Bebel Gilberto / Agora
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2020
Жанр: bossa nova, samba, nu-jazz, vocal jazz
Издатель (лейбл): [PIAS]
Продолжительность: 00:39:36
Наличие сканов в содержимом раздачи: Только обложка альбома
Источник (релизер): qobuz
Треклист:
01 Tão Bom 03:27
02 Agora 03:07
03 Cliché 03:29
04 Bolero 04:07
05 Essence 04:23
06 Na Cara feat. Mart'nália 03:09
07 Deixa 03:32
08 Raio 03:19
09 Yet Another Love Song 03:38
10 O Que Não Foi Dito 03:39
11 Teletransportador 03:47
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/48
Формат: PCM
Количество каналов: 2.0
Доп. информация: https://www.bebelgilberto.com/
Лог проверки качества
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2020-08-21 22:13:35
--------------------------------------------------------------------------------
Analyzed: Bebel Gilberto / Agora
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR8 -0.30 dB -10.42 dB 3:27 01-Tão Bom
DR7 -0.30 dB -9.84 dB 3:07 02-Agora
DR8 -0.30 dB -11.00 dB 3:29 03-Cliché
DR7 -0.30 dB -8.60 dB 4:07 04-Bolero
DR8 -0.50 dB -10.49 dB 4:23 05-Essence
DR7 -0.30 dB -10.06 dB 3:09 06-Na Cara
DR7 -0.30 dB -8.59 dB 3:32 07-Deixa
DR8 -0.30 dB -9.90 dB 3:19 08-Raio
DR7 -0.30 dB -9.11 dB 3:38 09-Yet Another Love Song
DR7 -0.30 dB -9.70 dB 3:39 10-O Que Não Foi Dito
DR7 -0.30 dB -9.02 dB 3:47 11-Teletransportador
--------------------------------------------------------------------------------
Number of tracks: 11
Official DR value: DR7
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1424 kbps
Codec: FLAC
================================================================================
Об исполнительнице (рус.) | About Artist (ru)
Бебел Жилберту
Бебел Жилберту (порт. Bebel Gilberto, полное имя Изабел Жилберту де Оливейра порт. Isabel Gilberto de Oliveira, род. 12 мая 1966 года, Нью-Йорк, США) — бразильская певица, чьё имя часто ассоциируется со стилем босса-нова. Дочь вокалистки Миуши (порт. Miúcha) и гитариста Жуана Жилберту (порт. João Gilberto), считающегося одним из основоположников босса-новы.
Детство и юность Бебел Жилберту прошли в Рио-де-Жанейро, Бразилия. Она начала заниматься пением с подачи матери и в возрасте семи лет записала пару песен для её первого сольного альбома «Miucha». В девять Бебел уже участвовала вместе с Миучей и саксофонистом Стэном Гетцем в джазовом фестивале в Нью-Йорке, в Карнеги-холл. Через некоторое время она осваивает театральные подмостки: выступает в популярных мюзиклах «Os Saltimbancos» (и участвует в записи саундтрека для него) и «Pirlimpimpim». Позже Бебел поступила в экспериментальную театральную труппу, дающую представления с цирком Circo Voador («Летающий цирк») в Ipanema Beach. Там она познакомилась и подружилась с певцом и композитором Казузой, ставшим в 1980-е одной из самых известных рок-звёзд Бразилии.
В это время Жилберту начала писать песни в соавторстве с Казузой и Де (порт. Dé). Одна из их песен — «Preciso Dizer Que Te Amo» — стала национальным хитом и получила несколько музыкальных наград, в том числе звание лучшего сингла года по версии Brazilian Sharp Award. Вместе с соотечественником, певцом Педринью Родригесом, в 1983 году Изабел приняла участие в создании альбома «Un Certo Geraldo Pereira». А через три года она записала на Warner Music свой первый миньон, который включал знаменитые песни «Preciso Dizer Que Te Amo» и «Mais Feliz».
В 1991 году Бебел переехала в Нью-Йорк, где приняла участие в проходившем в Бруклинской академии музыки шоу-трибьют бразильской звезде Кармен Миранде, с участием Лори Андерсон и Naná Vasconcelos. В США, создав свою собственную группу, Жилберту стала осваивать нью-йоркскую сцену, выступая в престижных клубах и концертных залах, включая Линкольн-центр.
На протяжении девяностых годов Бебел сотрудничала со многими музыкальными звёздами: Arto Lindsay, Thievery Corporation, Дэвидом Бирном, Това Тэй, Каэтану Велозу, Шику Буарки. К середине 1990-х она добилась международного признания как композитор с танцевальными хитами «Technova» и «Batucada», созданными в сотрудничестве с Това Тэй и Arto Lindsay. Изабель начинает заниматься музыкой для кино. Одна из самых известных её работ — саундтрек к фильму режиссёра Брэда Андерсона «Следующая остановка — Страна чудес» с участием актёра Филип Сеймур Хоффман.
