foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2020-03-04 10:49:03
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Analyzed: Hamilton De Holanda / Duets (1)
Joo Kraus / Duets (2)
Marialy Pacheco & Miguel Zenon / Duets (3)
Marialy Pacheco / Duets (4-6)
Max Mutzke / Duets (7)
Omar Sosa / Duets (8-9)
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DR Peak RMS Duration Track
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DR11 -0.70 dB -13.95 dB 5:02 02-Capricho do Sul
DR10 -0.70 dB -13.14 dB 6:06 03-Metro
DR11 -0.89 dB -15.09 dB 8:40 07-La Comparsa
DR10 -0.74 dB -13.63 dB 3:15 05-Gitanerias
DR11 -0.70 dB -14.89 dB 8:42 06-Burundanga
DR11 -0.70 dB -13.97 dB 6:51 08-La Bikina
DR9 -0.70 dB -13.55 dB 5:24 04-You
DR10 -0.70 dB -14.02 dB 6:34 01-El Bola
DR11 -0.70 dB -14.20 dB 7:04 09-El Bola "Warming Up" (Bonus Track)
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Number of tracks: 9
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2654 kbps
Codec: FLAC
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Об исполнительнице (рус.) | About Artist (ru)
Мариали Пачеко и энергия 88 барабановИсточник: арт-дайджест «Солонеба»
Мариали Пачеко (род. 4 января 1983 г. в Гаване, Куба) – кубинская джазовая и классическая пианистка, ныне проживающая в Германии. Наряду с Чучо Вальдесом, Омаром Соса, Роберто Фонсекой, Альфредо Родригесом и Гонсало Рубалькабой, она принадлежит к плеяде самых талантливых кубинских пианистов нашего времени. Пачеко добилась огромного успеха в мире джаза, став, среди прочего, первой женщиной, победившей в престижном сольном конкурсе пианистов на джазовом фестивале в Монтрё. Мариали много гастролирует, часто посещая Австралию, Азию и Европу как сольно, так и со своим трио.
Мариали Пачеко родилась в кубинской столице, в музыкальной семье. В 1990 году, в возрасте семи лет Мариали Пачеко была принята на обучение в Консерваторию Алехандро Гарсия Катурла (Conservatorio Alejandro García Caturla). В 15 лет поступила в Национальную школу искусств (Escuela Nacional de Artes), которую закончила с отличием в 2002 году. Параллельно Мариали изучала основы композиции у Тулио Перамо Кабреры (Tulio Peramo Cabrera) в Институте искусств (Instituto Superior de Artes) в Гаване. В 2002 году Мариали выиграла кубинский конкурс Jo-Jazz, где председателем жюри был обладатель премии Grammy Чучо Вальдес. Мэтр кубинского джаза назвал пианистку «величайшим из молодых фортепианных талантов». В 2012 году Мариали стала победительницей Jazzfestival Solo Piano Competition в Монтрё.
Наряду с академическими исполнителями – Валентиной Лисицей и Марией Мазо, Мариали была приглашена выступить на концерте по случаю 185-летнего юбилея бренда Bösendorfer в 2013 году в Musikverein (Вена, Австрия). А с 2014 года пианистка является официальным представителем компании Bösendorfer.
Дебют с академической программой состоялся в 2014 году в Брисбене (Австралия), где Мариали Пачеко исполнила соль минорный концерт И.С. Баха с симфоническим оркестром Квинсленда под управлением Густаво Гимено. В последующие годы Мариали представила проекты «Danzon Cubano» вместе с оркестром WDR Funkhaus, выступала на Rheingau Musik Festival с «Кубинским европейским оркестром» под управлением Томаса Хенгельброка. В январе 2017 года при полном аншлаге состоялся ее концерт с Deutsches Filmorchester Babelsberg в Nikolaisaal (Потсдам, Германия). Выступления в легендарном Ronnie Scott's Jazz Club в Лондоне, в Кельнской филармонии и на других площадках также имели огромный успех.
