Marc-Antoine Charpentier
Messe & Te Deum à huit voix
Le Concert Spirituel dir. Hervé Niquet
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2006
Жанр: Classical, Vocal
Издатель(лейбл):
Продолжительность: 01:19:30
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
Messe à 8 voix et 8 violons et flûtes [H.3]
01 - Prélude (0:54)
02 - Kyrie (1:10)
03 - Symphonie après le 1er Kyrie (0:59)
04 - Christe (2:33)
05 - Symphonie après le Christe (1:27)
06 - Prélude da capo (1:04)
07 - Kyrie da capo (1:32)
08 - Symfonie pour finir le Kyrie (1:48)
09 - Gloria (1:11)
10 - Et in terra pax (0:43)
11 - Laudamus te (1:17)
12 - Domine Deus Rex caelestis (3:14)
13 - Qui tollis (2:17)
14 - Quoniam tu solus sanctus (2:04)
15 - Credo (2:54)
16 - Et incarnatus est (1:17)
17 - Crucifixus (3:34)
18 - Et resurexit (1:50)
19 - Cujus regni non erit finis (2:48)
20 - Confiteor unum Baptisma (2:44)
21 - Sanctus I (0:54)
22 - Sanctus II (0:57)
23 - Sanctus III (1:07)
24 - Pleni sunt (1:24)
25 - Agnus Dei I (2:20)
26 - Agnus Dei II (2:57)
27 - Domine Salvum (H283) (3:51)
Te Deum à 8 voix avec flûtes et violons [H.145]
28 - Te Deum (H145) Prélude (1:12)
29 - Te Deum (1:13)
30 - Te aeternum (1:01)
31 - Tibi cherubin (1:24)
32 - Pleni sunt caeli (1:18)
33 - Te gloriosus (2:46)
34 - Te per orbem (0:47)
35 - Venerandum tuum verum (1:50)
36 - Tu, Rex gloriae (6:11)
37 - Judex crederis (3:19)
38 - Aeterna fac (1:27)
39 - Dignare domine (3:24)
40 - In te Domine (2:44)
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0, 5.1
Official DR value: DR11 / DR9
foobar2000 1.3.10 / Dynamic Range Meter 1.1.1
log date: 2016-04-24 23:04:42
--------------------------------------------------------------------------------
Analyzed: Le Concert Spirituel dir. Hervé Niquet / Messe à 8 voix et 8 instruments
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR8 -14.33 dB -30.65 dB 0:54 01-Prélude
DR8 -6.81 dB -23.20 dB 1:10 02-Kyrie
DR8 -16.00 dB -31.29 dB 0:59 03-Symphonie après le 1er Kyrie
DR9 -12.81 dB -31.15 dB 2:33 04-Christe
DR8 -16.51 dB -32.30 dB 1:27 05-Symphonie après le Christe
DR8 -17.59 dB -33.74 dB 1:04 06-Prélude da capo
DR9 -13.65 dB -30.56 dB 1:32 07-Kyrie da capo
DR8 -18.23 dB -33.34 dB 1:48 08-Symfonie pour finir le Kyrie
DR9 -9.70 dB -29.28 dB 1:11 09-Gloria
DR8 -17.00 dB -33.09 dB 0:43 10-Et in terra pax
DR8 -9.38 dB -26.24 dB 1:17 11-Laudamus te
DR9 -14.12 dB -32.25 dB 3:14 12-Domine Deus Rex caelestis
DR9 -10.43 dB -28.34 dB 2:17 13-Qui tollis
DR9 -7.90 dB -27.71 dB 2:04 14-Quoniam tu solus sanctus
DR10 -8.60 dB -28.12 dB 2:54 15-Credo
DR10 -10.49 dB -30.40 dB 1:17 16-Et incarnatus est
DR8 -15.89 dB -33.31 dB 3:34 17-Crucifixus
DR9 -14.29 dB -32.47 dB 1:50 18-Et resurexit
DR10 -7.02 dB -27.84 dB 2:48 19-Cujus regni non erit finis
DR10 -6.11 dB -26.18 dB 2:44 20-Confiteor unum Baptisma
