Michael Dease - All These Hands
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017/2018
Жанр: Post-Bop
Издатель (лейбл): Posi-Tone Records
Продолжительность: 65:54
Наличие сканов в содержимом раздачи: Только обложка альбома
Источник: WRZmusic
Магазин: qobuz.com
Треклист:
01. Creole Country (5:44)
02. Delta City Crossroads (2:47)
03. Good & Terrible (6:37)
04. Territory Blues (5:55)
05. Benny's Bounce (6:11)
06. Black Bottom Banter (2:04)
07. Downtown Chi-Town (8:16)
08. Gullah Ring Shout (5:59)
09. Chocolate City (6:49)
10. Memphis BBQ & Fish Fry (5:54)
11. Brooklyn (7:17)
12. Up South Reverie (2:21)
Personnel:
Michael Dease - trombone
Renee Rosnes - piano (1, 3, 5, 7, 9-11)
Gerald Cannon - bass (1, 3, 5, 7, 9)
Lewis Nash - drums (1, 3, 5, 7, 9, 11)
Steve Wilson - flute (1, 7), alto saxophone (5), soprano saxophone (10)
Etienne Charles - flugelhorn (1), trumpet (3, 9)
Randy Napolean - guitar (2, 4, 8)
Rodney Whitaker - bass (4, 6, 8, 12)
Jason Hainsworth - tenor saxophone (7)
Diego Rivera - tenor saxophone (7)
Rufus Reid - bass (11)
Dan Pratt - tenor saxophone (11)
Rec.: Solid Sound, Ann Arbor, MI, October 17 & 18, 2015; Alfredson Audio, Lansing, MI, October 19, 2015; The Bunker Studio, Brooklyn, NY, October 30 & 31, 2015.
Review by Dan Bilawsky
Trombonist Michael Dease is never short on ideas, but this one might be his best yet: With All These Hands, Dease traces the early migratory patterns of jazz through his own well-crafted originals. He starts in NOLA and moves along to many a music mecca, including the Mississippi Delta, Chicago, Detroit, Philadelphia, Washington D.C., and New York. All the while he addresses regional dialects that developed as jazz permeated different regions while remaining cognizant of the need to avoid the quicksand of the past. This is Dease's take on jazz's journey, not his attempt at making a period piece.
The port of departure for this musical saga is "Creole Country," a number transported by a Vernell Fournier-esque beat that speaks to the Crescent City's melting pot culture through rhythm. Steve Wilson's flute adds color and fills gaps, Renee Rosnes' fingers dance across the keys of the piano, Etienne Charles brings warm light with his flugelhorn work, and Dease is predictably strong in his solo delivery. It's the perfect number to serve as a launch pad for this project.
Dease packs his bags after that opener, quickly moving on to his next destination—"Delta City Crossroads," the first of several down-home duets to bring roots music into the picture. Here he chats with guitarist Randy Napoleon, engaging in call-and-response, moaning, vocalizing, and sighing with mute in hand. Intimate excursions like these are interspersed between full band numbers throughout the album, serving as a reminder that jazz and blues traditions are inextricably linked.
The music that follows those opening tracks further underscores Dease's respect for the history of the music. "Benny's Bounce" serves as a representation of Philadelphia's rich jazz legacy, nodding to iconic saxophonist-composer Benny Golson through its name and harmonic pathways; "Black Bottom Banter" brings Detroit and its outskirts into view, as Dease and bassist Rodney Whitaker take a short trip through the 8-bar blues; "Downtown Chi-Town" captures the resolute spirit of the Windy City in its straight-eighth bearing; "Memphis BBQ & Fish Fry" is a greasy good time, as Dease mixes it up in trio with Wilson's soprano saxophone and Rosnes' Wurlitzer; and "Brooklyn" stands firm atop Rufus Reid's sturdy bass lines. Oh, the places that jazz goes!
When taken as a whole, All These Hands proves to be both sobering and delightful, as Dease delivers one uplifting performance after another while also addressing all of the racial ills that shadow(ed) jazz and jazz musicians. Dease never turns a blind eye to history's truths, but he never lets them get the better of him either. He's a force for positivity, and All These Hands is proof positive of that statement.
Dan Bilawsky, allaboutjazz.com
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1 (#2, 4, 6, 8, 12); 24/88,2 (#1, 3, 5, 7, 9-11)
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2018-08-05 04:50:10
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Analyzed: Michael Dease / All These Hands
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DR Peak RMS Duration Track
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DR12 -0.97 dB -15.79 dB 2:47 02-Delta City Crossroads
DR12 -0.97 dB -15.57 dB 5:55 04-Territory Blues
DR12 -0.97 dB -15.73 dB 2:04 06-Black Bottom Banter
DR12 -0.97 dB -15.68 dB 5:59 08-Gullah Ring Shout
DR10 -0.97 dB -16.64 dB 2:21 12-Up South Reverie
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Number of tracks: 5
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1108 kbps
Codec: FLAC
================================================================================
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Analyzed: Michael Dease / All These Hands
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 -0.97 dB -11.86 dB 5:44 01-Creole Country
DR11 -0.97 dB -13.11 dB 6:37 03-Good & Terrible
DR13 -0.97 dB -15.78 dB 6:11 05-Benny's Bounce
DR11 -0.97 dB -13.96 dB 8:16 07-Downtown Chi-Town
DR12 -0.97 dB -15.13 dB 6:49 09-Chocolate City
DR11 -0.97 dB -14.30 dB 5:54 10-Memphis BBQ & Fish Fry
DR12 -0.97 dB -15.18 dB 7:17 11-Brooklyn
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Number of tracks: 7
Official DR value: DR11
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2676 kbps
Codec: FLAC
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发表于 2020-9-24 12:57:03
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