В 2018 году стартовал гастрольный тур в поддержку альбома Мариали Пачеко «Duets», который был записан при участии Гамильтона де Холанда, Омара Соса, Джо Крауса, Рани Криша, Мигеля Зенона и Макса Мутцке. Название альбома раскрывает его концепцию – «Duets» ассоциируется с беседой людей, претворенной в музыке: они будто транслируют истории из жизни, задают вопросы и отвечают на них, противоречат друг другу, иронизируют, флиртуют. Каждый из дуэтов уникален – это взаимодействие между абсолютно разными музыкантами и музыкальными стилями: Мигель Зенон – пуэрториканец, живущий в Нью-Йорке, Омар Соса – кубинец, живущий в Барселоне, Рани Криша – марокканец из Кельна, Джо Краус – трубач из Ульма, который записал один из своих альбомов в Гаване, Макс Мутцке – уроженец немецкого города Вальдсхут-Тингена, который приобрел известность во всей Европе, благодаря своему участию в конкурсе «Евровидение».
В сентябре 2017 года Пачеко совместно с оркестром WDR Funkhausorchester и трубачом Джо Краусом представили проект «Danzon Cubano», который был исполнен на фестивале Viersen Jazz и был выпущен на CD в 2019 году. В том же 2019 году Мариали Пачеко выступила в дуэте с Омаром Соса на музыкальном фестивале в Рейнгау. Знаменитый американо-кубинский пианист так отозвался о своем сотрудничестве с Мариали: «Для меня фортепиано, как 88 барабанов. Всякий раз, когда мы играем с Мариали, энергия этих 88 барабанов трансформируется в 88 улыбок… или в 88 цветов». http://soloneba.com/marialy-pacheco/
Об исполнительнице (англ.) | About Artist (en)
Marialy PachecoThe biggest appreciation so far of Marialy Pacheco’s qualities has been the winning of the Montreux Solo Piano Competition 2012. She is the first woman to win this prize in 15 years history of the competition. In the explanation of the decision Jury president Leszek Mozdzer said: “Deciding between the three contenders was tough. In the end, the contestants’ joy in performing and her authenticity guided our decision making.”
Born in Havana 1983, Marialy Pacheco was raised in a musical family and began piano studies from an early age at the Conservatorio Alejandro García Caturla. At 15 she attended the Escuela Nacional de Artes, followed by three years of composition studies under Tulio Peramo at the Instituto Superior de Artes in Havana.
In 2002 she won the Cuban competition Jo-Jazz, with Grammy award-winner Chucho Valdes presiding over the jury. Two years later she recorded her first album “Bendiciones”. The pianist moved to Germany, toured through Europe – both solo and with her trio – and built international reputation.
On the occasion of the 185-year-old jubilee of Bösendorfer, Marialy Pacheco guested in 2013 as the only Jazz-Act, beside classical stars like Valentina Lisitsa and Maria Mazo in the Musikverein Wien. In 2014, Marialy was announced as first female jazz pianist worldwide to be an official „Bösendorfer Artist“.
In spring 2014, her new album "Introducing" (Neuklang/Edel:Kultur) was released. After several solo albums, it is a trio album, with Juan Camilo Villa Robles on bass and Miguel Altamar de la Torre (both from colombia) on drums. As "special guests" she got the honor to get german trumpet player and Echo Jazz Winner Joo Kraus and moroccan Rhani Krija, Percussionist of STING.
In August 2014, she gave her debut as classical pianist and showed her musical variety, when she performed Bach’s g-moll concerto with the Queensland Symphony Orchestra in Brisbane/Australia, conducted by Gustavo Gimeno
Marialy Pacheco has performed at national and international festivals like Montreux Jazz Festival, Aalener Jazzfest, Enter Music Festival (Poland), St. Moritz Art Masters (Switzerland),Rheingau-Musik-Festival, ZMF Freiburg, Jazzfestival Oloron (France) Audi Jazzfestival, Ingolstädter Jazztage, Piano City Milano, Havana Jazzfestival, Beethovenfestival Bonn and the International Trio Festival in Ronnie Scott's Jazz Club.
