Nazareth - Greatest Hits
Жанр: Hard Rock
Год выпуска: 1975
Лейбл: VERTIGO, STEMRA, 6370 411
Страна-производитель: Netherlands
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:43:49
Треклист:
01 - Razamanaz (03:50)
02 - Holy Roller (03:24)
03 - Shanghai'd In Shanghai (03:44)
04 - Love Hurts (03:53)
05 - Turn On Your Reciever (03:20)
06 - Bad Bad Boy (03:57)
Side 2
07 - This Flight Tonight (03:23)
08 - Broken Down Angel (03:42)
09 - Hair Of The Dog (03:19)
10 - Sunshine (03:48)
11 - My White Bicycle (03:32)
12 - Woke Up This Morning (03:51)
Credits & Notes
Credits▼
Bass – Pete Agnew
Drums – Darrell Sweet
Guitar – Manny Charlton
Vocals – Dan McCafferty
Mastered By – John Punter
Photography By – Chuck Pulin, Colin Mac Donald*
Producer – Manny Charlton (tracks: A2, A4, B3, B5), Roger Glover (tracks: A1, A3, A5 to B2, B4, B6)
Sleeve, Design, Illustration – Petagno III*
Written-By – Nazareth (2) (tracks: A1 to A3, A5, A6, B2 to B4, B6)
Notes▼
Information on backcover:
(P) 1972: B6
(P) 1973: A1, A5 to B2
(P) 1974: A3, A4, B4
(P) 1975: A2, B3, B5 Mountain Records Ltd.
Information on labels:
Side A: (P) 1973 (1,5,6,) 1974 (3,4) 1975 (2) Mountain Records Ltd.
Side B: (P) 1973 (1,2,6) 1974 (4) 1975 (3,5) Mountain Records Ltd.
A1, A3, A5, A6, B2 to B4, B6: Mountain Music Ltd./Carlin Music Corp.
A2: Naz Songs/Panache Music Ltd.
A4: Acuff-Rose Music Ltd.
B1: Warner Bros. Music Ltd.
B5: Getaway Music (Carlin Music Corp.)
Barcode and Other Identifiers▼
Other (Rights Society): STEMRA
Источник оцифровки: Великий и "ужасный" Анонимус, AvaxHome
Код класса состояния винила: Ex
Устройство воспроизведения: VPI Scoutmaster
Головка звукоснимателя: Audio-Technica AT33PTG/II
Предварительный усилитель: Cinemag SUT feeding a Marantz 2220B
АЦП: E-MU 1212
Программа-оцифровщик: Adobe Audition 3.01
Обработка: В технической информации
Спектр, АЧХ, Уровень записи
Доп. информация:
Техническая информация
Vinyl Ripping Process/Equipment
VPI 16.5 RCM
Turntable: VPI Scoutmaster
Tonearm: Trans-Fi Termninator
Cartridge: Audio-Technica AT33PTG/II
Phone Stage: Cinemag SUT feeding a Marantz 2220B
Digital Interface: E-MU 1212
Recording Software: Adobe Audition 3.01
Recording Bitrate/Sample Rate: 192/24
Post Processing
Run thru ClickRepair at level 10 with
Pitch Protection | off
Reverse | on
Simple
Resample to 96khz in Izotope Rx2 using the default preset
Manually listen to album in Adobe Audition cleaning any clicks/anomalies
Flac with Xrecode II
What Exactly Is An "Ultimate Master"
It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be
a lot "similarly" named rips now I guess I should explain.
I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the
source material, it has always been about finding the best source. Now my opinion of the best source is subject to
change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just
try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or
japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent
the best source 95% of the time.
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发表于 2020-9-24 12:23:09
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