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[摇滚] (Rock) [MB] [24/192] The Beatles - Hey Jude (7 1/2 ips Reel to Reel) - 1969, FLA

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发表于 2020-9-24 12:01:14 | 显示全部楼层 |阅读模式
The Beatles - Hey Jude
Жанр: Rock
Носитель: MB
Год выпуска: 1969
Лейбл: Apple Records ‎– L 385
Страна-производитель: US
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: f32/192
Формат раздачи: 24/192
Продолжительность: 33:27
Треклист:
A1 Hey Jude
A2 Old Brown Shoe
A3 Don't Let Me Down
A4 Ballad Of John & Yoko
B1 Can't Buy Me Love
B2 I Should Have Known Better
B3 Paperback Writer
B4 Rain
B5 Lady Madonna
B6 Revolution
Источник оцифровки: третьим лицом
Скорость ленты: 7,5 ips (19,05 см/сек)
Устройство воспроизведения: 1970 Akai X-1800SD
АЦП: Xonar D1
Программа-оцифровщик: Adobe Audition CC 2017
Спектр



АЧХ



Уровень записи



DR10
foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2018-05-27 09:11:45
--------------------------------------------------------------------------------
Analyzed: The Beatles / Hey Jude
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -6.78 dB -23.41 dB 7:12 01-A1 Hey Jude
DR11 -2.10 dB -14.94 dB 3:22 02-A2 Old Brown Shoe
DR10 -3.15 dB -14.54 dB 3:39 03-A3 Don't Let Me Down
DR11 -1.00 dB -14.42 dB 3:00 04-A4 The Ballad Of John And Yoko
DR10 -1.00 dB -13.92 dB 2:14 05-B1 Can't Buy Me Love
DR10 -2.05 dB -15.21 dB 2:46 06-B2 I Should Have Known Bette
DR9 -3.19 dB -13.72 dB 2:21 07-B3 Paperback Write
DR9 -3.39 dB -14.86 dB 3:05 08-B4 Rain
DR10 -2.74 dB -14.85 dB 2:20 09-B5 Lady Madonna
DR11 -4.03 dB -16.95 dB 3:27 10-B6 Revolution
--------------------------------------------------------------------------------
Number of tracks: 10
Official DR value: DR10
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5134 kbps
Codec: FLAC
================================================================================

Personel
Джон Леннон (John Lennon) — ведущий вокал (2, 4, 6, 9—10), бэк-вокал (3, 5, 7—8), губная гармоника (2), соло-гитара (10), ритм-гитара (1-7, 9—10), перкуссия (5—6, 10);
Пол Маккартни (Paul McCartney) — ведущий вокал (1, 3, 5, 7), бэк-вокал (4, 6, 8—10), соло-гитара (3), фортепиано (5, 7—8), Hammond-орган (6), бас-гитара (1—7, 9—10), ударные (10), перкуссия (5—6, 10);
Джордж Харрисон (George Harrison) — ведущий вокал (8), бэк-вокал (3—5, 7, 9), соло-гитара (1—9), ритм-гитара (8), бас-гитара (8), перкуссия (5—6);
Ринго Старр (Ringo Starr) — бэк-вокал (7), ударные (1—9), перкуссия (3—7).
Приглашённые музыканты:
Ники Хопкинс (Nicky Hopkins) — электропианино (6);
Билли Престон (Billy Preston) — Hammond-орган (9);
Ронни Скотт (Ronnie Scott) — тенор-саксофон (5);
Билл Поуви (Bill Povey) — тенор-саксофон (5);
Хэрри Кляйн (Harry Klein) — баритон-саксофон (5);
Билл Джэкман (Bill Jackman) — баритон-саксофон (5).

