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[摇滚] (Rock) [LP] [24/96] Pink Floyd - Pulse - 1995, FLAC (tracks) 4 LP Live Boxset [U

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发表于 2020-9-24 12:01:01 | 显示全部楼层 |阅读模式
Pink Floyd - P U L S E
Жанр: Rock
Год выпуска: 1995
Лейбл: EMI – 7243 8 32700 1 9
Страна-производитель: UK
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 147:59
Источник оцифровки: avaxhome
Код класса состояния винила: NM
Треклист
A1 Shine on You Crazy Diamond 13:30
A2 Astronomy Domine 5:25
A3 What Do You Want From Me 4:10B1 Learning to Fly 5:06
B2 Keep Talking 6:56
B3 Coming Back to Life 6:31C1 Hey You 4:50
C2 A Great Day for Freedom 4:20
C3 Sorrow 10:30D1 High Hopes 7:50
D2 Another Brick in the Wall (Part Two) 6:50
D3 One of These Days 6:51E1 Speak to Me 2:28
E2 Breathe 2:40
E3 On the Run 3:41
E4 Time 6:48F1 The Great Gig in the Sky 5:51
F2 Money 8:46G1 Us and Them 7:08
G2 Any Colour You Like 3:19
G3 Brain Damage 4:02
G4 Eclipse 1:38H1 Wish You Were Here 5:40
H2 Comfortably Numb 9:10
H3 Run Like Hell 7:58

Album
Pink Floyd - Pulse (1995) {Original UK 4 LP Boxset} | 24-bit/96kHz Ultimate Master Vinyl Rip
Posted : 24 Nov 2011 22:06:25 | FLAC | ArtworkPulse is a live album by English progressive rock band Pink Floyd, released through EMI Records on 29 May 1995 in the United Kingdom and by Columbia Records on 6 June 1995 in the United States, containing songs from their albums.1995 Pulse [180 gram], [33 rpm], [Bonus Tracks], [Box Set], [Live]
United Kingdom Vinyl LP EMI 7243 8 32700 1 9
Recorded live in Europe and the UK with Le Voyageur 11 Mobile.
Mixed at Astoria in Q Sound.
Mastered at The Mastering Lab.
Includes one more track than the CD releases (D3 One Of These Days).
Side E-G: The Dark Side Of The Moon Live.
Side H: Encores
Packaged in a hard box with a 48 page hardback book featuring credits and colour photographs from the concerts.
Barcode and Other Identifiers:
Label Code: LC 0542Pink Floyd
David Gilmour – electric, acoustic and lap steel guitars, lead vocals, duet on "Comfortably Numb" (choruses)
Nick Mason – drums, percussion
Richard Wright – keyboards, backing vocals, duet on "Astronomy Domine", "Time", and "Comfortably Numb" (verses)
Additional musicians
Sam Brown – backing vocals, first lead vocalist on "The Great Gig in the Sky", duet on "Comfortably Numb" (choruses)
Jon Carin – keyboards, backing vocals, programming, duet on "Hey You", "Breathe", and "Comfortably Numb" (verses)
Claudia Fontaine – backing vocals, third lead vocalist on "The Great Gig in the Sky"
Durga McBroom – backing vocals, second lead vocalist on "The Great Gig in the Sky"
Dick Parry – saxophones
Guy Pratt – bass guitar, backing vocals, duet on "Comfortably Numb" (verses) and "Run Like Hell"
Tim Renwick – guitars, backing vocals
Gary Wallis – percussion, additional drums (played and programmed)

Art




















Technical
Vinyl Ripping Process/Equipment
VPI 16.5 RCM
Turntable: VPI Scoutmaster
Tonearm: Trans-Fi Termninator
Cartridge: Audio-Technica AT33PTG/II
Phone Stage: Cinemag SUT feeding a Marantz 2220B
Digital Interface: E-MU 1212
Recording Software: Adobe Audition 3.01
Recording Bitrate/Sample Rate: 192/24
Post Processing
Run thru ClickRepair at level 10 with
Pitch Protection | off
Reverse | on
Simple
Resample to 96khz in Izotope Rx2 using the default preset
Manually listen to album in Adobe Audition cleaning any clicks/anomalies
Flac with Xrecode IIWhat Exactly Is An "Ultimate Master"
It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly"  named rips now I guess I should explain.
I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent the best source 95% of the time.





                                                                                                                                                               
                       
                       
                       
                       
                       
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