Earl Hines / The Blues
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1974/2018
Жанр: Jazz
Издатель (лейбл): 2xHD
Продолжительность: 00:44:32
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01 - Cotton Club Parade: Ive Got the World on a String 07:02
02 - The Wizard of Oz: Over the Rainbow 08:23
03 - Between the Devil and the Deep Blue Sea 04:34
04 - St. Louis Woman: Come Rain or Come Shine 06:46
05 - The Skys the Limit: My Shining Hour 11:46
06 - Cotton Club Parade: As Long as I Live 06:01
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-06-14 16:05:30
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Analyzed: Earl Hines / The Blues
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DR Peak RMS Duration Track
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DR13 -1.47 dB -19.11 dB 7:03 01-Cotton Club Parade: I've Got the World on a String
DR14 -3.46 dB -21.71 dB 8:23 02-The Wizard of Oz: Over the Rainbow
DR15 -3.26 dB -20.75 dB 4:35 03-Between the Devil and the Deep Blue Sea
DR13 -3.51 dB -19.55 dB 6:46 04-St. Louis Woman: Come Rain or Come Shine
DR13 -4.00 dB -19.78 dB 11:47 05-The Sky's the Limit: My Shining Hour
DR14 -5.67 dB -22.60 dB 6:02 06-Cotton Club Parade: As Long as I Live
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Number of tracks: 6
Official DR value: DR14
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2315 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): Presto Jazz
Состав
Earl Hines (piano)
Об альбоме (сборнике)
There is no more challenging role in music than that of the solo performer. To succeed in this field of creative endeavour requires a high level of confidence, prodigious technical expertise and, where jazz is concerned, a rare continuity of inspiratio
Earl Hines had all of these qualities, and more. As in the case of the other jazz masters, when you listen to the extemporisations of “Fatha” Hines, you are not simply hearing music of a most elevated order – you are listening to a virtuoso who shaped the course of jazz history, a man who single-handedly (a highly inappropri- ate metaphor in one sense) changed the role of the piano in jazz and brought his unique influence to bear on a multitude of musicians.
When Stanley Dance produced these sides in New York, Hines was in his 69th year and had more than half a century of music—making behind him. He was in ebullient form, attacking the music with all the weapons in his pianistic armoury. As the basis for his free-ranging, sometimes quixotic, improvisations, he chose six songs whose music was composed by Harold Arlen, a most gifted writer who was responsible for some of the more sophisticated popular songs of the thirties and forties.But, in truth, the real composer here is Hines himself. Where Teddy Wilson or a Tommy Flanagan would play songs like this and tailor their improvisations accord- ing to the cloth of the original composition, Hines takes up the Arlen jacket, turns it inside out, and gives it a brilliantly patterned lining, brass buttons, a velvet collar, gold braid and a florid buttonhole.
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发表于 2020-9-24 13:07:01
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