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[爵士和蓝调] [TR24][OF] George Gruntz - Noon In Tunisia - 1967/2016 (Ethnic Jazz)

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发表于 2020-9-24 12:50:21 | 显示全部楼层 |阅读模式
George Gruntz - Noon In Tunisia
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1967/2016
Жанр: Ethnic Jazz
Издатель (лейбл): MPS Records
Продолжительность: 37:56
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Salhe (1:08)
02. Maghreb Cantata (18:41)
03. Buanuara / Fazani (12:13)
04. Nemeit (5:55)
Personnel:
George Gruntz - piano
Jelloul Osman - bagpipes
Hattab Jouini - goblet drum
Salah El Mahdi - goblet drum
Salah El Mahdi - ney
Moktar Slama - oboe
Hattab Jouini - percussion
Moktar Slama - percussion
Salah El Mahdi - percussion
Jelloul Osman - percussion
Sahib Shihab - soprano saxophone, flute, tambourine
Hattab Jouini - tabla
Jelloul Osman - tabla
Jean Luc Ponty - violin
Eberhard Weber - bass
Daniel Humair - drums
Rec.: MPS Tonstudio, Villingen, Schwarzwald, Germany, June 2 & 3, 1967.
Об альбоме
Renowned Swizz pianist/composer George Gruntz became entranced by the music of the North African Maghreb on his 1964 visit to Tunisia. Over the next few years he revisited the area, taking in the melodies, rhythms, and improvisational styles of a Bedouin music rooted in 1000 years of nomadic culture. With the intent of integrating this music with jazz, Gruntz assembled the crème of the Bedouin players and a top-flight group of like-minded jazz musicians.
Sahle, the divine demon who gave voice and song to the people of the desert, serves as a brief vocal introduction to the meat of the album, Gruntz’s six-movement Maghreb Contata. In the first movement, Tikhbar, the musicians get to know each other in this cohering group improvisation. The Ghitta is both a rhythm and a name for the African oboe, played here by the instrument’s leading exponent, Moktar Slama, with soprano and nay (bamboo flute) joining in on this passionate percussive mix. The Alaji rhythm features a duo between French violin great Jean-Luc Ponty and bassist Eberhard Weber. On the meditative pastoral Djerbi Salah El Mahdi improvises on the nay with impressive piano backing. The pulsating M’rabaa rhythm features outstanding oboe and soprano solos. The Contata continues with Buanuara (the man who carries the flower) with its intense climax of cross-rhythms and mixture of solo and group play, and Fazani, a Bedouin theme transformed into jazz riff as percussion and wind instruments pound out their impression of the Maghreb. Nemeit, the “Song of Loneliness”, combines North African song form and modern jazz harmonies as a fitting end to this amalgam of music fired in the heat and passion of North Africa.

AllMusic Review by Ken Dryden
George Gruntz organized this studio recording as an opportunity for blending the worlds of jazz and Arabian music, though utilizing original music of his own. With Sahib Shihab (soprano sax, flute, and tambourine), violinist Jean-Luc Ponty, bassist Eberhard Weber, and drummer Daniel Humair, plus four Bedouin musicians playing traditional Arabian reed, string, and percussion instruments, Gruntz conceived the nearly 31-minute six-part "Maghreb Cantata" as the centerpiece of the date. The composer's themes are essentially brief modal statements utilized as jumping-off points for the musicians' improvisations. Bracketing the suite are two vocal numbers that incorporate the chanting of centuries-old Arab poems. Open-minded jazz fans will find this unusual session both intriguing and infectious. Issued by Saba and long out of print, this disc was finally reissued on CD by Universal in Japan, complete with the original liner notes and photos in a mini-LP format.

Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88,2
Количество каналов: 2.0
Лог проверки качества

foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-05-22 16:49:28
--------------------------------------------------------------------------------
Analyzed: George Gruntz / Noon In Tunisia
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR8       -6.81 dB   -18.39 dB      1:08 01-Salhe
DR11      -1.96 dB   -15.68 dB     18:41 02-Maghreb Cantata
DR10      -1.21 dB   -14.80 dB     12:13 03-Buanuara / Fazani
DR10      -2.63 dB   -15.37 dB      5:55 04-Nemeit
--------------------------------------------------------------------------------
Number of tracks:  4
Official DR value: DR10
Samplerate:        88200 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2681 kbps
Codec:             FLAC
================================================================================

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