Martin Matalon, Les percussions de Strasbourg
Le Scorpion
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2004
Жанр: Classical, Contemporary
Издатель(лейбл): Accord (Universal)
Продолжительность: 00:48:54 / 00:49:17
Наличие сканов в содержимом раздачи: НетТреклист:
01 - Les Scorpions (4:07)
02 - La Descente (1:10)
03 - La Choza (2:31)
04 - Les Bandits (4:01)
05 - Les Majorquins (4:36)
06 - Rome (2:05)
07 - Valse Dalienne (1:48)
08 - Les Marquis de X (4:13)
09 - Valse Bunuelesque (3:28)
10 - La Claque A (2:40)
11 - La Claque B (3:50)
12 - The Love Scene (6:19)
13 - La Girafe, le cousin et l eveque (5:32)
14 - Le Duc de Blangis (2:36)Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0 / 5.1
Official DR value: DR12 / DR13
foobar2000 1.3.10 / Dynamic Range Meter 1.1.1
log date: 2016-04-27 21:17:06
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Analyzed: Les percussions de Strasbourg / Martin Matalon: Le Scorpion
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DR Peak RMS Duration Track
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DR14 -0.57 dB -21.77 dB 4:07 01-Les Scorpions
DR11 -2.88 dB -21.20 dB 1:09 02-La Descente
DR14 0.00 dB -23.20 dB 2:32 03-La Choza
DR14 -4.12 dB -27.40 dB 4:01 04-Les Bandits
DR14 -2.24 dB -23.64 dB 5:01 05-Les Majorquins
DR12 -6.78 dB -25.97 dB 2:05 06-Rome
DR13 -1.50 dB -21.04 dB 1:50 07-Valse Dalienne
DR15 -2.13 dB -23.99 dB 4:11 08-Les Marquis de X
DR13 0.00 dB -21.18 dB 3:29 09-Valse Bunuelesque
DR11 -1.78 dB -22.28 dB 2:38 10-La Claque A
DR14 0.00 dB -22.26 dB 3:50 11-La Claque B
DR14 -2.76 dB -27.19 dB 6:16 12-The Love Scene
DR15 -0.17 dB -22.03 dB 5:32 13-La Girafe, le cousin et l eveque
DR11 -7.03 dB -30.36 dB 2:37 14-Le Duc de Blangis
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Number of tracks: 14
Official DR value: DR13
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 6
Bits per sample: 24
Bitrate: 16934 kbps
Codec: DST64
================================================================================
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Analyzed: Les percussions de Strasbourg / Martin Matalon: Le Scorpion
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -0.30 dB -17.55 dB 4:07 01-Les Scorpions
DR10 -1.50 dB -15.22 dB 1:10 02-La Descente
DR13 0.00 dB -17.60 dB 2:31 03-La Choza
DR13 -5.05 dB -22.59 dB 4:01 04-Les Bandits
DR11 -1.34 dB -17.72 dB 4:36 05-Les Majorquins
DR12 -4.26 dB -20.20 dB 2:05 06-Rome
DR12 -0.70 dB -15.93 dB 1:48 07-Valse Dalienne
DR13 -2.69 dB -19.92 dB 4:13 08-Les Marquis de X
DR13 0.00 dB -17.52 dB 3:28 09-Valse Bunuelesque
DR12 -1.29 dB -19.71 dB 2:40 10-La Claque A
DR13 0.00 dB -17.76 dB 3:50 11-La Claque B
DR15 -3.23 dB -26.22 dB 6:19 12-The Love Scene
DR12 -0.28 dB -16.84 dB 5:32 13-La Girafe, le cousin et l eveque
DR10 -4.20 dB -24.70 dB 2:36 14-Le Duc de Blangis
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Number of tracks: 14
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64
================================================================================
Спектр частот
Доп. информация: For six percussion, two pianos and electronics in real time (2002) Music for the film "L'Âge d'or" (The Golden Age) of Luis Buñuel.
Artwork – Richard Paoli
Coordinator [Proeuction] – Gilles Chevalier
Executive Producer – Yann Ollivier
Mastered By – Olivier Saint-Yves
Mixed By – David Poissonnier
Источник (релизер): sa-cd.net, Discogs
Оркестр: Les Percussions De Strasbourg
Композитор: Martin Matalon
Исполнитель: Piano – Dimitri Vassilakis
Les Percussions De Strasbourg
Les Percussions De Strasbourg
Claude Ricou, Detlev Henri Kieffer, Gabriel Bouchet, Georges Van Gucht, Jean-Paul Batigne, Jean-Paul Finkbeiner founded in June 1961 in Strasbourg "Le groupe instrumental à percussion de Strasbourg", later renamed in 1966 as "Les percussions de Strasbourg".
The percussion ensemble has recorded more than 250 works for percussion mostly composed for them.
Об альбоме
Recording made directly to the City of Music on 27 and 28 March 2003 - in co-production ACEV the City of Music and IRCAM-Centre Georges Pompidou.
'I totally espoused the Buñuelian principle of a form wherein every section opens on to another, the two having little or no relation between themselves...'
Martin Matalon
/1 
发表于 2020-12-8 14:56:10
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