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[摇滚] (Psychedelic) [LP][24/96] Syd Barrett - The Madcap Laughs [180g Simply Vinyl, SV

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发表于 2020-9-24 12:00:33 | 显示全部楼层 |阅读模式
Syd Barrett - The Madcap Laughs [180g Simply Vinyl, SVLP 289]
Жанр: Psychedelic
Год выпуска пластинки: 2000
Release Date: Jan 3, 1970
Recording Date: May 28, 1968-Aug 5, 1969
Label: Simply Vinyl
Catalogue №: SVLP 289
Studio / Live: Studio
Mono/Stereo: Stereo
Аудио кодек: FLAC
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 00:37:48
Источник: скачано из сети
Релизер: Kel bazar
Сканы: нет
Трэклист:
1. Terrapin
2. No Good Trying
3. Love You
4. No Man's Land
5. Dark Globe
6. Here I Go
7. Octopus
8. Golden Hair
9. Long Gone
10. She Took a Long Cold Look
11. Feel
12. If It's in You
13. Late Night
Состав/Credits:
Syd Barrett Guitar, Vocals, Producer
David Gilmour Bass, Guitar, Producer
Roger Waters Bass, Producer
Hugh Hopper Bass
Mike Ratledge Keyboards
Vic Seywell Horn
John Wilson Drums
Robert Wyatt Drums
Технические данные
TT: Technics SL 120 with SME 3009 tonearm
Cartridge: Ortofon Concorde OM 30 MM
Phono amp: Pro-Ject Tube Box II with 2X 12AX 7A
Cables: Wire World Solstice 5.2
Computer: Sony Vaio
DAC: Tascam US-144 external USB 2.0 Audiointerface
Software: Audacity, ClickRepair

АЧХ и Спектр 4 - No man's land





АЧХ и Спектр 5 - Dark globe





AMG
Allmusic.com rating 4.5 out 5 Stars. Album Pick!
Wisely, The Madcap Laughs doesn't even try to sound like a consistent record. Half the album was recorded by Barrett's former bandmates Roger Waters and Dave Gilmour, and the other half by Harvest Records head Malcolm Jones. Surprisingly, Jones' tracks are song for song much stronger than the more-lauded Floyd entries. The opening "Terrapin" seems to go on three times as long as its five-minute length, creating a hypnotic effect through Barrett's simple, repetitive guitar figure and stream of consciousness lyrics. The much bouncier "Love You" sounds like a sunny little Carnaby Street pop song along the lines of an early Move single, complete with music hall piano, until the listener tries to parse the lyrics and realizes that they make no sense at all. The downright Kinksy"Here I Go" is in the same style, although it's both more lyrically direct and musically freaky, speeding up and slowing down seemingly at random. Like many of the "band" tracks, "Here I Go" is a Barrett solo performance with overdubs by Mike Ratledge, Hugh Hopper, and Robert Wyatt of the Soft Machine; the combination doesn't always particularly work, as the Softs' jazzy, improvisational style is hemmed in by having to follow Barrett's predetermined lead, so on several tracks, like "No Good Trying," they content themselves with simply making weird noises in the background. The solo tracks are what made the album's reputation, though, particularly the horrifying "Dark Globe," a first-person portrait of schizophrenia that's seemingly the most self-aware song this normally whimsical songwriter ever created. Honestly, however, the other solo tracks are the album's weakest tracks, with the exception of the plain gorgeous "Golden Hair," a musical setting of a James Joyce poem that's simply spellbinding. The album falls apart with the appalling "Feel." Frankly, the inclusion of false starts and studio chatter, not to mention some simply horrible off-key singing by Barrett, makes this already marginal track feel disgustingly exploitative. But for that misstep, however, The Madcap Laughs is a surprisingly effective record that holds up better than its "ooh, lookit the scary crazy person" reputation suggests.
                                                                                                                                                               
                       
                       
                       
                       
                       
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