Jimmy Smith / At the Organ Vol. 3
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1956/2019
Жанр: Jazz
Издатель (лейбл): Blue Note
Продолжительность: 00:37:34
Наличие сканов в содержимом раздачи: Нет
Треклист:
1 - Judo Mambo 05:29
2 - Willow Weep For Me 05:39
3 - Lover Come Back To Me 06:41
4 - Well You Needn't 06:19
5 - Fiddlin' The Minors 05:06
6 - Autumn Leaves 04:43
7 - I Cover The Waterfront 03:37
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2019-07-24 19:58:00
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Analyzed: Jimmy Smith / Jimmy Smith At The Organ
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DR Peak RMS Duration Track
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DR10 -0.35 dB -12.76 dB 5:31 01-Judo Mambo
DR11 -0.23 dB -14.66 dB 5:41 02-Willow Weep For Me
DR10 -0.61 dB -12.69 dB 6:41 03-Lover Come Back To Me
DR11 -0.20 dB -13.43 dB 6:22 04-Well You Needn't
DR11 -1.66 dB -14.78 dB 5:09 05-Fiddlin' The Minors
DR11 -0.92 dB -15.99 dB 4:44 06-Autumn Leaves
DR14 -0.29 dB -16.91 dB 3:40 07-I Cover The Waterfront
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Number of tracks: 7
Official DR value: DR11
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4203 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): HIGHRESAUDIO
Состав
Jimmy Smith, organ
Thornel Schwartz, guitar
Donald Bailey, drums
Об альбоме (сборнике) https://en.wikipedia.org/wiki/The_Incredible_Jimmy_Smith_at_the_Organ
Rudy Van Gelder remastered edition. The late Jimmy Smith still was a new phenomenon when his third album was released in August 1956. Forty-nine years later, his music remains as vital and fresh as ever. With an incredible technique, Smith combined blues and be-bop and forged a new sound on a daunting instrument. Van Gelder outdid himself on this remastering job. This edition of the album boasts four bonus tracks: ‘Jamey’, ‘My Funny Valentine’, ‘I Can’t Give You Anything But Love’ and ‘Slightly Monkish’.
“Jimmy Smith single-handedly reinvented the Hammond organ in a modern jazz setting, and given the many Hammond players who have followed in his wake, most of them working off of the same template that Smith established way back in the early 1950s, it is easy to forget how amazingly brilliant he was on his chosen instrument, as innovative in his own way as Charlie Parker was on sax or Thelonious Monk on piano. Although he is chiefly known for his soul-jazz blues trios, Smith had a wider musical palette than that, as this fine reissue (with four bonus tracks), originally released by Blue Note in 1956, makes clear. With Smith leading on organ (he adds bass with the foot pedals, as well), Thornel Schwartz on electric guitar, and Donald Bailey on drums, the set kicks off with the Bud Powell-like “Judo Mambo,” which bubbles and percolates with joyous abandonment, driven by Smith’s bustling organ runs and the odd frog noises he somehow manages to find among the stops. A leisurely and elegant “Willow Weep for Me” follows, gradually drifting into a deliberate atonal fade. A version of Thelonious Monk’s “Well, You Needn’t” is revelatory, retaining the original composition’s skewed, angular phrasing but adding in a thick, heavy Delta feel that makes the overall tone of the piece seem a little less anxious. Smith’s own homage to Monk, “Slightly Monkish,” is included here as one of the bonus tracks. Again, it’s easy to forget how innovative Smith actually was when he burst on the jazz scene in the mid-’50s. He established the Hammond organ as a modern jazz instrument, wrote the book on organ trios, not to mention soul-jazz (and its edgy young cousin, acid jazz) as well as paving the road that brought jazz to the edge of funk. All of this is pre-shadowed on this early Blue Note recording, which makes available in an expanded version one of his most energetic and varied albums.” (Steve Leggett, AMG)
Recorded at the Van Gelder Studio, Hackensack, New Jersey on June 17 & 18, 1956
Produced by Alfred Lion
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发表于 2020-9-24 13:15:00
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