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[流行音乐] [TR24][OF] Karen O & Danger Mouse - Lux Prima - 2019 (Progressive Pop, E

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发表于 2020-9-24 12:24:06 | 显示全部楼层 |阅读模式
Karen O & Danger Mouse - Lux Prima
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2019
Жанр: Progressive Pop, Electro Pop
Издатель (лейбл): BMG
Продолжительность: 00:40:42
Наличие сканов в содержимом раздачи: Только обложка альбома
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.comТреклист
1. Lux Prima (09:02)
2. Ministry (05:06)
3. Turn the Light (03:19)
4. Woman (02:54)
5. Redeemer (03:49)
6. Drown (03:26)
7. Leopard's Tongue (03:13)
8. Reveries (03:44)
9. Nox Lumina (06:09)
Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-03-16 01:03:54
--------------------------------------------------------------------------------
Analyzed: Karen O / Lux Prima
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR7       -0.30 dB    -9.69 dB      9:03 01-Lux Prima
DR8       -0.31 dB   -10.66 dB      5:06 02-Ministry
DR9       -0.30 dB   -11.14 dB      3:19 03-Turn The Light
DR8       -0.30 dB    -9.55 dB      2:55 04-Woman
DR8       -0.30 dB    -9.96 dB      3:49 05-Redeemer
DR9       -0.30 dB   -11.09 dB      3:26 06-Drown
DR10      -0.30 dB   -11.68 dB      3:13 07-Leopard's Tongue
DR9       -0.59 dB   -13.12 dB      3:44 08-Reveries
DR7       -0.30 dB   -11.40 dB      6:09 09-Nox Lumina
--------------------------------------------------------------------------------
Number of tracks:  9
Official DR value: DR8
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2673 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
Icons Karen O and Danger Mouse (a.k.a. Brian Burton) release their first recording as a duo, Lux Prima. The song is the first to be released from a forthcoming joint album. “After making music for the past twenty years and embarking on making this record with Brian I knew a couple things: one was that the spirit of collaboration between us was going to be a pure one, and two was that the more I live the less is clear to me,” said O. “When you create from a blurry place you can go places further than you’ve ever been. I think we both were excited to go far out.” In addition to four albums with Yeah Yeah Yeahs and a solo album, Crush Songs, Grammy-nominated O has contributed to soundtracks for Where The Wild Things Are and Her, for which she was nominated for an Oscar. Grammy-winning artist Danger Mouse’s projects include Gnarls Barkley, Broken Bells and Danger Doom as well as work with Adele, Gorillaz, ASAP Rocky and beyond.
“An Encounter with Lux Prima” is an immersive, communal listening experience soundtracked by the album, uniting their singular creative vision with groundbreaking audiovisual technologies. “An Encounter” sees the duo collaborate with an illustrious cast of fellow artists including creative director Barnaby Clay (David Bowie—“Life On Mars” Revisited, SHOT!), Oscar-nominated sound designer Ren Klyce (Star Wars: The Last Jedi, Fight Club), renowned lighting designer Tobias Rylander (Robyn, The xx, FKA twigs), visual artist Davy Evans and creative consultant Warren Fu (Daft Punk, The Weeknd, Depeche Mode) to bring Lux Prima to life. Further collaborating with projection mapping innovator Travis Threlkel—co-founder and chief creative officer of MSG’s Obscura Digital, George Lucas’ Skywalker Sound and Meyer Sound, the installation plays across every sense and is intended as the living, touring nucleus of the duo’s forthcoming collaborative album, Lux Prima. “An Encounter with Lux Prima” is executive produced by the Madison Square Garden Company and Like Mgmt.
Lux Prima, the first collaboration from the iconic Yeah Yeah Yeahs frontwoman and the legendary musician-producer, is due March 15 on BMG. Stream “Woman,” which Rolling Stone calls “potent” while Stereogum praises O’s “vocal fireworks,” here and the album’s title track here, which The New York Times lauded, saying “Oblivion sounds luxurious and blissful.”
                                                                                                                                                               
                       
                       
                       
                       
                       
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