Flim & The BB's - Tricycle
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Издание: Remastered
Год издания/переиздания диска: 1982/2020
Жанр: Jazz, Fusion
Издатель (лейбл): DMP
Продолжительность: 00:56:10
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/88,2
Формат: PCM
Количество каналов: 2.0
Источник (релизер): hdtracks.co.ukТреклист
01. Tricycle (4:44)
02. Cakewalk (6:39)
03. Lunch Hour Wedding March (6:08)
04. Sweet Winds of Change (5:20)
05. Tell Me (6:17)
06. Thunder and Birdies (5:12)
07. High Wire (5:30)
08. The (3:58)
09. Sam's Samba (6:06)
10. Eden (6:21)Billy Barber, piano, Fender Rhodes, Prophet, Moog
Bill Berg, drums, percussion
Flim Johnson, bass, 5 String
Dick Oatts, alto saxophone, soprano saxophone, tenor saxophone, flute, clarinet
Лог проверки качества
foobar2000 1.5.3 / Dynamic Range Meter 1.1.1
log date: 2020-04-02 06:12:27
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Analyzed: Flim & The BB's / Tricycle [Remastered]
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DR Peak RMS Duration Track
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DR19 -2.24 dB -27.37 dB 4:44 01-Tricycle
DR19 -0.60 dB -25.16 dB 6:39 02-Cakewalk
DR16 -4.38 dB -25.13 dB 6:08 03-Lunch Hour Wedding March
DR19 -4.53 dB -29.18 dB 5:20 04-Sweet Winds of Change
DR22 -2.15 dB -30.51 dB 6:17 05-Tell Me
DR18 -1.99 dB -25.14 dB 5:12 06-Thunder and Birdies
DR13 -16.44 dB -35.14 dB 5:30 07-High Wire
DR18 -1.83 dB -24.90 dB 3:58 08-The
DR20 -1.52 dB -26.65 dB 6:06 09-Sam's Samba
DR17 -2.39 dB -25.84 dB 6:21 10-Eden
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Number of tracks: 10
Official DR value: DR18
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2425 kbps
Codec: FLAC
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Об альбоме (сборнике)
Flim and the BB's veröffentlichten 1982 ihr mittlerweile legendäres Album TriCycle, das Fusion-getriebene Songs enthielt. Ihre hochwertigen Kompositionen, gemischt mit großartiger Musikalität, wurden von einer unglaublichen Dynamik angetrieben und waren gleichzeitig eng und locker. Allein die Reinheit der Aufnahmen ließ viele Audiophile ins Stocken geraten, da das Oberflächengeräusch von Vinyl durch die nahezu einwandfreie Stille der CD ersetzt worden war. Wer seine Boxen austesten möchte, was sowohl brillante Höhen als auch tiefgründigen, trockenen Bass angeht, der sollte sich dieses Album nicht entgehen lassen. Aus gutem Grund zählte diese Aufnahme jahrelang zum Pflichtrepertoire bei Anlagentests. Exemplarische Transparenz und trocken-dynamischer Punch legen die Schwächen jeder Anlage bloß.
As we were arriving into the digital age, Digital Music Products. (DMP) began releasing fully digital albums recorded direct to 2-track digital, and yielding some of the highest dynamics heard on compact discs of that era. Flim and the BB’s became one of the labels earliest artist, releasing their album TriCycle in 1982 which featured fusion driven songs that had progressed away from the heavy rock edge commonly characterized by bands in the 70’s. Their quality compositions mixed with great musicianship were powered by incredible dynamics and were both tight and loose at the same time. The pureness of the recordings alone made many audiophiles salivate, as surface noise of vinyl had been replaced with the nearly impeccable silence of the compact disc. The band released several albums, of which their following two “Tunnel” and “Big Notes” kept them in the jazz spotlight for years to come. TriCycle still remains a favorite and could be considered the best place to start when filling up your Desert Island Collection with fusion-jazz.
"Some groups "get it," some don't. Flim & the BB's do. They have all the characteristics of a good fusion group, including quality compositions, great musicianship, and the right dynamics. Flim & the BB's are both tight and loose at the same time, and they never overdo it. TriCycle is a very good album by a very good band." (Tim Griggs, AMG)