Richard Hickox, London Symphony Orchestra
Vaughan Williams: A London Symphony (Original 1913 version)
George Butterworth: The Banks of Green WIllow
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2008
Жанр: Classical; Orchestral
Издатель(лейбл): Chandos
Продолжительность: 01:07:43
Наличие сканов в содержимом раздачи: Буклет PDFТреклист:
GEORGE BUTTERWORTH
(1885-1916)
1. The Banks of Green WIllow 6:15
RALPH VAUGHAN WILLIAMS
(1872-1958)
world premiere recording
A London Symphony (Symphony No. 2) 61:21
Original 1913 version
2. I Lento - Allegro risoluto 15:03
3. II Lento 16:14
4. III Scherzo (Nocturne): Allegro vivace - Andantino 11:04
5. IV Andante con moto - Maestoso alla marcia (quasi lento) 18:51
Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - LentoLondon Symphony Orchestra
Richard Hickox (conductor)Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.0; 2.0
Лог DR
foobar2000 1.3.10 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2016-09-06 23:10:19
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Анализ: London Symphony Orchestra conducted by Richard Hickox / Vaughan Williams ; A London Symphony
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DR Пики RMS Продолжительность трека
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DR14 -12.60 дБ -36.33 дБ 6:16 01-Butterworth : The Banks of Green Willow
DR16 -7.41 дБ -32.60 дБ 15:03 02-Vaughan Williams : Symphony No. 2. I. Lento - Allegro risoluto
DR16 -7.48 дБ -35.24 дБ 16:14 03-Vaughan Williams : Symphony No. 2. II. Lento
DR16 -6.76 дБ -34.13 дБ 11:03 04-Vaughan Williams : Symphony No. 2. III. Scherzo (Nocturne)
DR16 -5.63 дБ -31.89 дБ 18:54 05-Vaughan Williams : Symphony No. 2. IV. Andante con moto
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Количество треков: 5
Реальные значения DR: DR16
Частота: 2822400 Гц / Частота PCM: 44100 Гц
Каналов: 5
Разрядность: 24
Битрейт: 14112 кбит/с
Кодек: DST64
================================================================================
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Анализ: London Symphony Orchestra conducted by Richard Hickox / Vaughan Williams ; A London Symphony
--------------------------------------------------------------------------------
DR Пики RMS Продолжительность трека
--------------------------------------------------------------------------------
DR14 -11.38 дБ -32.62 дБ 6:16 01-Butterworth : The Banks of Green Willow
DR16 -6.87 дБ -29.06 дБ 15:03 02-Vaughan Williams : Symphony No. 2. I. Lento - Allegro risoluto
DR17 -7.09 дБ -31.90 дБ 16:14 03-Vaughan Williams : Symphony No. 2. II. Lento
DR17 -6.58 дБ -30.72 дБ 11:03 04-Vaughan Williams : Symphony No. 2. III. Scherzo (Nocturne)
DR16 -5.86 дБ -28.38 дБ 18:54 05-Vaughan Williams : Symphony No. 2. IV. Andante con moto
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Количество треков: 5
Реальные значения DR: DR16
Частота: 2822400 Гц / Частота PCM: 44100 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DST64
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Доп. информация: CHAN 5001,
Originally recorded in 2002, All Saints' Church, Tooting, London
Producer - Brian Couzens
Engineer - Ralph Couzens
Engineer (Assistant) - Christopher BrookeИсточник (релизер): PS³SACD`s forum http://www.chandos.net/products/catalogue/CHAN%205001 http://sa-cd.net/showtitle/526
Об альбоме (сборнике)
Vaughan Williams: A London Symphony – LSO, Hickox
A London Symphony was Vaughan Williams’s own favourite among his symphonies. It was the one he revised most often, first in 1918 – 20, then even more radically in the 1930s. What this revelatory reading demonstrates is that the twenty minutes or so of music that were excised included many passages that represent the composer at his most magically poetic. There is even a case for saying that in an age which thrives on expansive symphonies – the examples of Bruckner, Mahler and Shostakovich always before us – the original offers the richer experience. Vaughan Williams undoubtedly made the work structurally tauter, but discursiveness in a symphony is no longer regarded as necessarily a fault.
No one could have made the case for this 1913 version more persuasively than Hickox. He draws ravishing sounds throughout from the London Symphony Orchestra, with an unerring feeling for idiomatic rubato and a powerful control of massive dynamic contrasts. In this original version the first movement is the familiar one, but each of the subsequent movements here includes substantial sections completely eliminated later, some of them echoing Ravel’s Daphnis et Chloé (among these an extended one in the Scherzo). The sumptuous Chandos sound, with an extraordinarily wide dynamic range, adds to the impact of the performance, which comes with a short but valuable and beautifully played fill-up.
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发表于 2020-12-8 14:56:38
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