Eddie Harris / For Birds and Bags
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1963/2020
Жанр: Jazz
Издатель (лейбл): FUZZY LEMONS ENTERTAINMENT GROUP LTD
Продолжительность: 00:40:15
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - Salute To Bird 08:41
02 - I'm As Happy As I Want To Be 05:33
03 - The River Nile 04:57
04 - Salute To Bags 09:54
05 - Samba De Orfeu 02:45
06 - Only The Lonely 03:39
07 - Checkmate 04:46
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-05-06 11:09:39
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Analyzed: Eddie Harris / For Birds and Bags
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DR Peak RMS Duration Track
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DR12 -0.74 dB -15.73 dB 8:41 01-Salute To Bird
DR12 -0.14 dB -15.09 dB 5:34 02-I'm As Happy As I Want To Be
DR11 -0.70 dB -15.28 dB 4:57 03-The River Nile
DR12 -1.14 dB -17.72 dB 9:54 04-Salute To Bags
DR11 -0.45 dB -13.62 dB 2:46 05-Samba De Orfeu
DR11 -1.43 dB -15.51 dB 3:39 06-Only The Lonely
DR11 0.00 dB -13.76 dB 4:46 07-Checkmate
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Number of tracks: 7
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2795 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): Qobuz
Состав
Eddie Harris – tenor saxophone, piano
Charles Stepney – piano, vibes
Willie Pickens – piano
Joe Diorio, Roland Faulkner – guitar
Melvin Jackson – bass
Marshall Thompson – drums
Об альбоме (сборнике) https://en.wikipedia.org/wiki/For_Bird_and_Bags
It is only right that tenor-saxophonist Eddie Harris recorded for the Exodus label at least on one occasion, since that was the name of his first hit. Most unusual among the selections is "Salute to Bird" (on which Harris quotes many Charlie Parker tunes) and "Salute to Bags" (during which the leader switches to piano). Harris plays with a Chicago-based quintet featuring Charles Stephney on vibes and piano; guitarist Roland Faulkner; pianist Willie Pickens; and guitarist Joe Diorio (the last two of which were on the artist's earlier records) make guest appearances. Throughout, Harris (whose mastery of the extreme upper register and immediately recognizable sound are both quite impressive) is in excellent form; pity that this music was last available on a long out-of-print LP.