Mathias Eick - Skala
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2011
Жанр: Modern Creative, Contemporary Jazz, ECM
Издатель (лейбл): ECM Records
Продолжительность: 41:42
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Skala (6:17)
02. Edinburgh (5:11)
03. June (4:19)
04. Oslo (5:31)
05. Joni (5:57)
06. Biermann (6:11)
07. Day After (4:55)
08. Epilogue (3:21)
Personnel:
Mathias Eick - trumpet, vibraphone, guitar, bass
Tore Brunborg - tenor saxophone
Andreas Ulvo - piano
Morten Qvenild - keyboards
Audun Erlien - electric bass
Torstein Lofthus, Gard Nilssen - drums
Sidsel Walstad - harp
Recorded December 2009 and January 2010 Cabin Recorders, Bugges Room and Pooka Studio, Oslo.
Об альбоме (сборнике)
Norwegian trumpeter Mathias Eick’s new album extends the concept and the panoramic sweep of his ECM debut “The Door” (recorded 2007). “It’s wider and bigger in all directions,” Eick says. “Skala” calls upon the services of more musicians – including, at times, two drummers - and there is more detail in the arrangements. What hasn’t changed is the emphasis on the lyrical soloist at the centre of the production. Eick’s elegant trumpet now has a larger space in which to sing.
“Skala” pools new and older compositions, all written by Mathias, and inspired, he says, by music from classical to pop. The title tune is one that the trumpeter says has been following him “for many years”, its network of inspirations including Sting’s 1993 song “Shape of My Heart”. “Edinburgh” was written in the Scottish city, but draws inspiration from Norwegian composer Edvard Grieg and the plaintive cry of Jan Garbarek’s sax. Eick describes “June” as “a light and peaceful song, a reminiscence of summer days”. The piece incorporates the harp of classical player Sidsel Walstad, currently of the Norwegian Broadcasting Orchestra.
“Oslo”, the album’s most propulsive tune, is a “song of the city. It’s a groove-directed piece.” It also “brings the idea of the two drummers into play. It sets them loose.” The piece also includes significant contributions from keyboardist Morten Qvenild, best known for his work with singer Susanna Wallumrød. “Joni” is, of course, for Joni Mitchell, whose work Eick has long admired. “Biermann” is named after the Oslo house that Eick rents, a place once owned by German merchant J. F. Biermann, back in the 19th century. “The Day After” references the 1970s, and is influenced by sources as diverse as the Jarrett/Garbarek ‘Belonging’ collaboration and the pounding rock piano of Elton John. “Epilogue” develops “from the simple idea of softness meeting raw energy”, as Mathias’s tender trumpet soliloquy gives way to typhoon-strength drumming from Torstein Lofthus.
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-10-19 22:58:16
--------------------------------------------------------------------------------
Analyzed: Mathias Eick / Skala
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
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DR15 -0.01 dB -18.88 dB 6:17 01-Skala
DR14 -0.41 dB -16.97 dB 5:11 02-Edinburgh
DR12 -4.72 dB -20.70 dB 4:19 03-June
DR14 0.00 dB -16.73 dB 5:31 04-Oslo
DR13 0.00 dB -15.08 dB 5:57 05-Joni
DR14 -0.20 dB -18.81 dB 6:11 06-Biermann
DR16 -0.05 dB -17.97 dB 4:55 07-Day After
DR14 -0.08 dB -18.27 dB 3:21 08-Epilogue
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Number of tracks: 8
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2488 kbps
Codec: FLAC
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发表于 2020-9-24 13:24:13
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