Béla Bartók – The 2 Violin Concertos
Arabella Steinbacher, Orchestre de la Suisse Romande, Marek Janowski
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2010
Жанр: Classical/Orchestral/Violin
Издатель (лейбл): PentaTone
Продолжительность: 01:01:12
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
Violin Concerto No. 2
01 – Allegro non troppo
02 – Andante tranquillo
03 – Allegro molto
Violin Concerto No. 1
04 – Andante sostenuto
05 – Allegro giocosoMusicians:
Arabella Steinbacher – violin
Orchestre de la Suisse Romande
Marek Janowski – conductorКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.0, 2.0Доп. информация: A Polyhymnia DSD recording
Recording venue: Victoria Hall, Geneva, Switzerland (June/July, 2009)
Executive Producer: Job Maarse
Recording Producer: Job Maarse
Balance Engineer: Erdo Groot
Recording Engineer: Roger de Schot
Editing: Roger de Schot
PentaTone PTC 5186.350 (2010)
SACD rip via PS3 to iso
Источник (релизер): ManWhoCan (PS³SACD) https://www.amazon.com/Bartok-Violin-Concerto-No-Posth/dp/B003T68VZS
Лог DR
Об альбоме (сборнике)
This is the recording of these 2 matchless modern classics that we have been waiting for; any suspense that Arabella Steinbacher will not have the measure of the Hungarian idiom or the sheer fire-power required for these virtuoso pieces is banished almost immediately & the typically wide-ranging Pentatone SACD recording captures both the subtlety & the excitement.
~ Barry Forshaw’s CD Choice Dec 2010
The 2nd is undoubtedly the greater of these concertos, & this disc quite rightly starts with it. Its 1st movement can sometimes be too relaxed, coming as an andante rather than an allegro, & loosing rhythmic momentum in the more lyrical moments, of which there are many. Not here: Marek Janowski sets an ideal tempo, & Arabella Steinbacher’s entry after the pulsing opening chords has bite & depth of tone, coupled with an absolute certainty of the direction of the music. Janowski ensures that the texture is always clear & well balanced, with harp & celeste glittering in the texture, & the all important wind solos taking their rightful place. In the slow movement Steinbacher continues with her winning ways, every note has meaning, & her considerable technique & variety of tone, phrasing & rubato always fits the music like a glove. Her emotional perception of this movement is matched by her quicksilver changes of mood in the finale, capturing the earthy & the playful with panache. In 1st Concerto, inspired by Bartok’s unreturned love for the violinist Steffi Geyer, Steinbacher responds to both the relatively uncomplicated romantic outpuring of the 1st movement, & the portrait of a more capricious Steffi in the 2nd. Janus-like, this concerto looks forwards & backwards in Bartok’s compositional style, & Steinbacher had the measure of both.
~ BBC Music Magazine
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发表于 2020-12-8 14:55:05
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