Lee Konitz - Frescalalto
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: Post-Bop
Издатель (лейбл): Impulse Select
Продолжительность: 50:32
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Stella By Starlight (9:35)
02. Thingin (6:26)
03. Darn That Dream (5:18)
04. Kary's Trance (4:58)
05. Out Of Nowhere (7:27)
06. Gundula (3:26)
07. Invitation (9:20)
08. Cherokee (4:02)
Personnel:
Lee Konitz - alto sax, vocals
Kenny Barron - piano
Peter Washington - bass
Kenny Washington - drums
Rec.: Avatar Studios, New York City, NY, November 30 & December 1, 2015.
Об исполнителе (группе)
One of the most individual of all altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity, leading him to consistently take chances and stretch himself, usually quite successfully. Early on he studied clarinet, switched to alto, and played with Jerry Wald. Konitz gained some attention for his solos with Claude Thornhill & His Orchestra (1947). He began studying with Lennie Tristano, who had a big influence on his conception and approach to improvising. Konitz was with Miles Davis' Birth of the Cool Nonet during their one gig and their Capitol recordings (1948-1950) and recorded with Lennie Tristano's innovative sextet (1949), including the first two free improvisations ever documented. Konitz blended very well with Warne Marsh's tenor (their unisons on "Wow" are miraculous) and would have several reunions with both Tristano and Marsh through the years, but he was also interested in finding his own way; by the early '50s he started breaking away from the Tristano school. Konitz toured Scandinavia (1951), where his cool sound was influential, and he fit in surprisingly well with Stan Kenton & His Orchestra (1952-1954), being featured on many charts by Bill Holman and Bill Russo. Konitz was primarily a leader from that point on. He almost retired from music in the early '60s but re-emerged a few years later. His recordings have ranged from cool bop to thoughtful free improvisations, and his Milestone set of Duets (1967) is a classic. In the '70s and '80s, Konitz increased his recorded output, issuing consistently stimulating sessions for such labels as SteepleChase, Philogy, Soul Note, and others. In 1992, he won the prestigious Jazzpar Prize. He kept a busy release schedule throughout the '90s and dabbled in the world of classical music with 2000's French Impressionist Music from the Turn of the Twentieth Century. The Mark Masters Ensemble joined him for 2004's One Day with Lee, and in 2007 he recorded Portology with the Ohad Talmor Big Band. He has recorded on soprano and tenor but has mostly stuck to his distinctive alto. In 2011, he released his own trio album Knowinglee and appeared on the live ECM date Live at Birdland (recorded in 2009) with pianist Brad Mehldau, bassist Charlie Haden, and drummer Paul Motian. Three years later, he joined Dan Tepfer, Michael Janisch, and Jeff Williams for First Meeting: Live in London, Vol. 1. In 2017, Konitz delivered the quartet date Frescalalto, featuring pianist Kenny Barron, bassist Peter Washington, and drummer Kenny Washington.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-06-11 10:01:37
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Analyzed: Lee Konitz / Frescalalto
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DR Peak RMS Duration Track
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DR14 -0.30 dB -16.60 dB 9:35 01-Stella By Starlight
DR13 -0.50 dB -15.53 dB 6:26 02-Thingin
DR14 -2.29 dB -18.88 dB 5:18 03-Darn That Dream
DR13 -0.31 dB -15.28 dB 4:58 04-Kary's Trance
DR14 -0.20 dB -15.98 dB 7:27 05-Out Of Nowhere
DR14 -0.48 dB -17.96 dB 3:26 06-Gundula
DR13 -0.25 dB -15.66 dB 9:20 07-Invitation
DR13 -0.34 dB -15.11 dB 4:02 08-Cherokee
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Number of tracks: 8
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2838 kbps
Codec: FLAC
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发表于 2020-9-24 13:21:54
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