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[摇滚] (New Wave) [LP] [24/96] Elvis Costello - This Year's Model (1978) - 2010, FLAC (

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发表于 2020-9-24 12:20:50 | 显示全部楼层 |阅读模式
Elvis Costello - This Year's Model (1978)
Жанр: New Wave
Год выпуска: 2010
Лейбл: Mobile Fidelity MFSL 1-330 180g LP
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:32:39
Треклист:
Side one
01. "No Action" – 1:58
02. "This Year's Girl" – 3:17
03. "The Beat" – 3:45
04. "Pump It Up" – 3:14
05. "Little Triggers" – 2:40
06. "You Belong to Me" – 2:22
Side two
07. "Hand in Hand" – 2:33
08. "Lip Service" – 2:36
09. "Living in Paradise" – 3:52
10. "Lipstick Vogue" – 3:29
11. "Radio, Radio" – 3:05
All songs written by Elvis Costello.
Personnel
* Elvis Costello – guitar, vocals
* Steve Nieve – piano, organ
* Bruce Thomas – bass
* Pete Thomas – drums
Источник оцифровки: aksman, AvaxHome
Код класса состояния винила: Ex
Устройство воспроизведения: Music Hall MMF 9.1 Turntable
Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp)
АЦП: E-MU 0404 external USB 2.0 Audiointerface
Программа-оцифровщик: WaveLab 6 recording software
Обработка: manual click removal
Спектр, АЧХ, Уровень записи



Доп. информация:
Техническая информация
Technical Log
RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering
Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Personal Note from aksman
With my vinyl rips I try to catch the whole beauty of records. Therefore I don't use any post-processing or any sound improver. What you get is a clear and flat transfer.
For getting a clear sound I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing for each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to loose any musical information.
Surface noises, as long they are not to high, are left in place. Only on bad pressings or on records recorded with extremly low level I do a fade in-/-out. As John Peel said, 'Life is full of surface noises'.
In some cases this means I have to do a compromise... The result has to pass my personal quality criteria which is IMO quite high.
                                                                                                                                                               
                       
                       
                       
                       
                       
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