Helen Merrill / Dream Of You
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1956/2019
Жанр: Vocal Jazz
Издатель (лейбл): RevOla
Продолжительность: 00:58:20
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - People Will Say We're In Love 02:37
02 - Alone Together 03:14
03 - By Myself 03:26
04 - Any Place I Hang My Hat Is Home 04:12
05 - I've Never Seen 03:35
06 - He Was Too Good To Me 03:04
07 - A New Town Is A Blue Town 03:11
08 - How's The World Treating You? 02:59
09 - You're Lucky To Me 03:28
10 - Where Flamingos Fly 02:47
11 - Dream Of You 02:57
12 - I'm A Fool To Want You 04:09
13 - I'm Just A Lucky So And So 03:10
14 - Troubled Waters 03:16
15 - Alone Together (Alternate Take) 03:13
16 - Glad To Be Unhappy 02:53
17 - This Is My Night To Cry 03:09
18 - How's The World Treating You? (Alternate Take) 03:00
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-05-11 10:46:00
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Analyzed: Helen Merrill / Dream of You
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DR Peak RMS Duration Track
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DR12 -2.03 dB -17.25 dB 2:37 01-People Will Say We're In Love (Remastered)
DR10 -4.17 dB -19.77 dB 3:14 02-Alone Together (Version 1 Remastered)
DR10 -4.10 dB -19.93 dB 3:14 02-Alone Together (Version 2 Remastered)
DR13 -1.75 dB -18.89 dB 3:27 03-By Myself (Remastered)
DR12 -3.49 dB -19.93 dB 4:12 04-Any Place I Hang My Hat Is Home (Remastered)
DR11 -5.69 dB -20.97 dB 3:36 05-I've Never Seen (Remastered)
DR12 -4.04 dB -21.02 dB 3:05 06-He Was Too Good To Me (Remastered)
DR12 -5.56 dB -20.92 dB 3:12 07-A New Town Is A Blue Town (Remastered)
DR10 -6.49 dB -20.35 dB 3:00 08-How's The World Treating You? (Version 1 Remastered)
DR11 -4.44 dB -18.75 dB 3:29 09-You're Lucky To Me (Remastered)
DR12 -5.16 dB -20.92 dB 2:47 10-Where Flamingos Fly (Remastered)
DR13 -4.50 dB -23.24 dB 2:57 11-Dream Of You (Remastered)
DR11 -5.72 dB -21.16 dB 4:10 12-I'm A Fool To Want You (Remastered)
DR14 -3.62 dB -20.36 dB 3:11 13-I'm Just A Lucky So And So (Remastered)
DR11 -5.87 dB -20.59 dB 3:16 14-Troubled Waters (Remastered)
DR8 -5.19 dB -18.71 dB 2:54 16-Glad To Be Unhappy (Remastered)
DR9 -5.92 dB -20.69 dB 3:10 17-This Is My Night To Cry (Remastered)
DR13 -4.33 dB -20.14 dB 3:00 18-How's The World Treating You? (Version 2 Remastered)
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Number of tracks: 18
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1348 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): Qobuz
Состав
Helen Merrill - vocals
Gil Evans - arranger, conductor
John LaPorta - clarinet, alto saxophone
Jerome Richardson - flute, alto saxophone, tenor saxophone
Danny Bank - baritone saxophone
Art Farmer, Louis Mucci - trumpet
Jimmy Cleveland, Joe Bennett - trombone
Hank Jones - piano
Janet Putnam - harp
Barry Galbraith - guitar
Oscar Pettiford - double bass
Joe Morello - drums
Об альбоме (сборнике) https://en.wikipedia.org/wiki/Dream_of_You_(Helen_Merrill_album)
One thing that set Helen Merrill apart from other '50s jazz singers was her acutely dramatic vocal style. Her earnest phrasing, elongated notes, and incandescent tone might even strike the contemporary listener as qualities more appropriate for the Broadway stage than a jazz club. On 1955's Dream of You, though, Merrill found reconciliation, sounding both melodramatic and swinging within Gil Evans' darkly spacious, yet economical arrangements. Suitably, torchy ballads are prominent. On the somewhat grandiose side there's "Where Flamingos Fly" and "I'm a Fool to Want You," which find Merrill in a pensive mood amidst a variety of tempo and timbre shifts. More subdued ground is covered on "I've Never Seen" and "He Was Too Good to Me." Briskly swinging numbers like "People Will Say We're in Love," "By Myself," and "You're Lucky to Me" balance the program and feature the demure, yet fluid delivery Merrill favored on fast numbers. What is most impressive on this date is a group of sultry, medium tempo numbers including "Anyplace I Lay My Hat Is Home," "Just a Lucky So and So," and in particular "A New Town Is a Blue Town." The programmatic quality of Merrill's coyly sensual voice and Evans' slightly askew, bubbling reeds and languid rhythm conjure up dramatic, balmy southern scenes á la Tennessee Williams. In the picturesque arrangements one also hears the seeds of Evans' own future collaborations with Miles Davis. Even though her collaborations with Clifford Brown and others are great recordings, this one with Gil Evans shows off more of Merrill's expressive vocal talents, due in no small part to the sympathetic and urbane arrangements.