简介：
On 10th December, 1553, at one of the highpoints in the Golden Age of Spanish music, there appeared in Rome the TRATTADO DE GLOSAS SOBRE CLAUSULAS Y OTROS GENEROS DE PUNTOS EN LA MUSICA DE VIOLONES NUEVAMENTE PUESTOS EN LUZ by Diego Ortiz, who was also known under the name “el Toledano”. An inevitable reference point for the study of instrumental performance practice in the 16th century, this work is of exceptional interest, both for its purely historical significance and for its artistic value, since it contains the finest examples of the known repertoire for viola da gamba (vihuela de arco or violone) and harpsichord in the Renaissance period.
We know little today about the life of the Spanish viol player and composer Diego Ortiz. The first signs of his existence occur at the same time as the publication in Rome of the Trattado de Glosas (1553). The extent of knowledge required for the compilation of such a work leads us to think that it was composed when Ortiz was already in his maturity. It was composed – or revised, which seems to be the implication of the indication that the treatise was “nuevamente puestos en luz” (newly published), in the year 1553. By the time that he left his native country, Diego Ortiz had already completed his musical education. This is shown by the clear pioneering nature of his treatise from the strict point of view of musical style. A comparison with Sylvestro Ganassi's Regola rubertina (Venice, 1542-43), a treatise printed ten years before that of Ortiz and specifically dedicated to a study of viol technique, as well as the underniably Hispanic character of the work by Diego Ortiz, supports the hypothesis that Ortiz had already completed his musical education when he left his native country. However, despite recent research in his native town, we still do not know the exact date of his birth or the place where he received his musical education or even what he did before he undertook his journey to Italy.
曲目：
Recercadas sobre el Canto Llano La Spagna - Recercada segunda
Recercadas sobre el Canto Llano La Spagna - Recercada tercera
Recercadas sobre el Canto Llano La Spagna - Recercada primera
Recercadas sobre el Canto Llano La Spagna - Recercada quarta
Recercadas sobre el Canto Llano La Spagna - Recercada quinta
Recercadas sobre el Canto Llano La Spagna - Recercada sesta
Recercadas sobre el Madrigal O Felici Occhi Miei - Recercada quarta
Recercadas sobre el Madrigal O Felici Occhi Miei - Recercada primera
Recercadas sobre el Madrigal O Felici Occhi Miei - Recercada segunda
Recercadas sobre el Madrigal O Felici Occhi Miei - Recercada tercera
Recercadas para Viola Gamba Sola - Recercada tercera
Recercadas para Viola Gamba Sola - Recercada segunda
Recercadas para Viola Gamba Sola - Recercada primera
Recercadas para Viola Gamba Sola - Recercada quarta
Recercadas sobre la Canción Doulce Memoire - Recercada quarta
Recercadas sobre la Canción Doulce Memoire - Recercada primera
Recercadas sobre la Canción Doulce Memoire - Recercada segunda
Recercadas sobre la Canción Doulce Memoire - Recercada tercera
Recercadas sobre Tenores - Recercada quarta - Folia
Recercadas sobre Tenores - Recercada primera - Passamezzo Antiguo
Recercadas sobre Tenores - Recercada 08 - Folia
Recercadas sobre Tenores - Recercada quinta - Boz
Recercadas sobre Tenores - Recercada tercera - Passamezzo Moderno
Recercadas sobre Tenores - Recercada sesta - Romanesca
Recercadas sobre Tenores - Recercada septima - Romanesca
Recercadas sobre Tenores - Recercada quinta - Passamezzo Antiguo
Recercadas sobre Tenores - Recercada segunda - Passamezzo Moderno 试听：
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发表于 2020-1-13 10:41:13
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