DR8 -14.14 dB -30.84 dB 0:54 21-Sanctus I
DR8 -10.06 dB -27.14 dB 0:57 22-Sanctus II
DR8 -15.17 dB -30.16 dB 1:07 23-Sanctus III
DR8 -9.92 dB -27.43 dB 1:24 24-Pleni sunt
DR8 -15.09 dB -30.18 dB 2:20 25-Agnus Dei I
DR9 -7.26 dB -26.51 dB 2:57 26-Agnus Dei II
DR10 -7.40 dB -27.16 dB 3:51 27-Domine Salvum (H283)
DR8 -12.38 dB -28.31 dB 1:12 28-Te Deum (H145) Prélude
DR8 -11.82 dB -29.39 dB 1:13 29-Te Deum
DR9 -6.14 dB -22.87 dB 1:01 30-Te aeternum
DR9 -8.53 dB -28.00 dB 1:24 31-Tibi cherubin
DR9 -6.12 dB -23.22 dB 1:18 32-Pleni sunt caeli
DR9 -6.53 dB -25.06 dB 2:46 33-Te gloriosus
DR9 -8.37 dB -24.45 dB 0:47 34-Te per orbem
DR9 -6.11 dB -23.84 dB 1:50 35-Venerandum tuum verum
DR10 -9.52 dB -30.05 dB 6:11 36-Tu, Rex gloriae
DR9 -8.23 dB -29.79 dB 3:19 37-Judex crederis
DR9 -7.56 dB -23.96 dB 1:27 38-Aeterna fac
DR9 -11.24 dB -30.55 dB 3:24 39-Dignare domine
DR9 -7.28 dB -24.49 dB 2:44 40-In te Domine
--------------------------------------------------------------------------------
Number of tracks: 40
Official DR value: DR9
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 5
Bits per sample: 24
Bitrate: 14112 kbps
Codec: DST64
================================================================================
--------------------------------------------------------------------------------
Analyzed: Le Concert Spirituel dir. Hervé Niquet / Messe à 8 voix et 8 instruments
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -13.89 dB -28.14 dB 0:54 01-Prélude
DR10 -6.50 dB -20.73 dB 1:10 02-Kyrie
DR10 -16.92 dB -28.90 dB 0:59 03-Symphonie après le 1er Kyrie
DR12 -13.97 dB -29.07 dB 2:33 04-Christe
DR10 -16.23 dB -29.85 dB 1:27 05-Symphonie après le Christe
DR10 -18.29 dB -30.97 dB 1:04 06-Prélude da capo
DR10 -14.34 dB -28.03 dB 1:32 07-Kyrie da capo
DR10 -18.29 dB -31.06 dB 1:48 08-Symfonie pour finir le Kyrie
DR11 -11.50 dB -26.97 dB 1:11 09-Gloria
DR11 -17.06 dB -30.20 dB 0:43 10-Et in terra pax
DR10 -10.47 dB -23.68 dB 1:17 11-Laudamus te
DR11 -15.00 dB -30.19 dB 3:14 12-Domine Deus Rex caelestis
DR11 -10.46 dB -25.81 dB 2:17 13-Qui tollis
DR12 -8.94 dB -25.17 dB 2:04 14-Quoniam tu solus sanctus
DR12 -8.19 dB -25.47 dB 2:54 15-Credo
DR12 -10.64 dB -27.68 dB 1:17 16-Et incarnatus est
DR11 -17.16 dB -30.55 dB 3:34 17-Crucifixus
DR12 -15.76 dB -30.04 dB 1:50 18-Et resurexit
DR12 -8.85 dB -25.34 dB 2:48 19-Cujus regni non erit finis
DR12 -7.15 dB -23.47 dB 2:44 20-Confiteor unum Baptisma
DR10 -14.07 dB -28.11 dB 0:54 21-Sanctus I
DR10 -9.98 dB -24.38 dB 0:57 22-Sanctus II
DR10 -14.70 dB -27.27 dB 1:07 23-Sanctus III
DR10 -9.62 dB -24.63 dB 1:24 24-Pleni sunt
DR10 -14.96 dB -27.31 dB 2:20 25-Agnus Dei I
DR11 -7.34 dB -23.85 dB 2:57 26-Agnus Dei II
DR13 -7.04 dB -24.54 dB 3:51 27-Domine Salvum (H283)
DR10 -12.26 dB -25.59 dB 1:12 28-Te Deum (H145) Prélude
