Sydney Bechet - Really the Blues
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Jazz Blues
Издатель (лейбл): 2xHD - Storyville Records
Продолжительность: 00:42:30
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0
Источник (релизер): highresaudio.comТреклист
1. Out of the Gallion (03:24)
2. Blues of the Roaring Twenties (03:59)
3. Tommy's Blues (04:01)
4. Minor Swoon (03:03)
5. Jelly Roll (03:40)
6. Groovin' the Minor (03:21)
7. Really the Blues: No. 1. — (03:11)
8. Really the Blues: No. 2. — (02:52)
9. Funky Butt (04:12)
10. Perdido Street Stomp (02:20)
11. Where Am I? (04:43)
12. I'm Speaking My Mind (03:44)
Состав:
Mezzrow-Bechet Septet:
Milton Mezzrow, clarinet
Sidney Bechet, soprano saxophone
Oran “Lips” Page, trumpet
Sammy Price, piano
Danny Barker, guitar
George “Pops” Foster, double bass
Sidney “Big Sid” Catlett, drums
Fitz Weston, piano
Kaiser Marshall, drums
Wesley “Sox” Wilson, piano
Wellman Braud, bass
Warren “Baby” Dodds, drums
Лог проверки качества
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2019-08-11 17:07:34
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Analyzed: Sydney Bechet / Really the Blues (Remastered)
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DR Peak RMS Duration Track
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DR9 -2.22 dB -13.36 dB 3:24 01-Out of the Gallion
DR11 -2.57 dB -15.34 dB 3:59 02-Blues of the Roaring Twenties
DR11 -1.94 dB -14.80 dB 4:01 03-Tommy's Blues
DR11 -1.95 dB -15.35 dB 3:03 04-Minor Swoon
DR11 -1.45 dB -14.07 dB 3:40 05-Jelly Roll
DR11 -2.24 dB -14.51 dB 3:21 06-Groovin' the Minor
DR11 -1.28 dB -15.52 dB 3:12 07-Really the Blues: No. 1. —
DR11 -2.60 dB -16.02 dB 2:53 08-Really the Blues: No. 2. —
DR11 -1.95 dB -15.32 dB 4:12 09-Funky Butt
DR11 -2.13 dB -14.13 dB 2:21 10-Perdido Street Stomp
DR11 -1.36 dB -14.09 dB 4:43 11-Where Am I?
DR10 -2.62 dB -14.32 dB 3:44 12-I'm Speaking My Mind
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Number of tracks: 12
Official DR value: DR11
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4273 kbps
Codec: FLAC
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Об альбоме (сборнике)
This is a historic album of recordings made in the late ‘40s. If ever a man qualified as a jazz master it was Bechet. He ranks perhaps as the second greatest genius in jazz history, after New Orleans’s most celebrated son, Louis Armstrong.
The most striking element of Bechet’s playing is his unremitting continuity of invention. It is as if the music is there inside him, already assembled, and he has only to put the soprano saxophone to his mouth for it all to flow forth in a joyous cascade.
Sidney Bechet was one of the great jazz virtuosi who helped perfect the art of solo improvisations.
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发表于 2020-9-24 13:00:51
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