In January 2016, Marialy Pacheco released her limited 180g vinyl “ Live Studio Album”, recorded in audiophile fully analogue Direct-To-2-Track Version.
In June 2016, she presented the project “Danzon Cubano” together with WDR Funkhaus Orchestra on Live-Stream at ARTE TV concerts and at the Beethovenfest in Bonn. The project was presented again in september 2017 at the Philharmonie Köln and at the Viersen International Jazz Festival.
In April 2017 Marialy released her new album "DUETS" – an intimate and many-faceted album to which Marialy invited her favourite musicians and friends like Hamilton de Holanda, Omar Sosa, Joo Kraus, Rhani Krija, Miguel Zenon and Max Mutzke.
In January 2018, Marialy was invited by the German Ambassador to perform 2 concerts in Cuba and afterwards, she played at the International Jazzfestival in Port-au-Prince in Haiti.
In February 2018 she presented her first Italy-Tour together with trumpet player Joo Kraus with concerts in Milan, Naples, Catania and Palermo, followed by summer concerts in Bari, Fiesole and Sardinia.
During summer and fall 2018, Marialy played in various line ups presentig "DUETS" with Omar Sosa at the „Woman in Jazz“ Festival, with Rhani Krija at Teatro La Fenice in Venice, and with Joo Kraus at the Luxembourg Philharmonic.
In December 2018, Marialy signed with Ellora Managament in the US for worldwide management and representation among artists like HIROMI and Ahmad Jamal.
In March 2019 she performed together with the Nuremberg Symphony Orchestra and the Philharmonie Konstanz.
In May 2019 the new album "Danzon Cubano - Live in Viersen" was released. A live recording of the concert with the Marialy Pacheco Trio and the WDR Funkhausorchester and conductor Gordon Hamilton at the International Jazz Festival in Viersen.
In the summer of 2019, Marialy performed at well-known festivals in Europe such as the 9Hills Festival in Poland, the Rheingau-Musik-Festival, the Stuttgarter Jazztagen and the festival at Schloss Ettersburg. In August and September of the same year, she debuted for the first time in the US with concerts in Seattle, Boston, Philadelphia, the legendary jazz club Birdland in New York and the renowned Detroit Jazz Festival.
Marialy Pacheco is the only female pianist among current Cuban star pianists such as Chucho Valdes, Roberto Fonseca, Omar Sosa or Gonzalo Rubalcaba. https://www.marialypacheco.com/bio.html
Об альбоме (англ.) | About Album (en)
Info for 'Duets'
Marialy Pacheco meets Hamilton de Holanda, Joo Kraus, Rhani Krija, Max Mutzke, Omar Sosa and Miguel Zenon; six established figures from across the globe, each master of his own craft.
With such a wealth of expertise and musicality on hand, a performance featuring all of these artists at the same time would inevitably mean that some aspects would be lost. So instead we have chosen to feature a series of separate ‘rendezvous’. And the Cuban pianist extracts the very best out of each individual encounter. The title of the CD, ‘Duets’, sums up this concept succinctly and although this may sound rather matter-of-fact, more lies behind it - much more.
No other line-up can illustrate concepts from every-day life with such persistence: there is much talk of ‘nakedness’, ‘intimacy’, ‘discussion’ or ‘dialogue’, even couples’ ‘musical relationships’. The duo promises communication pure: people converse and at the same time entertain others. Stories are told, questions are asked and answered, there is contradiction, ironizing and flirting. Ideas are expressed, expanded upon and steered in new directions. Intimate moments alternate with heated debate. Duets are associated with the art of dialogue: the ability to have a constructive discussion, not to talk at cross-purposes, to contribute and play a part without dominating the other person.