DR10 -12.40 dB -26.52 dB 1:13 29-Te Deum
DR11 -6.72 dB -20.15 dB 1:01 30-Te aeternum
DR11 -8.41 dB -25.30 dB 1:24 31-Tibi cherubin
DR11 -6.08 dB -20.50 dB 1:18 32-Pleni sunt caeli
DR12 -6.17 dB -22.26 dB 2:46 33-Te gloriosus
DR11 -8.05 dB -21.61 dB 0:47 34-Te per orbem
DR11 -6.66 dB -21.66 dB 1:50 35-Venerandum tuum verum
DR13 -10.71 dB -27.12 dB 6:11 36-Tu, Rex gloriae
DR12 -9.86 dB -26.71 dB 3:19 37-Judex crederis
DR11 -7.14 dB -21.03 dB 1:27 38-Aeterna fac
DR11 -12.40 dB -27.27 dB 3:24 39-Dignare domine
DR12 -7.08 dB -22.02 dB 2:44 40-In te Domine
--------------------------------------------------------------------------------
Number of tracks: 40
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DST64
================================================================================
Спектр частот
Источник (релизер): www.sa-cd.net
Оркестр: Le Concert Spirituel
Композитор: Marc-Antoine Charpentier (1643-1704)
Дирижер: Hervé Niquet
Состав
Stéphanie Revidat, Hanna Bayodi,
François-Nicolas Geslot, Anders J. Dahlin,
Emiliano Gonzalez-Toro, Sébastien Droy,
Benoît Arnould, Renaud Delaigue
Marc-Antoine Charpentier
Mr Charpentier benefited greatly
by his three years in Rome,
as demonstrated by his entire oeuvre.
(Mercure galant, February 1681)
Towards 1670 Marc-Antoine Charpentier returned from
Rome following a sojourn of more or less five years,
his ears and mind brimming with ultramontane music
and culture. No sooner did he come back to Paris,
where he was born in 1643 and where his skills arrived
ahead of him, than Charpentier found considerable
support amongst advocates of the Italian aesthetic
who were themselves in contact with the leading centres
of learning in Rome.
For a decade or so after his arrival in Paris, Charpentier
was a regular contributor to the Saint-Louis Jesuits,
who commissioned him to produce great two-choir
compositions including the Mass for 8 voices and 8
violins and flutes [H.3] and the Te Deum for 8 voices
with flutes and violins [H.145], which figure amongst
the composer’s most impressive and lavish works.
These masterly works of his youth, bearing out highly
skilful composition, convey the foundations of a musical
language that was already very agile and personal, a
language that was to assert itself in the course of the
composer’s career and mark his contemporaries.
Composers in his wake, such as Michel-Richard de
Lalande and Henry Desmarest, even went so far as to
incorporate the double Italian choir with two orchestras
into the quintessentially French genre of the great
motet.
Об альбоме (сборнике)
Recorded at Église Notre Dame du Liban (Paris),
in September 2005
Engineered by Manuel Mohino
Produced by Dominique Daigremont
Executive producer: Carlos Céster
/1 
发表于 2020-12-8 14:56:35
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