About

Eng
Hey Jude (original title: The Beatles Again) is a 1970 collection of non-album singles and B-sides by the Beatles. It included "I Should
Have Known Better" and "Can't Buy Me Love", two singles released by Capitol Records whose only previous American album appearance had
been on the A Hard Day's Night soundtrack album, which had been released by United Artists Records. The Hey Jude LP had been out of print
since the late 1980s, although it remained available on cassette during the 1990s. The album was issued on CD for the first time in 2014,
as an individual release and in a box set titled The U.S. Albums.
History:
The Hey Jude album was a project conceived by Allen Klein and Apple Records. Klein had negotiated a more lucrative contract for the Beatles
in 1969 and was keen to maximise the band's income through the release of a new album. He directed Allan Steckler of Abkco/Apple to work on
one. Steckler chose songs that had not appeared on a Capitol album in the United States and which spanned the group's career. He also
focused more on recent singles than on earlier material. The absence of the songs from a US Capitol album was partially a consequence of
the Beatles' unwillingness to include single releases on their contemporaneous albums, partially a consequence of their arrangement with
United Artists in 1964 and partially due to the habit (of EMI affiliates worldwide) of recompiling the Beatles' British releases for local
markets. Steckler chose not to include the original Parlophone single version of "Love Me Do"; "A Hard Day's Night", which had been released
as a single by Capitol and was available on the United Artists soundtrack album; "I'm Down", which was the B-side of "Help!"; and "The Inner
Light", the B-side of "Lady Madonna". He also overlooked "From Me to You", "Misery" and "There's a Place", which were first issued in the US
by Vee Jay Records but had not yet been issued on a Capitol album. "Sie Liebt Dich", a German-language version of "She Loves You", and the
single version of "Get Back" were also passed over. (The single version of "Let It Be" and its B-side, "You Know My Name (Look Up the
Number)", had yet to be released.)
Steckler and Apple had become disappointed with the Capitol Records release schedules and determined to promote the new album themselves.
Steckler also took the tapes to Sam Feldman at Bell Sound Studios for mastering, rather than delivering them to Capitol. He would do this
for several releases thereafter.
Originally, the album was to be called The Beatles Again. Shortly before the record was released, however, the title was changed to Hey Jude
in order to promote the inclusion of the top-selling song that led off side two. The name-change occurred after the record labels were printed,
and an untold number of copies of the LP were sold with labels with the title The Beatles Again. This was also true for cassette copies of the
album, which retained the original title. Neither the front nor the back of the album jacket displayed the record's title (or the name of the
band), but most copies were sold in a jacket whose spine read Hey Jude. In an attempt to clear up any confusion caused by the preprinted labels,
initial copies of the album displayed a sticker on the cover bearing the title Hey Jude. The edition of the album with The Beatles Again label
bore catalogue number SO-385 on the label but not on the jacket. This is because of a similarly timed decision to reduce the price from $6.98
(SO- prefix) to $5.98 (SW- prefix). The record jacket was prepared late enough so that it lists the catalogue number as SW-385. The SW-385
catalogue number appears on the label of later pressings that bear the title Hey Jude on the label.
Klein authorized the release of the album as a sales buffer during post-production of the delayed Let It Be album. In 2007 Neil Aspinall claimed
that the back cover was supposed to be the front cover and vice versa but that Klein had reversed them in error. However, at least three prototype
cover designs are known to exist, with the earliest of those showing the photos "reversed": the art department seemingly made the determination
that the photo that now appears on the front cover was better suited for that purpose. The front and back cover pictures were taken at the
last-ever Beatles photo session, on 22 August 1969, at John Lennon's home Tittenhurst Park.
Release:
The compilation was released in many countries, including the United States, Canada, Australia, Spain, Germany, France, Greece, Japan, Mexico
and most of South America. It was also available to other countries as an "export" from Britain (Parlophone/Apple CPCS-106) but was not at
first issued in Britain, although it was a popular import to the UK. The first issue in New Zealand was on the gloss black Apple label with
the catalogue number CPCS-106. The matrix numbers were identical to those on the UK "export" issue. Because of its popularity worldwide,
EMI issued Hey Jude in Britain on the Parlophone label on 11 May 1979 (catalogue number PCS 7184). Until the release of 1967–1970 in 1973,
Hey Jude was the only way to own the extremely popular "Hey Jude" single on LP or in a stereo mix. The songs "Rain", "Lady Madonna" and
"Revolution" were also first mixed for stereo specifically for this album. Prior to the release of the "Get Back" single in the spring of
1969, all Beatles singles were issued in mono in the US. Several other countries adopted the original The Beatles Again title. Of these,
the Spanish release omitted "Ballad of John and Yoko", due to that song having been deemed offensive. (In addition to making repeated
mention of Christ and crucifixion, the lyrics contain the line "Gibraltar near Spain" at a time when Spain's Franco administration was
contending with the UK over the ownership of Gibraltar.)
On the reel-to-reel and cassette tape releases, sides one and two are reversed. Although it is clear on the vinyl version that "Hey Jude"
opens side two, when compiling this issue for audio tape, some compilers (at Capitol and Ampex) thought to make the change, which resulted
in "Hey Jude" leading off the album. This was done because side two was the longer side, and it was the practice in some tape formats to
lead the album with the longer side to avoid a large gap in the "middle" of the tape.
The CD era saw the standardizing of the Beatles' discographies worldwide, and for many years the Hey Jude album was not available in that
format. In January 2014 Hey Jude was issued on CD both individually and in an American Beatles album compilation box set.

