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[爵士和蓝调] [TR24][OF] Mulo Francel - Mocca Swing - 2017 (Jazz, Mainstream Jazz, World Fusio

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发表于 2020-9-24 13:04:44 | 显示全部楼层 |阅读模式
Mulo Francel - Mocca Swing
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2017
Жанр: Jazz, Mainstream Jazz, World Fusion, Modern Creative
Издатель (лейбл): ACT Music
Продолжительность: 01:52:56
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.comТреклист:
CD 1: Mulo Francel Quartet Recordings
01. Aphrodisia
02. Mocca Swing
03. Laqueur
04. Sunshine In A Honeypot
05. Pixinguinha
06. Atahualpa
07. Retrospective On A Broken Man
08. Polka Dots And Moonbeams
CD 2: Orchestra Works
01. Everything That Was
02. Mocca Swing
03. Flying Carpet
04. Robert’s Waltz
05. Die Abenteurer
06. Poet In Italia
07. Goethe sulla strada
08. Serenade For Young Lovers
09. Taquito Militar
10. Misty
Исполнители:
Mulo Francel Quartet Recordings:
Mulo Francel, tenor saxophone, clarinet
David Gazarov, piano
Sven Faller, bass
Robert Kainar, drums
Orchestra Works:
Mulo Francel & Münchner Rundfunkorchester
Enrique Ungarte, conductor, accordion
Quadro Nuevo
Café del Mundo
Paulo Morello, guitar
Max Klaas, percussion
David Gazarov, piano
Robert Kainar, drums
Sven Faller, bass

Лог проверки качества

foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2018-10-17 19:49:18
--------------------------------------------------------------------------------
Analyzed: Mulo Francel / Mocca Swing
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR9       -0.08 dB   -11.78 dB      5:36 01-Aphrodisia
DR10      -0.08 dB   -12.17 dB      7:08 02-Mocca Swing (Quartet Version)
DR10      -0.08 dB   -13.54 dB      4:25 03-Laqueur
DR10      -0.08 dB   -13.35 dB      8:41 04-Sunshine in a Honeypot
DR10      -0.08 dB   -12.27 dB      5:01 05-Pixinguinha
DR9       -0.08 dB   -12.48 dB      7:23 06-Atahualpa
DR11      -0.11 dB   -14.41 dB      7:51 07-Retrospective on a Broken Man
DR11      -0.08 dB   -13.75 dB      9:41 08-Polka Dots and Moonbeams
DR12      -0.08 dB   -15.37 dB      6:32 09-Everything That Was
DR12      -0.08 dB   -14.78 dB      6:40 10-Mocca Swing (Orchestra Version)
DR11      -0.08 dB   -14.96 dB      7:19 11-Flying Carpet
DR12      -0.08 dB   -14.06 dB      4:48 12-Robert's Waltz
DR12      -0.08 dB   -14.91 dB      5:35 13-Die Abenteurer
DR11      -0.08 dB   -14.78 dB      6:07 14-Poet in Italia
DR11      -0.08 dB   -14.34 dB      4:25 15-Goethe Sulla Strada
DR13      -0.08 dB   -18.07 dB      3:22 16-Serenade for Young Lovers
DR12      -0.08 dB   -15.15 dB      6:42 17-Taquito Militar
DR13      -0.08 dB   -15.75 dB      5:46 18-Misty
--------------------------------------------------------------------------------
Number of tracks:  18
Official DR value: DR11
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1387 kbps
Codec:             FLAC
================================================================================


