Modern Jazz Quartet / The Modern Jazz Quartet Plays For Lovers
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1960/2020
Жанр: Jazz
Издатель (лейбл): RevOla
Продолжительность: 01:16:39
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - All The Things You Are 03:15
02 - Softly, As In A Morning Sunrise 07:56
03 - All Of You 04:28
04 - Autumn in New York 03:41
05 - I'll Remember April 05:10
06 - Gershwin Medley 07:56
07 - Rose Of The Rio Grande 02:15
08 - But Not For Me 03:45
09 - Angel Eyes 03:51
10 - Over the Rainbow 03:53
11 - Medley, Pt. 1 10:15
12 - Between The Devil And The Deep Blue Sea 06:53
13 - Yesterdays 05:10
14 - Medley, Pt. 2 08:18
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-02-12 23:08:17
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Analyzed: Modern Jazz Quartet / The Modern Jazz Quartet Plays For Lovers
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DR Peak RMS Duration Track
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DR14 -0.44 dB -17.11 dB 3:15 01-All The Things You Are (Remastered)
DR12 -0.59 dB -15.31 dB 7:56 02-Softly, As In A Morning Sunrise (Remastered)
DR13 -2.81 dB -19.37 dB 4:28 03-All Of You (Remastered)
DR15 -0.25 dB -19.01 dB 3:41 04-Autumn in New York (Remastered)
DR10 -0.15 dB -13.48 dB 5:10 05-I'll Remember April (Remastered)
DR14 -0.82 dB -19.68 dB 7:56 06-Gershwin Medley (Remastered)
DR11 -4.25 dB -17.30 dB 2:15 07-Rose Of The Rio Grande (Remastered)
DR12 -0.62 dB -14.94 dB 3:45 08-But Not For Me (Remastered)
DR11 -2.54 dB -16.90 dB 3:51 09-Angel Eyes (Remastered)
DR13 -1.67 dB -18.32 dB 3:53 10-Over the Rainbow (Remastered)
DR14 0.00 dB -16.60 dB 10:15 11-Medley, Pt. 1 (Remastered)
DR11 -0.05 dB -14.31 dB 6:53 12-Between The Devil And The Deep Blue Sea (Remastered)
DR11 0.00 dB -16.35 dB 5:10 13-Yesterdays (Remastered)
DR13 -0.12 dB -16.07 dB 8:18 14-Medley, Pt. 2 (Remastered)
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Number of tracks: 14
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2644 kbps
Codec: FLAC
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Скриншот спектра частот
Источник (релизер): Qobuz
Состав
John Lewis - piano
Milt Jackson - vibraphone
Percy Heath - double bass
Connie Kay, Kenny Clarke - drums
Об альбоме (сборнике) https://www.allmusic.com/album/the-modern-jazz-quartet-plays-for-lovers-mw0000909684
This compilation from 1960 (extended with 6 additional tracks) contains eight romantically themed cover tunes from the Modern Jazz Quartet (MJQ), whose personnel included Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass) and Kenny Clarke (drums), who was replaced in mid-'55 by Connie Kay (drums). The cuts come from several assorted sessions between 1952 and 1955; as such the selections can also be found on the respective long-players MJQ (1954), Django (1955) and Concorde (1955). The earliest entries hail from December of 1952. Jerome Kern's "All the Things You Are" commences with a haunting Eastern-flavored introduction that caresses the limber reading, immediately establishing the combo's refined instrumental interaction. This is followed by a spirited rendition of Duke Ellington's "Rose of the Rio Grande" which demonstrates their ability to swing with sophistication and dexterity. From late December 1953 are the tranquil and sublime renderings of "Autumn in New York" and "But Not for Me." Both are nothing short of essential when exploring the achingly poignant inflections inherent in Jackson's dreamy vibes. The final four numbers are from a July 1955 date that was not only the first to feature Kay, but also produced the MJQ's debut long-player, Concorde (1955). Cole Porter's "All of You" takes on a noir sentiment, glistens around the sturdy rhythm section. "Softly, As in a Morning Sunrise" is approached with a classically-tinged Third Stream feel, separating the version heard here from all other standard jazz or pop remakes. The extended "Gershwin Medley" includes "Soon," "For You, For Me Forevermore," "Love Walked In" and "Our Love Is Here to Stay." The familiar milieu of the melodies is the perfect platform for the MJQ to unfurl their unique (and arguably unmatched) blend of performance precision with the equally refined skills of arrangers at the apex of their craft. They weave a powerfully musical statement that both defines their capabilities as well as the MJQ's nuevo interpretive attitude. At the risk of sounding maudlin, post be-bop jazz does not get much better than this collection -- which can only be bested when returned to the original context of these recordings on the aforementioned MJQ (1954), Django (1955) and Concorde (1955).
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发表于 2020-9-24 13:16:09
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