Modern Jazz Quartet / The Artistry Of The Modern Jazz Quartet
Формат записи/Источник записи: [TR24][OF]
Издание: Remastered
Год издания/переиздания диска: 1952-1955/2019
Жанр: Jazz
Издатель (лейбл): RevOla
Продолжительность: 01:04:16
Наличие сканов в содержимом раздачи: Нет
Треклист:
01 - La Ronde 03:09
02 - Rose Of The Rio Grande 02:15
03 - The Queen's Fancy 03:14
04 - Delaunay's Dilemma 03:59
05 - In A Sentimental Mood feat. Sonny Rollins 03:21
06 - The Stopper feat. Sonny Rollins 02:59
07 - Almost Like Being In Love feat. Sonny Rollins 03:25
08 - No Moe feat. Sonny Rollins 03:31
09 - Django 07:04
10 - One Bass Hit 03:01
11 - Milano 04:24
12 - Ralph's New Blues 07:09
13 - I'll Remember April 05:08
14 - Concorde 03:41
15 - Softly, As In A Morning Sunrise 07:56
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2020-04-28 15:30:58
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Analyzed: Modern Jazz Quartet / The Artistry Of The MJQ
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DR Peak RMS Duration Track
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DR14 -3.86 dB -19.65 dB 3:09 01-La Ronde (Remastered)
DR13 -5.15 dB -19.83 dB 2:16 02-Rose Of The Rio Grande (Remastered)
DR12 -6.19 dB -20.08 dB 3:14 03-The Queen's Fancy (Remastered)
DR12 -6.48 dB -21.83 dB 4:00 04-Delaunay's Dilemma (Remastered)
DR11 -5.81 dB -20.09 dB 3:21 05-In A Sentimental Mood (Remastered)
DR11 -6.13 dB -19.10 dB 2:59 06-The Stopper (Remastered)
DR11 -6.33 dB -19.38 dB 3:26 07-Almost Like Being In Love (Remastered)
DR11 -6.05 dB -19.23 dB 3:32 08-No Moe (Remastered)
DR13 -5.58 dB -21.76 dB 7:05 09-Django (Remastered)
DR11 -7.54 dB -20.77 dB 3:02 10-One Bass Hit (Remastered)
DR13 -6.84 dB -23.20 dB 4:24 11-Milano (Remastered)
DR15 -4.94 dB -22.60 dB 7:10 12-Ralph's New Blues (Remastered)
DR12 -6.11 dB -19.98 dB 5:09 13-I'll Remember April (Remastered)
DR16 -1.97 dB -20.09 dB 3:42 14-Concorde (Remastered)
DR14 -3.44 dB -20.19 dB 7:56 15-Softly, As In A Morning Sunrise (Remastered)
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Number of tracks: 15
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1216 kbps
Codec: FLAC
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Скриншот спектра частот
Доп. информация: In memoriam of Percy Heath who passed away on this day.
Источник (релизер): Qobuz
Состав
Bass – Percy Heath
Drums – Connie Kay (tracks: 12 to 15), Kenny Clarke (tracks: 1 to 11)
Piano – John Lewis
Tenor Saxophone – Sonny Rollins (tracks: 5 to 8)
Vibraphone – Milt Jackson
Об альбоме (сборнике)
Spanning one of the few transitional periods for the Modern Jazz Quartet when Connie Kay replaced Kenny Clarke as the group's drummer, The Artistry of the Modern Jazz Quartet covers the years from 1952-1955. By this point in the group's career, John Lewis was largely overseeing the quartet's repertoire, penning the bulk of the original material. Indeed, on The Artistry Of, the pianist contributes six compositions to Milt Jackson's one (the excellent "Ralph's New Blues"). The set is balanced out by renditions of the most common of jazz standards in "Almost Like Falling in Love," "I'll Remember April," and "In a Sentimental Mood," and the work of more contemporary artists like Dizzy Gillespie and Sonny Rollins. Though the chops of each member are undeniable, the performances are, for the most part, rather reserved, placing technique and group coordination above strong emotion. Lewis' "La Ronde" was an early favorite, and it's easy to see why. Here the all-rhythm lineup is completely locked in, particularly the drums and vibes, and the head packs a punch lacking on much of the material. Jackson balances restraint and umph! on a memorable solo while Lewis responds with excellent bopisms on piano. Two songs later, however, the group are strolling through the awkward "The Queen's Fancy," a composition whose overly sentimental melody line, complete with regal undertones, has faired less well over time. More impressive are readings of "Rose of the Rio Grande" and Lewis' "Delaunay's Dilemma." In 1951, the MJQ had backed Sonny Rollins on a Prestige date, and The Artistry Of finds the saxophonist repaying the favor, lending prime solos to a handful of cuts including his own "The Stopper" and "No Moe." In the end, this album is a fine introduction to the sound and sensibility of the MJQ.
Nathan Bush