В конце 1990-х Жилберту переехала в Лондон, где занялась подготовкой материала для дебютного альбома. В Англии она познакомилась с сербским музыкантом и композитором Субой, который написал и спродюсировал несколько треков для этого альбома. Там же она сотрудничала с диджеем и продюсером Amon Tobin, голландским дуэтом Arling&Cameron и певицей Ниной Мирандой.
Дебютный полноформатный «Tanto Tempo» (2000 г.) продан более чем миллионом копий по всему миру, альбом был номинирован на Latin Grammy Awards в двух категориях — «Лучший новый артист» и «Лучший альбом бразильской поп-музыки».
Её второй альбом, «Bebel Gilberto» (2004 г.), был также тепло встречен публикой и критикой, получив MOBO Award в Великобритании, а устроители музыкальной премии Грэмми отметили его несколькими номинациями.
На популярные треки с дисков Бебел записываются и выпускаются три альбома ремиксов. Её песни звучат в кино и на телевидении: в «Nip/Tuck», «Entourage», «Closer». Дуэтом с Майком Паттоном она записывает песню «Caipirinha», которая затем появится на альбоме проекта Peeping Tom. Жилберту широко гастролирует по всему миру, представляя публике свои вариации любимой босса-новы.
В 2006 году Изабел начала писать и продюсировать песни, которые потом стали частью её третьего альбома «Momento», выпущенного в апреле 2007-го. На этом альбоме Жилберту сотрудничала с британским продюсером Guy Sigsworth, а помогали ей друзья Didi Gutman и Sabina Sciubba из нью-йоркской группы «Brazilian Girls», а также «Orquestra Imperial» из Рио-де-Жанейро.
В августе 2009 года Бебел Жилберту выпустила четвёртый студийный альбом «All in One».
Певица также озвучила Еву, жену тукана Рафаэля, из мультфильма «Рио», который вышел в прокат в 2011 году. https://ru.wikipedia.org/wiki/Жилберту,_Бебел
Об исполнительнице (англ.) | About Artist (en)
Bebel Gilberto
Bebel Gilberto born Isabel Gilberto de Oliveira in New York City is a Brazilian popular singer often associated with bossa nova. She is the daughter of João Gilberto and singer Miúcha. Her uncle is singer/composer Chico Buarque. Gilberto has been performing since her youth in Rio de Janeiro.
Bebel's debut song was, as expected, precocious. At the tender age of nine, Bebel had already performed at Carnegie Hall with her mother and Stan Getz, and had previously participated in the musicals Pirlimpimpim and Saltimbancos with her mother and her uncle Chico Buarque.
Her professional solo debut came in 1986 with a self-titled EP released by WEA which included "Preciso dizer que te amo," a partnership with Cazuza, Dé, when both were in the Barão Vermelho band. In 1991, the daughter of Gilberto and Miúcha traded Ipanema, where she grew up, for Manhattan, where she was born. Bebel continues to live in New York City, but shares her time between the U.S. and Brazil.
Bebel was a great friend of Cazuza and she composed several songs with him in addition to "Eu preciso dizer que te amo," including "Amigos de Bar," "Mais Feliz" and "Mulher sem Razão."
Bebel next participated in the project Red, Hot + AIDS, joining major music stars such as Everything but the Girl, Maxwell, George Michael and others for the benefit CD recording. She also collaborated on the CD of Japanese producer Towa Tei Future Listening, singing on the hits "Technova" and "Batucada" and also participated in the project Peeping Tom Mike Patton (former lead singer of Faith No More), singing "Caipirinha."
With the release of 'Tanto Tempo' in 2000, Bebel concocted her trademark electronic bossa nova, which took over clubs around the world and positioned Bebel as one of the top-selling Brazilian artists in the U.S. since the '60s. With her second album, 'Bebel Gilberto' (2004), she refined her sound to create an acoustic lounge style that showcased her strengths as a Brazilian composer.
With Momento (2007), her third album in seven years, she wanted to do a fusion of both. Mixing the taste of Rio 'Orchestra Imperial' with the melting pot of New York's Brazilian Girls, and following the direction of the English producer Guy Sigsworth (Madonna's partner in "What It Feels Like for a Girl"), Momento reaffirms the international character of Bebel.
