Alva Noto & Ryuichi Sakamoto - Two: Live at Sydney Opera House
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2019
Жанр: Electronic, Experimental
Издатель (лейбл): Noton
Продолжительность: 01:19:24
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. Inosc (7:31)
02. Propho (5:50)
03. Trioon II (Live) (5:45)
04. Scape I (2:53)
05. Berlin (Live) (5:32)
06. Scape II (2:11)
07. Morning/Iano (Live) (8:38)
08. Emspac (4:45)
09. Kizuna (Live) (5:06)
10. Gitrac (4:03)
11. Monomom (6:52)
12. Panois (2:48)
13. Naono (Live) (11:16)
14. The Revenant Theme (Live) (6:14)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/44,1
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.5.1 / Dynamic Range Meter 1.1.1
log date: 2020-03-02 01:29:48
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Analyzed: Alva Noto & Ryuichi Sakamoto / Two: Live at Sydney Opera House
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DR Peak RMS Duration Track
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DR10 -3.27 dB -18.24 dB 7:31 01-Inosc
DR13 -0.20 dB -20.17 dB 5:50 02-Propho
DR9 -0.20 dB -13.48 dB 5:45 03-Trioon II (Live)
DR11 -4.14 dB -21.91 dB 2:53 04-Scape I
DR8 -0.20 dB -11.11 dB 5:32 05-Berlin (Live)
DR20 -0.20 dB -28.71 dB 2:11 06-Scape II
DR10 -0.20 dB -14.97 dB 8:38 07-Morning/Iano (Live)
DR12 -0.20 dB -18.10 dB 4:45 08-Emspac
DR11 -2.94 dB -18.78 dB 5:06 09-Kizuna (Live)
DR12 -0.20 dB -17.60 dB 4:03 10-Gitrac
DR7 -0.20 dB -10.73 dB 6:52 11-Monomom
DR14 -0.20 dB -19.37 dB 2:48 12-Panois
DR9 -0.20 dB -12.80 dB 11:16 13-Naono (Live)
DR9 -0.15 dB -13.21 dB 6:14 14-The Revenant Theme (Live)
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Number of tracks: 14
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1402 kbps
Codec: FLAC
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Источник (релизер): redacted Об альбоме (сборнике)
Since gaining recognition for the soundtrack to Alejandro González Iñárritu’s The Revenant in 2015, Ryuichi Sakamoto and Alva Noto have not stopped opening the doors of perception. With Two, the German-Japanese duo continue their series of extrasensory experiences which began with the album Vrioon in 2002, followed by four other long formats, an EP and a soundtrack. This album captures their 2018 performance at the Sydney Opera House, the final stop in a series of prestigious live performances that took them to the Funkhaus in Berlin, the Greek Theatre in Barcelona (closing the Sónar festival), the Barbican Centre in London and Hammer Hall in Melbourne.
On that night in Sydney, Noto and Sakamoto seem to have been carried away by the gentle trance that their collaboration inevitably provokes. Their modus operandi? The German musician instils electronic sounds (vibrating crystals, electrocardiograms, heartbeats) while the Japanese musician drifts away on the piano, sketching out soaring motifs. He sometimes adds a little more weight (Berlin) though always plays with finesse and never too forcefully, floating like a mist over water. And since it is difficult to describe their music in any way other than through sensations, it’s best that you just close your eyes and listen.