[欧美]民谣女诗人 Joan Baez《Farewell, Angelina》1965/FLAC/BD

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艺人：        Joan Baez
语种：        英语
唱片公司：        Vanguard Records
发行时间：        1965年10月01日
专辑类别：        录音室专辑
专辑风格：        当代民谣 Contemporary Folk

Joan Baez专辑介绍：
《Farewell, Angelina》是一张难以预料与难以忽视的专辑.正是它,体现了Bob Dylan对Baez的影响. &Those words, which Bob would drop on to an empty page like so many gold nuggets shaken from somewhere up his sleeve, were the words which would move me out of the ethereal but archaic ballads of yore,&这是Baez后来对Dylan的评论.此专辑有四首Dylan的歌曲,包括Dylan自己从未录制过的专辑标题歌曲.专辑中也有民谣歌手Woody Guthrie的Ranger's Command,Pete Seeger的Where Have All The Flowers Gone和Donovan的Colours,以及两首传统的民谣曲子.这张专辑可说是对60年代初民谣歌曲的一种很好的概括。
By late 1965, most members of the folk community were feeling the pressure of a changing music world -- between presence of folk-rock bands like
the Byrds
and newer outfits like
the Beau Brummels
and
the Leaves
coming up, not to mention
Bob Dylan
himself going electric, they were now competing against some high-wattage (in the most literal sense) rivals for the attention of audiences. Most wilted in that environment, but Baez rose to the occasion, partly because she was able to -- her voice was one of the most hauntingly beautiful in the world, and she was no slouch when it came to finding (and later writing) good songs. To be sure, her sixth album is top-heavy with
Bob Dylan
songs, including the title track, which he never officially recorded -- on that basis alone, it attracted a lot of attention from his fans -- and her epic rendition of &A Hard Rain's a-Gonna Fall,& which can stand up next to
Dylan
's own for sheer, sustained power, and her falsetto-driven performance of &It's All Over Now, Baby Blue& didn't hurt in that department. But rather than relying on the
Dylan
repertory to sell the album, she made Farewell, Angelina worthwhile all the way through. Of the two traditional songs here, &The River in the Pines& is a throwback to Baez's simple, unadorned early sound; but &Wild Mountain Thyme& is something new and special, her understated yet jaunty-tempo rendition almost minimalist in its scoring, yet it sticks with the listener as long (or longer) than, say,
the Byrds
' recording. Her version of
Woody Guthrie
's &Ranger's Command& should be heard for its sheer lyricism and loveliness, and her recording of
Donovan
's &Colours& might even have been a hit single if it had been handled right --
Bruce Langhorne
's amplifier turned up one notch, from 3 to 4, might've done it. &A Satisfied Mind& was not only a stunning recording (especially on the final verse), but took her one step closer to the country music sound and repertory that would enrich Baez's music in the second half of the '60s. And she even managed to give a special nod to
Pete Seeger
's universal notions of pacifism by including a German version of &Where Have All the Flowers Gone.& Beyond Baez's singing, the album is also worth hearing for
Langhorne
's guitar work and the performance of
Richard Romoff
on string bass on &Wild Mountain Thyme& and &A Hard Rain's a-Gonna Fall.& This would be the last time that Baez would work with so small, spare, or deceptively simple an accompaniment -- the next time out, she'd have a full orchestra and then a complement of Nashville musicians backing her. (by Bruce Eder)

        1        Farewell, Angelina
        2        Daddy, You've Been on My Mind
        3        It's All over Now, Baby Blue
        4        The Wild Mountain Thyme
        5        Ranger's Command
        6        Colours
        7        Satisfied Mind
        8        The River in the Pines
        9        Pauvre Ruteboeuf
        10        Sagt Mir Wo Die Blumen Sind
        11        A Hard Rain's A-Gonna Fall
        12        One Too Many Mornings
        13        Rock, Salt And Nails (Bonus Track)
        14        The Water Is Wide (Bonus Track)


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