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[爵士和蓝调] [TR24][OF] Rahsaan Roland Kirk - Domino (Remastered) - 1962/2019 (Jazz)

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发表于 2020-9-24 13:15:43 | 显示全部楼层 |阅读模式
Rahsaan Roland Kirk / Domino
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1962/2019
Жанр: Jazz
Издатель (лейбл): RevOla
Продолжительность: 00:58:16
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - Domino 03:16
02 - Meeting On Termini's Corner 03:41
03 - Time 03:13
04 - Lament 03:40
05 - A Stritch In Time 05:06
06 - 3-In-1 Without The Oil 02:35
07 - Get Out Of Town 04:49
08 - Rolando 03:47
09 - I Believe In You 04:26
10 - E.D. 02:36
11 - Where Monk And Mingus Live - Let's Call This 04:12
12 - Domino, pt. 2 04:07
13 - I Didn't Know What Time It Was 03:15
14 - Someone To Watch Over Me 03:38
15 - Termini's Corner 02:45
16 - When The Sun Comes Out 02:48
17 - Time Races With Emit 00:22
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Количество каналов: 2.0
Лог проверки качества

foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2019-01-14 06:21:04
--------------------------------------------------------------------------------
Analyzed: Rahsaan Roland Kirk / Domino (Remastered)
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR12      -1.30 dB   -17.33 dB      3:16 01-Domino (Remastered)
DR14      -1.79 dB   -18.47 dB      3:41 02-Meeting On Termini's Corner (Remastered)
DR12      -4.00 dB   -20.54 dB      3:14 03-Time (Remastered)
DR14      -2.07 dB   -19.83 dB      3:40 04-Lament (Remastered)
DR14      -4.06 dB   -21.11 dB      5:07 05-A Stritch In Time (Remastered)
DR14      -1.13 dB   -19.56 dB      2:36 06-3-In-1 Without The Oil (Remastered)
DR13      -2.66 dB   -18.24 dB      4:50 07-Get Out Of Town (Remastered)
DR13      -1.74 dB   -17.57 dB      3:47 08-Rolando (Remastered)
DR13      -1.95 dB   -19.07 dB      4:27 09-I Believe In You (Remastered)
DR12      -2.31 dB   -17.61 dB      2:36 10-E.D. (Remastered)
DR12      -2.62 dB   -18.80 dB      4:12 11-Where Monk And Mingus Live - Let's Call This (Remastered)
DR11      -1.42 dB   -16.62 dB      4:08 12-Domino, pt. 2 (Remastered)
DR13      -2.57 dB   -18.93 dB      3:16 13-I Didn't Know What Time It Was (Remastered)
DR12      -4.66 dB   -21.20 dB      3:38 14-Someone To Watch Over Me (Remastered)
DR14      -1.89 dB   -18.81 dB      2:46 15-Termini's Corner (Remastered)
DR12      -2.12 dB   -19.07 dB      2:49 16-When The Sun Comes Out (Remastered)
DR10      -0.82 dB   -14.02 dB      0:22 17-Time Races With Emit (Remastered)
--------------------------------------------------------------------------------
Number of tracks:  17
Official DR value: DR13
Samplerate:        44100 Hz
Channels:          2
Bits per sample:   24
Bitrate:           1674 kbps
Codec:             FLAC
================================================================================


Скриншот спектра частот


Источник (релизер): Qobuz
Состав
Roland Kirk - flute, tenor sax, vocals, stritch, manzello, nose flute, siren
Andrew Hill - piano, celeste (tracks 1-6)
Wynton Kelly - piano (tracks 7-10)
Herbie Hancock - piano (11-17)
Vernon Martin - bass
Henry Duncan - drums (Tracks 1-6)
Roy Haynes - drums (tracks 7-17)

Об исполнителе (группе)
https://en.wikipedia.org/wiki/Rahsaan_Roland_Kirk

Об альбоме (сборнике)
https://en.wikipedia.org/wiki/Domino_(Rahsaan_Roland_Kirk_album)
The period Mercury Roland Kirk, well before he adopts binary rhythms and expand his music to cross the boundaries of jazz. At the beginning of the sixties, Kirk is already an orchestral man who, without renouncing blues and tradition, explores new ways, both melodic and instrumental. Using up to three instruments simultaneously, including stritch and manzello, both from the saxophone family, he chose to surround himself with two quartets, the presence of pianist Andrew Hill in the first conferring a grain of madness extra to his music. Wiser but full of feeling, Wynton Kelly’s piano is nonetheless endearing, especially since it builds on Roy Haynes’ formidable drumming and Roland Kirk’s humor remains infectious.
                                                                                                                                                               
                       
                       
                       
                       
                       
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