audition CC 2015
Обработка: manual clicks repair
Тех. информация
RIG/EQUIPMENT:
SHUNYATA RESEARCH HYDRA V-RAY VERSION II (Power distribution, conditioner and filter)
WINYL RECORD CLEANER, vinyl record cleaner (if necessary).
ULTRASONIC CLEANING (dual 45-65 kHz) for 60' at 40°C max. with personal blend of wetting agents and surfactants
and final rinse in different ultrasonic bath at 40 Khz.
RCM: Clearaudio Smart Matrix (ClearAudio Pure Groove + goat hair brush)
THE CLEAN Continuous Battery Power Supply (CBPS) Dr. Feickert for turntables.
TURNTABLE: Dr. Feickert Blackbird + INERTIA platter
TONEARM: Reed 3Q 10,5" (Finewire C37 + Cryo WBT Nextgen, Armwand Pernambuco, Headshell with VTA and Azimuth laser adjustment)
CARTRIDGE: Transfiguration Proteus
PHONO STAGE: Allnic H-3000 (+32 dB GAIN, charge impedance 29 Ohm)
ADC SYSTEMS: Lavry AD11 ---> RME Fireface UC via cable coaxial digital OYAIDE.
CABLES:
FONO ACUSTICA ALLEGRO Interconnect balanced Cable XLR 0,5 m (for connecting phono preamp and ADC system)
Synergistic Research USB ACtive SE
Furutech G-314AG-18 High performance Power Cable (4 power cables total)
Synergistic Research SR Core RCA (for connecting signal from the PC to the amplifier)
AND ALSO...
Zerostat 3 Milty
FURUTECH Destat II, Static charge remover
Lyra SPT (stylus performance treatment)
Platterspeed for iPhone (Dr. Feickert) speed verifier
ALLNIC Speednic
The Original Dereneville-Magic-Mat
SOFTWARE:
Adobe Audition CC 2015 (record 32/96)/ASIO RME Fireface
Izotope RX5 Advanced (manual clicks repair)
FLAC FRONTEND v.2.0 using FLAC 1.3.0 (WAV --> FLAC)
PENAUDIO REBEL3 Monitor Loudspeakers
HEGEL 100 Amplifier
RIPPING NOTE:
No Equalization, Minor Click repair (whenever possible an manual mode with Izotope RX), No Noise Reduction and No Normalization.
No silence been removed.
THE DYNAMIC RANGE OF THIS CAPTURE WAS NOT ALTERED IN ANY WAY DURING EDITING.
The two channels have been captured at the same volume level with my ADC system. The imbalance between channels, so you can appreciate, it's own vinyl or behavior of my phono preamp to valves. No two valves are identical. In addition, the azimuth of my tonearm-cartridge is perfectly checked by the device laser, being the difference between channels of ±0,2 db

Спектр

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Уровень записи



Сэмпл
Любой трек

DR12
foobar2000 1.3.9 / Dynamic Range Meter 1.1.0
log date: 2017-01-21 14:18:51
--------------------------------------------------------------------------------
Analyzed: Eagles / On the border {US Repress SM}
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -2.54 dB -16.62 dB 4:17 ?-A1 Already Gone
DR12 -1.83 dB -18.78 dB 4:01 ?-A2 You Never Cry Like A Lover
DR13 -0.70 dB -16.56 dB 3:59 ?-A3 Midnight Flyer
DR13 -2.55 dB -18.07 dB 3:35 ?-A4 My man
DR13 -1.41 dB -18.24 dB 4:24 ?-A5 On The Border
DR12 -1.13 dB -15.79 dB 3:39 ?-B1 James Dean
DR12 -1.58 dB -17.11 dB 4:22 ?-B2 Ol' 55
DR12 -1.89 dB -16.89 dB 3:15 ?-B3 Is It True
DR12 -0.13 dB -15.46 dB 4:28 ?-B4 Good Day In Hell
DR11 -4.52 dB -18.61 dB 4:31 ?-B5 Best of my love
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2695 kbps
Codec: FLAC
================================================================================

Personel
Art Direction, Design – Gary Burden
Electric Guitar [Late Arrival] – Don Felder
Engineer [Assistants] – Allan Blazek (tracks: A1, A3 to B4), Gary Ladinsky (tracks: A1, A3 to B4), Rob Thaer (tracks: A2, B5)
Handclaps – The Clapetts (tracks: A5)
Mastered By [Runout Etch] – LH*
Painting [Cover] – Beatian Yazz
Photography By – Henry Diltz
Producer, Engineer – Bill Szymczyk (tracks: A1, A3 to B4), Glyn Johns (tracks: A2, B5)
Remix – Bill Szymczyk
Typography [Lettering] – Rick Griffin (2)
Vocals, Bass – Randy Meisner
Vocals, Drums – Don Henley
Vocals, Guitar, Banjo, Steel Guitar – Bernie Leadon
Vocals, Guitar, Piano – Glenn Frey

Доп. информация
Recorded At – Record Plant, Los Angeles
Recorded At – Olympic Studios
Mastered At – Sterling Sound
Pressed By – Columbia Records Pressing Plant, Santa Maria
Produced For – Pandora Productions Ltd.
Manufactured By – Elektra/Asylum/Nonesuch Records
Designed At – R. Twerk & Co.
Phonographic Copyright (p) – Asylum Records
Copyright (c) – Asylum Records
Ⓟ© 1974 By Asylum Records
Santa Maria Pressing (CSM) with variant center labels (typeset) from this presumed CSM press by same catalog #.
Textured sleeve
Recorded at Record Plant, Los Angeles
A2, B5 recorded at Olympic Studios, London
A3 - BMI; all others ASCAP
Barcode and Other Identifiers
Matrix / Runout (A Side Etch, except Sterling Stamp): 7E 1004 A - 4 CSM D-1 STERLING LH E 2
Matrix / Runout (B Side Etch, except Sterling Stamp): 7E-1004 B -5 CSM D-1 STERLING 2 LH "̶H̶e̶ ̶W̶h̶o̶ ̶H̶e̶s̶i̶t̶a̶t̶e̶s̶ ̶I̶s̶ ̶L̶u̶n̶c̶h̶"̶

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