With so much anthropological significance it might come as a surprise that this form of vocal exchange is relatively new in human jazz history. An early milestone was set in 1972 by Gary Burton and Chick Corea in Munich: they had finished their individual solo performances at a festival when the organiser approached them with the request to perform together as a duo by way of an encore. Forty-two years later it was that same Chic Corea who, during a solo concert in Dortmund as part of the Ruhr Piano Festival, asked the young Cuban pianist, Marialy Pacheco, who had been sitting in the audience, to join him on the stage for a duet.
Chucho Valdes, the grand old man of Cuban jazz, once described the pianist as “the greatest of young piano talents”. At the time, she had just won a young musicians competition in Cuba, where Valdes headed up the jury. Pachecos’ mother conducts a choir which is famous both in Cuba and further afield. When the choir took part in the Bremen ‘Choir Olympics’ in 2004, Marialy was there and she decided to remain in the city, home of the ‘Stadtmusikanten’ (the town musicians which feature in the famous fairy tale written by the Brothers Grimm). After an extended stay in Australia, the pianist returned to Germany. Initially back to Bremen but she now lives in Dortmund. In 2012, Pacheco won the renowned Montreux Solo Piano Competition.
Cuban jazz pianists have always left a lasting impression - from Chucho Valdes, Gonzalo Rubalcaba and Hilario Duran to Omar Sosa, Ramón Valle and Roberto Fonseca, David Virelles, Alfredo Rodriguez and Rolando Luna. Time and again they combine Caribbean temperament and excellent technique gained through intensive study to produce a truly breath-taking performance culture. This has both a positive and a negative effect, for that ‘gimmicky’ style of playing along with the bland high-speed fusion (which failed because of our own egomania and which we thought had been laid to rest with the case long closed) - well, it still exists. It is perhaps not quite as pronounced as before, but is so virtuosic and flawless as to have lost none of its earlier impact. The admiration for Cuban jazz pianists grows and also for the number of exceptionally talented musicians that such a small country produces.
When Marialy Pacheco performs one can truly sense her virtuosity, flair and sheer joy of making music without constraints, set free after her strict classical training. But we’ll leave it up to the ‘gender specialists’ to decide whether the striking and pleasing absence of machismo in her playing is due to the fact that she is a woman. One never gets the impression that she is trying to prove anything. It’s all just about the music and musicianship. She is more a musician than a pianist - and not so much a Cuban, but rather a well-travelled artist who is not just interested in jazz, but in music in general.
The six fellow musicians who Marialy Pacheco invited to join her in duet at the renowned Bauer Studios in Ludwigsburg could be similarly described. Musical citizens from around the world: a Puerto-Rican who lives in New York (Miguel Zenon), a Cuban whose home is in Barcelona (Omar Sosa), a Moroccan from Cologne (Rhani Krija), a Brazilian conqueror of the music world (Hamilton De Holanda), a trumpet player from Ulm, who recorded one of his albums in Havana (Joo Kraus) and a native of Waldshut-Tiengen, who is known throughout Europe not just for his participation in the Eurovision Song Contest (Max Mutzke). Musicians who are not stylistically blinkered, but who are passionate, individual and authentic and endowed with the virtues which are the basic prerequisites for performing as part of a duo: the ability to listen, to engage fully with their counterpart and to leave their ego at the studio door. https://www.highresaudio.com/en/album/view/kbmdvj/marialy-pacheco-duets
Состав | Artists
Marialy Pacheco, grand piano (Bösendorfer Imperial)
Omar Sosa, piano, vocals
Hamilton de Holanda, mandolin
Joo Kraus, trumpet
Max Mutzke, vocals
Rhani Krija, percussion
Miguel Zenon, saxophone
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发表于 2020-9-24 13:06:17
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