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[爵士和蓝调] [DSD][OF] Bill Evans - Live at Art D'Lugoff's Top of the Gate - 2012/2017 (Post-

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发表于 2020-9-24 13:16:25 | 显示全部楼层 |阅读模式
Bill Evans / Live at Art D'Lugoff's Top of the Gate
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2012/2017
Жанр: Post-Bop, Modal, Cool Jazz
Издатель (лейбл): 2xHD/Resonance Records
Продолжительность: 01:29:50
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Emily (Take 1)
02. Witchcraft
03. Yesterdays (Take 1)
04. 'Round Midnight (Take 1)
05. My Funny Valentine
06. California Here I Come
07. Gone With The Wind
08. Alfie
09. Turn Out The Stars
10. Yesterdays (Take 2)
11. Emily (Take 2)
12. 'Round Midnight (Take 2)
13. In A Sentimental Mood
14. Autumn Leaves
15. Someday My Prince Will Come
16. Mother Of Earl
17. Here's That Rainy Day
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Лог проверки качества

foobar2000 1.4.6 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2019-07-27 20:23:00
--------------------------------------------------------------------------------
Анализ:   Bill Evans / Live at Art d'Lugoff's Top of the Gate
--------------------------------------------------------------------------------
DR         Пики         RMS           Продолжительность трека
--------------------------------------------------------------------------------
DR12      -8.13 дБ   -24.85 дБ      4:45 01-Emily (Take 1)
DR14      -6.82 дБ   -26.75 дБ      5:44 02-Witchcraft
DR12      -7.91 дБ   -24.44 дБ      5:09 03-Yesterdays (Take 1)
DR13      -9.09 дБ   -26.66 дБ      6:22 04-'Round Midnight (Take 1)
DR12     -11.40 дБ   -27.54 дБ      4:48 05-My Funny Valentine
DR12      -9.30 дБ   -25.32 дБ      5:35 06-California Here I Come
DR12      -8.90 дБ   -24.51 дБ      6:57 07-Gone With The Wind
DR12      -9.90 дБ   -26.25 дБ      5:05 08-Alfie
DR12      -8.21 дБ   -24.61 дБ      4:42 09-Turn Out the stars
DR12      -8.42 дБ   -24.20 дБ      4:43 10-Yesterdays (Take 2)
DR12      -8.47 дБ   -24.11 дБ      5:11 11-Emily (Take 2)
DR11      -9.58 дБ   -24.63 дБ      4:08 12-'Round Midnight (Take 2)
DR12      -8.47 дБ   -24.13 дБ      6:25 13-In A Sentimental Mood
DR12      -6.70 дБ   -24.57 дБ      5:31 14-Autumn Leaves
DR13      -9.41 дБ   -26.25 дБ      5:05 15-Someday My Prince Will Come
DR13     -11.22 дБ   -29.39 дБ      4:19 16-Mother Of Earl
DR13     -11.66 дБ   -28.98 дБ      5:21 17-Here's that Rainy Day
--------------------------------------------------------------------------------
Количество треков: 17
Реальные значения DR: DR12
Частота:   5644800 Гц / Частота PCM: 176400 Гц
Каналов:   2
Разрядность:   1
Битрейт:   11290 кбит/с
Кодек:   DSD128
================================================================================


Скриншот спектра частот





Источник (релизер): NativeDSD
https://2xhd.nativedsd.com/albums/2XHD1052-bill-evans-live-at-art-dlugoffs-top-of-the-gate
Состав
Bill Evans - piano
Eddie Gomez - double bass
Marty Morell - drums

Об альбоме (сборнике)
Live at Art D’Lugoff’s Top of the Gate, a previously unreleased recording captured over a half century ago consists of two blistering sets recorded at the legendary venue in October, 1968. Digitally remastered from the original tapes, the album features one of jazz’s most prominent trios – pianist Bill Evans, drummer Marty Morell and bassist Eddie Gomez.
The album Live at Art D'Lugoff's Top of the Gate, offers listeners a table at the front of the stage for a stellar performance by one of jazz's greatest trios. It's October 23, 1968 in Greenwich Village, The lineup that night consisted of three musicians in their prime: Evans, bassist Eddie Gomez and drummer Marty Morell. Evans had, reportedly, kicked his drug habit during this period, and this was thought by many to be his most stable and, certainly, longest-lasting group. This trio was together until 1975. Evans is in both swinging and contemplative modes and highlights the trio's superb interaction. Gomez had been with Evans since 1966, while Morell came aboard in 1968; Gomez was a master improviser, while Morell was an energetic, straight-ahead drummer, always keeping the trio on track. Along with the leader, both contribute masterful solos here. The album features two complete sets, including two versions of three songs. There is one original ("Turn Out the Stars"); the rest are jazz standards and familiar show tunes. Throughout the two sets, Evans showcases his gift for interpreting standards, over the seventeen tracks. "My Funny Valentine" moves effortlessly from tenderness to passion, while "Gone with the Wind" erupts at a breakneck pace and "Here's That Rainy Day" concludes the evening with heart-breaking emotion. Students of Evans' music will be delighted to see that three pieces ("Emily," "Yesterdays," and "'Round Midnight") are represented in both the first and second sets, offering a rare opportunity to compare the soloists' diverging takes on the same tunes in a single evening. Also, several of the selections possess historic significance: both "My Funny Valentine" and "Here's That Rainy Day" (and possibly "Mother of Earl") mark Evans' first documented trio performances of those songs, while "Here's That Rainy Day" may be the first time Evans recorded that piece period.
                                                                                                                                                               
                       
                       
                       
                       
                       
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