Tito Puente and his Orchestra / Dance Mania! Vol. 1
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1957/2019
Жанр: Latin Jazz
Издатель (лейбл): RevOla
Продолжительность: 01:08:20
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - El Cayuco 02:37
02 - Complicacion 03:23
03 - 3-D Mambo 02:27
04 - Llego Mijan 03:14
05 - Cuando Te Vea 04:16
06 - Hong Kong Mambo 03:48
07 - Mambo Gozon 02:48
08 - Mi Chiquita Quiere Bembe 03:57
09 - Varsity Drag Mambo 02:52
10 - Estoy Siempre Junto A Ti 03:14
11 - Agua Limpia Todo 02:56
12 - Saca Tu Mujer 03:07
13 - El Cayuco (Outtake Version) 02:37
14 - Estoy Siempre Junto A Ti (Outtake Version) 02:44
15 - Mambozooka 02:51
16 - Havana After Dark 02:50
17 - Cual Es la Idea 03:20
18 - Tito Guajira 02:38
19 - Yambeque 03:46
20 - Son De La Loma 02:07
21 - Guaririambo 03:27
22 - Pa' Los Rumberos 03:21
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-01-27 00:22:37
--------------------------------------------------------------------------------
Analyzed: Tito Puente And His Orchestra / Dance Mania! Vol 1 (Remastered)
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -1.64 dB -17.21 dB 2:37 01-El Cayuco (Remastered)
DR11 -1.97 dB -15.93 dB 3:24 02-Complicacion (Remastered)
DR12 -3.02 dB -17.61 dB 2:27 03-3-D Mambo (Remastered)
DR12 -2.07 dB -15.96 dB 3:14 04-Llego Mijan (Remastered)
DR12 -2.24 dB -16.29 dB 4:16 05-Cuando Te Vea (Remastered)
DR12 -2.98 dB -17.37 dB 3:48 06-Hong Kong Mambo (Remastered)
DR12 -2.42 dB -16.92 dB 2:48 07-Mambo Gozon (Remastered)
DR12 -1.24 dB -16.34 dB 3:57 08-Mi Chiquita Quiere Bembe (Remastered)
DR12 -3.28 dB -17.46 dB 2:53 09-Varsity Drag Mambo (Remastered)
DR11 -2.91 dB -16.58 dB 3:14 10-Estoy Siempre Junto A Ti (Remastered)
DR11 -3.48 dB -16.06 dB 2:56 11-Agua Limpia Todo (Remastered)
DR11 -2.80 dB -16.16 dB 3:08 12-Saca Tu Mujer (Remastered)
DR11 -2.28 dB -16.07 dB 2:38 13-El Cayuco (Outtake Version Remastered)
DR10 -3.25 dB -16.41 dB 2:44 14-Estoy Siempre Junto A Ti (Outtake Version Remastered)
DR9 -4.46 dB -15.53 dB 2:51 15-Mambozooka (Remastered)
DR9 -4.45 dB -15.88 dB 2:51 16-Havana After Dark (Remastered)
DR9 -3.36 dB -13.66 dB 3:20 17-Cual Es la Idea (Remastered)
DR9 -6.64 dB -18.62 dB 2:39 18-Tito Guajira (Remastered)
DR10 -4.67 dB -15.58 dB 3:46 19-Yambeque (Remastered)
DR9 -4.95 dB -16.33 dB 2:07 20-Son De La Loma (Remastered)
DR9 -3.98 dB -14.42 dB 3:28 21-Guaririambo (Remastered)
DR9 -3.69 dB -14.02 dB 3:22 22-Pa' Los Rumberos (Remastered)
--------------------------------------------------------------------------------
Number of tracks: 22
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1142 kbps
Codec: FLAC
================================================================================
Скриншот спектра частот
Источник (релизер): Qobuz
Состав
Tito Puente Orchestra
Об альбоме (сборнике) https://en.wikipedia.org/wiki/Dance_Mania_(album) https://www.discogs.com/Tito-Puente-And-His-Orchestra-Dance-Mania/release/3289140
Dance Mania, Tito Puente's best-known and best-selling album, came ten years into his career, but at a time (1957) when the craze for mambo and Latin music was beginning to crest. (Another landmark LP, Pérez Prado's Havana 3 A.M., had been released the previous year, and Prado's "Cherry Pink and Apple Blossom White" had hit number one in 1955.) Recorded as part of a just-signed exclusive contract with RCA and appearing in vibrant sound as part of the label's Living Stereo series, Dance Mania exploded with a series of tight arrangements, propulsive playing, and the features of new additions in vocalist Santos Colón and conguero Ray Barretto (who helped, in part, make up for the recent loss of Willie Bobo and Mongo Santamaria to Cal Tjader's group). Puente didn't dilute his sound for Dance Mania -- unlike the many commercial crossover LPs that were released by both established groups and ad hoc studio collectives -- but his hard mambos here were performed at tempos that encouraged dancing by more staid LP-buyers, slightly slower than the high paces of his Tico sides or Palladium shows. Brassy and swinging, yes, and certainly as precise as a great Latin band could get, but not as torrid as Spanish Harlem dancers would be accustomed to. Most were Puente originals, spanning mambo and cha-cha and guaguanco, and Dance Mania built the foundation for great Latin LPs to come. [The 2009 Legacy Edition was a two-CD program, including outtakes and contemporary sides from the original Dance Mania LP as well as the complete sessions from 1960's Dance Mania, Vol. 2.]
/1 
发表于 2020-9-24 13:18:35
提升卡
置顶卡