François Couperin – Pièces de Viole – 1728
Jordi Savall, Ton Koopman, Ariane Maurette
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1976/2012
Жанр: Classical/Chamber
Издатель (лейбл): Alia Vox
Продолжительность: 00:43:51
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
Pièces de Viole avec la Basse Chifrée par Mr F.C.
Première Suite (24:06)
1 Prelude 4:29
2 Allemande Légere 2:32
3 Courante 1:59
4 Sarabande Grave 4:05
5 Gavotte 2:26
6 Gigue 2:40
7 Passacaille Ou Chaconne 5:52
Deuxième Suite (19:35)
8 Prélude 3:17
9 Fuguéte 2:07
10 Pompe Funébre 9:32
11 La Chemise Blanche 4:37Musicians:
Harpsichord – Ton Koopman
Bass Viola da gamba à Sept Cordes – Jordi Savall
Bass Viola da gamba – Ariane MauretteКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.0, 2.0Доп. информация: Alia Vox AVSA 9893 (2012, originally 1976: Astrée vinyl)
Recorded at Eglise Romane de Saint-Lambert-des-Bois, Yvelines, France
Producer – Michel Bernstein
Recorded by Dr. Thomas Gallia
Remastered by Manuel Mohino
SACD-rip via Cambridge Audio to iso (2.00 GB)
Источник (релизер): AnnabelLee (PS³SACD) https://www.alia-vox.com/en/catalogue/francois-couperin-pieces-de-violes-1728/
Лог DR
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2020-04-14 09:25:53
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Analyzed: Jordi Savall / François Couperin - Pièces de Viole - 1728
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DR Peak RMS Duration Track
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DR14 -11.83 dB -31.25 dB 4:27 01-Première Suite - I. Prelude
DR12 -11.32 dB -24.83 dB 2:32 02-Première Suite - II. Allemande légere
DR12 -12.25 dB -27.01 dB 2:00 03-Première Suite - III. Courante
DR12 -11.32 dB -26.81 dB 4:05 04-Première Suite - IV. Sarabande grave
DR11 -11.31 dB -24.47 dB 2:27 05-Première Suite - V. Gavotte
DR11 -12.41 dB -26.63 dB 2:39 06-Première Suite - VI. Gigue
DR12 -11.32 dB -25.76 dB 5:52 07-Première Suite - VII. Passacaille ou Chaconne
DR13 -15.18 dB -31.52 dB 3:18 08-Deuxième Suite - I. Prelude
DR12 -14.05 dB -28.15 dB 2:08 09-Deuxième Suite - II. Fuguéte
DR13 -14.66 dB -32.60 dB 9:32 10-Deuxième Suite - III. Pompe funébre
DR13 -11.43 dB -27.18 dB 4:36 11-Deuxième Suite - IV. La Chemise blanche
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Number of tracks: 11
Official DR value: DR12
Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DST64
================================================================================
Об альбоме (сборнике)
The Pièces de violes, François Couperin’s last work, is surrounded by mystique. This work was only found half a century ago. Did Couperin write these two Suites shortly after the death of his great colleague Marin Marais (1728) or were they written shortly before his departure in 1733? The fact remains that Couperin left a few more pearls. This release is a 1975 recording, the first issue of Jordi Savall on the Astrée label. A beautiful recording of two young musicians (Savall and Koopman) who have more than earned their spurs in authentic performance practice. The booklet provides a lot of background information about the work and the recording history of this little work.
Platomania.nl (translated from Dutch)
Savall and co play with a warmth, a passion and a sense of freedom unsurpassed since.
Sunday Times
Savall is the consummate master… Originally released in 1975 by Astrée, this legendary recording was the first of many milestone recordings by Jordi Savall featuring Baroque repertoire. Couperin wrote these two Suites at the end of his life when his talent was at its peak. Couperin’s mastery is especially evident in the fantastic and mysterious “Pompe funèbre” movement in the second Suite. The disc, fully remastered for SACD, also features master harpsichordist Ton Koopman and is a must-have for anyone interested in Baroque music.
Audiophile Audition
Although still at the beginning of his career as a viol player, Savall, serenely supported by Ton Koopman, plays with consummate mastery of Couperin’s style. He caresses the notes, and shapes and moulds the phrases, adding just the right amount of silence, allowing the music to breathe. However, some tempi now seem a little slow.
Gramophone Magazine
Handsomely packaged with excellent documentation … his [Savall] account of the ‘Sarabande grave’ has all the requisite poetry and melancholy.
Classical Music Magazine
Jordi Savall’s interpretations of the two suites, which comprise Couperin’s Pièces de Viole, are free, spontaneous and sensible to the elusive nuances of what Couperin called ‘le bon gout’.
Early Music Today
This beautiful recording, once long out-of-print, is now remastered in high definition multi-channel hybrid SACD, and is the first album made by Jordi Savall for the Astrée label, now reissued on Alia Vox. With this rare 1975 disc, Savall confirmed François Couperin as a master composer for viola da gamba with affinities to the previous masters of French music. On the recording Mr. Savall plays an authentic 7-string bass viol, anonymously constructed in 17th century France. He is joined by musicians Ton Koopman playing a Gilbert des Ruisseaux harpsichord built in the late 17th century and Ariane Maurette playing a Barak Norman bass viol constructed in London in 1697. Couperin’s music for these colorful instruments is marvelous, contemplative and beguiling. The highly collectible album, a must-have of the Savall oeuvre, is now available again and features a very informative booklet.
Arkivmusic.com
It is often in a composer’s later years such as Beethoven’s that one can find the summation of the man and his passionate pursuits into further unexplored musical domains. Couperin was such a composer and this piece is one of his treasures which he composed in the contemplation of a retired life reflecting on the heritage left to him by Lully, Marais, and his other influences for the viola. Couperin returning to the viola in his older age ironcially parallels the life of the instrument he used as the viola too was nearing its end and being abandoned for the cello. More reserved and methodical than the freely emotive styles of his predecessors such as Marais, Couperin’s viola suites are most charming in their executions. The last movement ‘La Chemise Blanche’ is probably the nicest of all the pieces in conveying the reflective mood of the work. What is even more charming is Jordi Savall performing them as he is the foremost virtuoso of the viola da gamba and an accomplished conductor for French Baroque pieces. The performance and recording quality of this CD is fantastic. This is a great purchase for anyone who wishes to expand their horizons into French Baroque or music for viola da gamba. You really can’t go wrong with your purchase here as virtually no other performer rises much higher than average in comparison to Savall’s unique and passionate style for the viola.
customer review @ amazon.com
/1 
发表于 2020-12-8 14:56:52
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