Stan Getz And João Gilberto – Getz/Gilberto (1964/2004)
Жанр: Jazz, Bossa Nova, Brazilian Traditions
Носитель: SACD
Год издания: 1964/2004
Издатель: Verve (Japan)
Номер по каталогу: UCGU-7031
Аудиокодек: DSD64 2.0
Тип рипа: image (iso)
Продолжительность: 00:33:23
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Getz/Gilberto
Getz/Gilberto is a jazz bossa nova album released in 1964 by the American saxophonist Stan Getz and Brazilian guitarist João Gilberto, and featuring composer and pianist Antonio Carlos Jobim.
Its release created a bossa nova craze in the United States and internationally. It brought together Stan Getz, who had already performed the genre on his LP Jazz Samba, João Gilberto (one of the creators of the style), and Jobim, a celebrated Brazilian composer (and also one of the main creators of the genre), who wrote most of the songs in the album. It became one of the best-selling jazz albums of all time, and turned Astrud Gilberto, who sang on the tracks “The Girl from Ipanema” and “Corcovado”, into an internationally celebrated musician.
All Music Review
One of the biggest-selling jazz albums of all time, not to mention bossa nova’s finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova’s greatest innovators — guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim — to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history — “The Girl From Ipanema,” a Jobim classic sung by João’s wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre — “Corcovado” (which featured another vocal by Astrud), “So Danço Samba,” “O Grande Amor,” a new version of “Desafinado.” With such uniformly brilliant material, it’s no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that’s arguably the fullest expression of bossa nova’s dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it’s one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential.
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发表于 2020-9-24 13:20:58
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