Об альбоме (сборнике)
This album lives up to the promise of its title: it is hot, appealing and enlivening. “Mocca Swing” is a retrospective of the musical creativity of Mulo Francel. It documents his role as a passionate builder of bridges between young and old, one’s home country and abroad, and between jazz and other music genres.
Many people who have never heard the name of Mulo Francel will nonetheless be aware of his playing, because the saxophonist is one of the founder members of Germany's most successful world music group Quadro Nuevo, which has been in existence since 1996. For Francel, this band provides the ideal means to channel any need he might have for travel, and also to give musical expression to his innate curiosity about other cultures. Quadro Nuevo brings him into contact with musicians, myths and melodies from all over the world, and these encounters happen “in the spirit of jazz”: freely, spontaneously and non-judgementally. That said, Francel’s musical roots are unquestionably in jazz. His legacy from a father who died too soon was a collection of jazz records, which became the door to a new world for the young Mulo. At the age of 16, he saved up his own money and bought a saxophone. His studies in Linz, Munich and New York prepared him for the wider world. Alongside his allegiance to Quadro Nuevo, he has always stayed true to jazz, from his early soul band Mind Games, through the trio Die Abenteurer (the adventurers), to a jazz quartet, with whom he recorded the album “Escape” five years ago. Most recently he has been part of Echoes of Swing, with Pete York, Shannon Barnett and Henning Gailing, who made a “Tribute to Bix Beiderbecke” in the “Jazz at Berlin Philharmonic” series, which was issued as a double CD on the ACT label.
“Mocca Swing” marks a return to that abiding first love – of jazz. And yet his debut album in his own name on ACT is much more than that. “It has been such a luxury. A wonderful escapade, I've been able to go the whole way.” says Francel. What has emerged is a double album which is a substantial piece of work. The first of the two CDs presents “Mulo Francel & Friends”, i.e. his new quartet. As in Quadro Nuevo, the combination of musicians with such different stylistic origins produces kaleidoscopic variety – and excitement. Francel himself sets the tone with his melodic playing, staying close to mainstream jazz, (on two tracks he plays the C-Melody saxophone, widely used in early jazz), but he also gives his excellent accompanists full rein: Baku-born pianist David Gazarov, who possesses an extraordinary technique – at the intersection of classical music and jazz – and who is a also walking encyclopedia of all jazz styles; bassist Sven Faller, known for his work with Le Bang Bang and Trio Elf – he studied in New York, and broadened out his horizons by playing on the scene there; and percussionist Robert Kainar, a pivotal figure on the Austrian jazz scene.
In addition to three compositions by Francel himself, his colleagues were also able to contribute: Faller’s “ Pixinguinha” pays homage to Brazilian music, and Gazarov’s adaptation of Chopins Etude Op. 10, No. 6 appears as “Retrospective Of A Broken Man”.
On the second CD, they are joined by the Munich Radio Orchestra and companions from various points in Francel’s musical life. “Our point of departure is the pieces I have felt closest to in recent years. The idea was to use all of the possibilities offered by a large ensemble to cast new light on them,” Francel explains. His colleagues from Quadro Nuevo, Andreas Hinterseher on bandoneon und accordion, Chris Gall at the piano, Evelyn Huber on harp, and D.D. Lowka on bass join him on three tracks. Compositions from the repertoire they have shared together, such as “Taquito Militar” – a tango which Francel discovered on a journey to Buenos Aires, and adapted – are transformed from chamber music into something orchestral and hymnic, but also jazzy. The same happens to “Flying Carpet”, the title track of a Quadro Nuevo album, which oscillates between western and eastern influences. This track grew out of the work – and a journey together to Egypt – which Francel and Quadro Nuevo did with the band Cairo Steps. Here percussionist Max Klaas from Cairo Steps ensures that the rhythms are authntic. Erroll Garner's “Misty”, which is one of Francel's favourite jazz standards, gains extravagant new colours through adding the Spanish guitar sounds of his good friends Jan Pascal and Alexander Kilian who form the flamenco duo Café del Mundo. And finally Francel takes compositions by friends such as the guitarist Paulo Morello (“Robert’s Waltz”) and the flautist Philipp Sterzer (“Die Abenteurer”/ the adventurers), and also uses experienced arrangers such as the New York-based latin specialist Daniel Freiberg, the young innovative big band writer Leonhard Kuhn from Munich, and the Dutch early jazz specialist Menno Daams.
“Mocca Swing” is a retrospective of the musical creativity of Mulo Francel. It documents his role as a passionate builder of bridges between young and old, one’s home country and abroad, and between jazz and other music genres. It is a thoroughly enjoyable counterweight to the kind of insidious music that we hear everywhere, which has been deprived not just of its secrets but also of its magic.
Above all, this album lives up to the promise of its title: it is hot, appealing and enlivening.
                                                                                                                                                               
                       
                       
                       
                       
                       
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