Jerry Goldsmith – Star Trek: Nemesis (2002)
Жанр: Original Soundtrack
Носитель: SACD
Год издания: 2002
Издатель: Varese Sarabande
Номер по каталогу: 3020664302
Аудиокодек: DSD64 2.0, DST64 5.1
Тип рипа: image (iso)
Продолжительность: 00:48:30
Наличие сканов в содержимом раздачи: да
Образ снят с помощью: Sony PlayStation 3 и утилиты sacd-ripper version 0.21
Релизёр:
Треклист:
01.Remus 01:58
02.The Box 02:22
03.My Right Arm 01:04
04.Odds And Ends 04:39
05.Repairs 06:28
06.The Knife 03:11
07.Ideals 02:17
08.The Mirror 05:23
09.The Scorpion 02:25
10.Lateral Run 03:55
11.Engage 02:13
12.Final Flight 03:50
13.A New Friend 02:38
14.A New Ending 06:07
SACD+Back
Star Trek: Nemesis
The soundtrack of the movie Star Trek: Nemesis was released 26 September 2002 through Varèse Sarabande and features fourteen tracks of score at a running time just over forty-eight minutes.
The music to Star Trek Nemesis was one of the last works by veteran composer Jerry Goldsmith, who composed such previous entrees to the franchise as the Academy Award nominated score for Star Trek: The Motion Picture, Star Trek V: The Final Frontier, Star Trek: First Contact, and Star Trek: Insurrection as well as the themes to the television series Star Trek: The Next Generation (arranged by Dennis McCarthy) and Star Trek: Voyager. Goldsmith had also previously collaborated with director Stuart Baird in Executive Decision and U. S. Marshals.
The score opens with airy synthesizers under a trumpet performing an augmented triad before preceding into Alexander Courage’s Star Trek: The Original Series fanfare. The score then quickly transitions into a much darker theme to accompany the conflict between the Reman and Romulan empires. Goldsmith also composed a new 5-note theme to accompany the character Shinzon and the Scimitar, which is manipulated throughout the score to reflect the multiple dimensions of the character. The score is book-ended with Goldsmith’s theme from Star Trek: The Motion Picture, following a brief excerpt from the song “Blue Skies” by Irving Berlin and the original Star Trek fanfare.
All Music Review
The score for any Star Trek film relies heavily upon the introduction of the classic eight-note motif that has shadowed the pop culture phenomenon since its arrival on the big screen in 1979. For Star Trek: Nemesis, the series’ tenth installment, Jerry Goldsmith delivers the theme with all of the pomp one could hope for on the rousing “Remus.” What follows is a fairly typical yet immensely enjoyable sci-fi soundtrack, filled with pounding dissonance, wonder, and the occasional moment of tender camaraderie — the quietly powerful “Ideals” — that one would expect from this legendary saga and composer.
/1 
发表于 2020-12-8 14:36:23
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