The Horace Silver Quintet – The Tokyo Blues (1962/2010)
Жанр: Jazz, Hard Bop
Носитель: SACD
Год издания: 1962/2010
Издатель: Analogue Productions
Номер по каталогу: CBNJ 84110 SA
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:39:55
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.36
Релизёр:
Треклист:
01.Too Much Sake 06:45
02.Sayonara Blues 12:11
03.The Tokyo Blues 07:37
04.Cherry Blossom 06:11
05.Ah! So 07:12
SACD+Back
The Tokyo Blues
Mastered for SACD by Kevin Gray & Steve Hoffman at AcousTech Mastering.
Tokyo Blues, a quintessential mid-’60s Blue Note session, is Horace Silver’s tribute to the Japanese people who have long supported his funky, Latin-flavored modern jazz. American jazz has always been wildly popular in Japan, & this album is Silver’s homage to the many fans that he has encountered on various triumphant tours of the island nation. While Silver’s trademark funky Latin/swing is at the forefront, the inspiration of eastern delights is clearly evident in all aspects of this grooving date.
Allmusic.com
Review by Steve Leggett:
Following a series of concert dates in Tokyo late in 1961 with his quintet, Horace Silver returned to USA with his head full of the Japanese melodies he had heard during his visit, & using those as a springboard, he wrote 4 new pieces, which he then recorded at sessions held on July 13 & 14, 1962, along with a version of Ronnell Bright’s little known ballad “Cherry Blossom.” One would naturally assume the resulting album would have a Japanese feel, but that really isn’t the case. Using Latin rhythms & the blues as a base, Silver’s Tokyo-influenced compositions fit right in with the subtle cross-cultural, but very American, hard bop he’d been doing all along. Using his usual quintet, with drummer Joe Harris filling in for an ailing Roy Brooks, Silver’s compositions have a light, airy feel, with plenty of space, & no one used that space better at these sessions than Cook, whose tenor sax lines are simply wonderful, adding a sturdy, reliable brightness. The centerpieces are the 2 straight blues, “Sayonara Blues” & “The Tokyo Blues,” both of which have a delightfully natural flow, & the building, patient take on Bright’s “Cherry Blossom,” which Silver takes pains to make sure sounds like a ballad & not a barely restrained minor-key romp. The bottom line is that The Tokyo Blues emerges as a fairly typical Silver set from the era & not as a grandiose fusion experiment welding hard bop to Japanese melodies. That might have been interesting, certainly, but Silver obviously assimilated things down to a deeper level before he wrote these pieces, & they feel like a natural extension of his work rather than an experimental detour.
Musicians:
Junior Cook (tenor sax)
Joe Harris (drums)
Blue Mitchell (trumpet)
Horace Silver (piano)
Gene Taylor (bass)
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发表于 2020-9-24 12:56:46
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