Ry Cooder / Paradise And Lunch
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Издание: Limited Numbered Edition
Год издания/переиздания диска: 1974/2017
Жанр: Roots rock, blues, folk, Americana
Издатель (лейбл): Warner Bros. / Mobile Fidelity
Продолжительность: 00:37:23
Наличие сканов в содержимом раздачи: Да (сканы)Треклист:
1. Tamp ‘Em Up Solid 03:22
2. Tattler 04:19
3. Married Man’s A Fool 03:14
4. Jesus On The Mainline 04:11
5. It’s All Over Now 04:56
6. I’m A Fool For A Cigarette/Feelin’ Good 04:29
7. If Walls Could Talk 03:15
8. Mexican Divorce 03:57
9. Ditty Wa Ditty 05:41Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 2.0Доп. информация: Released May 1974
Recorded Warner Brothers Studios, North Hollywood, CA and The Burbank Studios, Burbank, CA
Producer Russ Titelman, Lenny Waronke
Mobile FidelityLabel UDSACD 2159
The ISO image is created using sacd-ripper for PS3 version 0.21Источник (релизер): pssacd (PS³SACD) http://www.elusivedisc.com/Ry-Cooder-Paradise-and-Lunch-Numbered-Limited-Edition-...tinfo/MOBSA2159/
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2017-06-26 20:48:44
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Анализ: RY COODER / Paradise And Lunch
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DR Пики RMS Продолжительность трека
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DR14 -0.86 дБ -19.83 дБ 3:21 01-Tamp 'Em Up Solid
DR11 -2.61 дБ -16.26 дБ 4:18 02-Tattler
DR11 -1.73 дБ -16.17 дБ 3:11 03-Married Man's A Fool
DR12 -0.36 дБ -15.88 дБ 4:09 04-Jesus On The Mainline
DR12 -1.76 дБ -16.20 дБ 4:51 05-It's All Over Now
DR12 -1.10 дБ -16.40 дБ 4:26 06-I'm A Fool For A Cigarette/Feelin' Good
DR12 -1.50 дБ -15.11 дБ 3:14 07-If Walls Could Talk
DR12 -2.63 дБ -18.36 дБ 3:54 08-Mexican Divorce
DR14 -4.06 дБ -22.38 дБ 5:41 09-Ditty Wa Ditty
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Количество треков: 9
Реальные значения DR: DR12
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
Paradise and Lunch is the fourth album by roots rock musician Ry Cooder, released on June 8, 1974 on Reprise Records. The album is composed of cover versions of jazz, blues and roots standards and obscurities recorded at the Warner Brothers Studios. The final track, “Ditty Wah Ditty,” showcases a duet between Cooder and jazz pianist Earl “Fatha” Hines. It was produced by Russ Titelman and Lenny Waronker. The album reached #167 on the Billboard 200.
The album also includes Cooder’s updated arrangement of bluesman Washington Phillips’ “The Tattler” that stands out for its guitar playing. It was subsequently covered by Linda Ronstadt on her 1976 album Hasten Down the Wind. In 1990 the album was released on CD, while a remastered version appeared in 2007.
All Music Review
Ry Cooder understands that a great song is a great song, whether it was written before the Depression or last week. Still, at the same time he isn’t afraid to explore new avenues and possibilities for the material. Like his three previous records, Paradise and Lunch is filled with treasures which become part of a world where eras and styles converge without ever sounding forced or contrived. One may think that an album that contains a traditional railroad song, tunes by assorted blues greats, and a Negro spiritual alongside selections by the likes of Bobby Womack, Burt Bacharach, and Little Milton may lack cohesiveness or merely come across as a history lesson, but to Cooder this music is all part of the same fabric and is as relevant and accessible as anything else that may be happening at the time. No matter when it was written or how it may have been done in the past, the tracks, led by Cooder’s brilliant guitar, are taken to new territory where they can coexist. It’s as if Washington Phillips’ “Tattler” could have shared a place on the charts with Womack’s “It’s All Over Now” or Little Milton’s “If Walls Could Talk.” That he’s successful on these, as well as the Salvation Army march of “Jesus on the Mainline” or the funky, gospel feel of Blind Willie McTell’s “Married Man’s a Fool,” is not only a credit to Cooder’s talent and ingenuity as an arranger and bandleader, but also to the songs themselves. The album closes with its most stripped-down track, an acoustic guitar and piano duet with jazz legend Earl “Fatha” Hines on the Blind Blake classic “Ditty Wah Ditty.” Here both musicians are given plenty of room to showcase their instrumental prowess, and the results are nothing short of stunning. Eclectic, intelligent, and thoroughly entertaining, Paradise and Lunch remains Ry Cooder’s masterpiece.
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发表于 2020-9-24 13:09:51
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