Rus
26 февраля 1970 года американская компания грамзаписи Capitol Records — по соглашению с британской корпорацией Apple — выпустила альбом-сборник группы The Beatles под названием Hey Jude.
Релиз имел огромный успех и продержался на второй строчке американских хит-парадов четыре недели.
Нацеленный прежде всего на американский рынок сбыта, лонгплей (LP) изначально должен был носить название The Beatles Again (“И снова The Beatles”),
и часть тиража виниловых «блинов» даже была произведена именно с этим названием на круглой этикетке, но в последний момент было принято решение о замене названия на Hey Jude,
скорее всего, с целью продвижения по тем временам неимоверно длинного (7:05) титульного трека, с которого начиналась вторая сторона пластинки.
Вскоре, именно из-за этой песни, на многих радиостанциях будет пересмотрен формат максимальной длительности воспроизведения для любой транслируемой песни,
в те времена типично не превышавший пару-тройку минут. На кассетной версии релиза (MC) стороны были умышленно поменяны местами, чтобы по сложившейся тогда традиции не оставлять
пустым большой кусок магнитной ленты в конце первой стороны кассеты.
В сборник вошла подборка из 10 песен, лично отобранных представителем компании Abkco/Apple Алланом Стеклером (Allan Steckler) с различных синглов (SP) этой,
к тому времени невероятно популярной во всём мире британской группы, ранее не выходивших на пластинках Capitol Records (компании, представившей и «раскрутившей» The Beatles в США),
при этом большинство из них именно на этом релизе впервые зазвучали в формате STEREO.
Hey Jude был издан и разошелся миллионными тиражами не только в США, но и в Канаде, Австралии, Германии, Франции, Греции, Японии, Мексике и в большинстве других стран Южной Америки.
В «экспортном» британском варианте (Parlophone/Apple CPCS-106) он стал продаваться по всему свету только лишь с 11 мая 1979 года.
На настоящее время Hey Jude имеет статус трижды «платинового» альбома, и это только по официальным данным Американской ассоциации звукозаписывающих компаний (RIAA).
К тому же, касательно объёмов продаж этого альбома, похоже, ещё рано подводить окончательные итоги, так как 20 января 2014 года Hey Jude был наконец-то официально выпущен на компакт-диске (CD),
как отдельно, так и в комплекте с 12 другими американскими альбомами The Beatles, поступившими в продажу в виде коллекционного бокс-сета Ladies & Gentlemen, The Beatles! («Дамы и господа, The Beatles!»)
с сохранением оригинального оформления каждого релиза.
Выпуск коллекции приурочен к 50-летию начала массовой «битломании» в США после прибытия ливерпульской четвёрки в нью-йоркский аэропорт им. Джона Кеннеди 7 февраля 1964 года
и выступления с 5 песнями в телешоу Эда Салливана (Ed Sullivan), прямую трансляцию которого компания CBS осуществила в воскресенье 9 февраля.
Согласно официальным данным в тот вечер у голубых экранов собралось рекордное количество телезрителей — без малого 10 миллионов американцев и еще несколько миллионов канадцев.


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