All in One, which was released worldwide on September 29, 2009 on the famous American jazz label Verve, was released in Brazil by Universal Music. It is the least electronic-infused of her albums, it also brings to the forefront more of Bebel's personality and love for organic styles.
To forge a mature serenity on 'All in One,' Bebel had a super team of producers including Mark Ronson (Amy Winehouse, Lily Allen), John King (Dust Brothers, Beck), Daniel Jobim, Carlinhos Brown, Didi Gutman (Brazilian Girls) and Mario Caldato Jr (Beastie Boys, Bjork, Jack Johnson).
Since the launch of 'Tanto Tempo' in 2000, it has sold over 2.5 million records and has been featured on seven film soundtracks (including "Next Stop Wonderland," "Bubble," "Closer" and most recently 2010's "Eat Pray Love") and seven TV series (Sex and the City, Six Feet Under, Nip/Tuck ...). https://en.wikipedia.org/wiki/Bebel_Gilberto
Об альбоме (англ.) | About Album (en)
Info for 'Agora'
Singer Bebel Gilberto never found the chance to slip a pair of headphones onto the ears of her dad, Brazilian music legend João Gilberto, to play the song she wrote for him. The track is named, appropriately, “O Que Não Foi Dito,” ("What Hasn't Been Said").
When Bebel set out to record her new album “Agora” ("Now"), a process that took a whopping three years, she was working to secure power of attorney for her infirm father in Rio de Janeiro, while absorbing what she says were inaccurate press reports about her motives.
She has since suffered a barrage of heartbreaks. First, her best friend had a fatal heart attack as she spoke with him by phone. Then her mother, a famous singer whose stage name was Miúcha, succumbed to lung cancer. The final blow came last year with the death of her 88-year-old father, who invented the rhythm that came to be known as bossa nova and made him a national treasure.
“That’s why it (the album) took so long,” she said in a video call from Rio. “It was my escape. Thank God I had that. If I didn’t have that, I would be dead.”
Most of the 11 songs were recorded before her parents passed, but the album is being released at a moment when the whole world is coping with pandemic grief, and Bebel said she hopes it will be a palliative. Songs range from languid and loungey to defiant — set to subdued electronic beats and the tinkling of piano keys. She often swings and riffs, toying with the tempo. The title track offers siren whispers that echo as though beckoning from within a well.
Bebel, who was born in New York and spent most of her young life on the road with her father, living among other places in Rio de Janeiro, Berlin, New York and Mexico City, has charted an international career.
She recorded “Agora,” her first album in six years, for PIAS Recordings in New York with her friend Thomas Bartlett, who has produced acts such as St. Vincent, Norah Jones and Florence + the Machine. The song “Tão Bom" ("So Good"), a dreamscape of strings, is about reconnecting with Bartlett after years apart.
She wrote “O Que Não Foi Dito” for her father at the end of 2017, when she was about to receive power of attorney. She had been shuttling back and forth to Brazil to appear before a judge and trying, with limited success, to convey to interested parties that the move had nothing to do with money, and instead ensuring a means to pay her father's basic bills.
“I was just trying to organize his life so he could have better living, because he was abandoned,” she said. João famously became reclusive in his final years.
The song features a somber, shifting bed beneath a plea she be allowed to provide care. She sings that she’ll have to try to teach him in this half of life, a reversal of roles from their first act when he knew how to do everything.
The most valuable thing Bebel says she learned from her father was the way he used vocal dynamics. João, who came of age in an era of syrupy-voiced crooners, went against the grain and sang quietly — often with little more than a whisper. He was a critic of vibrato and exuberance, Bebel said, adding that he would have enjoyed listening to the 18-year-old Billie Eilish.
Bebel recalled an instance, four years ago, when she was about to leave for Rio's airport to fly home to New York. Guitar in hand, João implored his daughter to stay, saying there was something very important he needed to share. It wasn’t a grim medical diagnosis, a long-harbored confession nor a change to his will. Rather, it was a discovery, which he demonstrated: an even softer delivery to two verses of the bossa nova classic “Wave”:
“The first time, it was the city/The second, the pier and eternity..."
Bebel said she was moved to see that, even years after vanishing from the scene, her dad was still improving upon songs he’d sung for decades. Gratitude washed over her for having stayed.
Last year she moved back to Rio, where she's close to family. Late afternoon sunlight fills her living room, with a view of the Dois Irmaos mountains that tower over the beaches of Ipanema and Leblon. She has a puppy she refers to as her “daughter” — a brown Shih Tzu that resembles an Ewok.
“I’m really in very good spirits, everyone has been telling me this,” she said. “And I’ve been happy about it. My zen came.” https://oanow.com
/1 
发表于 2020-9-24 13:25:48
提升卡
置顶卡