Liszt: Années de pèlerinage, deuxième année: Italie
Thomas Hitzlberger
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2003
Жанр: Classical/Piano
Издатель (лейбл): Cybele Records
Продолжительность: 01:11:25
Наличие сканов в содержимом раздачи: Только обложка альбомаТреклист:
1. Sposalizio. 9:41
2. Il Penseroso. 4:26
3. Canzonetta Del Salvator Rosa. 2:51
4. Sonetto 47 Del Petrarca. 6:54
5. Sonetto 104 Del Petrarca. 7:39
6. Sonetto 123 Del Petrarca. 7:33
7. Après Une Lecture Du Dante - Fantasia Quasi Sonata. 18:42
8. La NottePiano [Steingraeber flügel aus dem jahr 1873, "piano liszt"] – Thomas HitzlbergerКонтейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1, 2.0Доп. информация: Cybele – SACD 150.302
Release 2003-10-20
Recorded at Himmelfahrtskirche München-Sendling
Producer – Oswald Beaujean
Producer, Engineer, Edited By – Ingo Schmidt-LucasИсточник (релизер): собственный рип от ehondik https://www.sa-cd.net/showtitle/1251 https://www.amazon.ca/Liszt-p%C3%A8lerinage-deuxi%C3%A8me-Hitzlberger-2003-10-20/dp/B01MG8F7DY
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-09-22 23:24:53
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Анализ: Thomas Hitzlberger / Franz Liszt: Annйes de Pиlerinage, Deuxiиme Annйe: Italie
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DR Пики RMS Продолжительность трека
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DR16 -7.62 дБ -35.19 дБ 9:40 01-Sposalizio
DR15 -10.11 дБ -38.15 дБ 4:23 02-Il Penseroso
DR14 -8.27 дБ -34.53 дБ 2:51 03-Canzonetta del Salvator Rosa
DR15 -6.39 дБ -35.40 дБ 6:51 04-Sonetto del Petrarca n° 47
DR15 -7.92 дБ -33.88 дБ 7:36 05-Sonetto del Petrarca n° 104
DR15 -8.96 дБ -36.57 дБ 7:31 06-Sonetto del Petrarca n° 123
DR14 -6.45 дБ -29.91 дБ 18:40 07-Aprиs une lecture du Dante
DR17 -9.74 дБ -36.95 дБ 13:54 08-La notte
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Количество треков: 8
Реальные значения DR: DR15
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 6
Разрядность: 24
Битрейт: 16934 кбит/с
Кодек: DST64
================================================================================
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Анализ: Thomas Hitzlberger / Franz Liszt: Annйes de Pиlerinage, Deuxiиme Annйe: Italie
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DR Пики RMS Продолжительность трека
--------------------------------------------------------------------------------
DR16 -8.42 дБ -31.70 дБ 9:40 01-Sposalizio
DR16 -10.70 дБ -34.67 дБ 4:23 02-Il Penseroso
DR15 -9.30 дБ -31.07 дБ 2:51 03-Canzonetta del Salvator Rosa
DR15 -6.22 дБ -30.96 дБ 6:51 04-Sonetto del Petrarca n° 47
DR15 -7.57 дБ -29.42 дБ 7:36 05-Sonetto del Petrarca n° 104
DR15 -7.98 дБ -32.17 дБ 7:31 06-Sonetto del Petrarca n° 123
DR14 -6.51 дБ -26.44 дБ 18:40 07-Aprиs une lecture du Dante
DR17 -9.55 дБ -33.42 дБ 13:54 08-La notte
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Количество треков: 8
Реальные значения DR: DR15
Частота: 2822400 Гц / Частота PCM: 88200 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DST64
================================================================================
Об альбоме (сборнике)
Site review by Polly Nomial July 15, 2006
Performance: Sonics:
The text for this review has been moved to the new site. You can read it here: http://www.HRAudio.net/showmusic.php?title=1251
Review by miguelito54 June 10, 2007 (4 of 4 found this review helpful)
Performance: Sonics:
Thomas Hitzlberger's rendition of the Liszt pieces presented here is beyond dispute. This and the other three Hitzlberger CDs of Liszt piano music I have are evidence that he is among the great Liszt interpreters of our time.
What makes this disc special is a) the high resolution recording and b) the 1873 Steingraeber "Liszt" piano used.
The mechanics and sound of this piano are probably closer to earlier Viennese pianos that to that of a modern Bösendorfer or Steinway and require adequate technique. Hitzlberger certainly is acquainted with it - two of the other CDs I have were also recorded on that piano. Still I can't help but get the impression that he hits that piano somewhat too hard in fortissimo passages, a problem caused by "modern" piano technique (evident e.g. on Jörg Demus' first recordings on historic pianos). When I compare the sound here to that on the two recordings of Liszt pieces that Andrea Bonatta made for Astrée - these never sound that harsh in extreme passages. The recording may be part of the problem: Cybele chose the Himmelfahrtskirche in München-Sendling with rather spacy acoustics and obviously placed their microphones at considerable distance. Astrée used a smaller room in Bayreuth and a rather direct recording that still doesn't sound dry, and captures the delicate sounds of the Steingraeber even better - the instrument sounds incredibly beautiful especially in soft passages. The room ambience may be acounted for part of the distortion in fortissimo passages.
Jos Van Immerseel in the notes to his recent Liszt CD stressed the fact that Liszt was trained in the tradition of the light Viennesse piano technique; reports about him tearing piano strings may be somewhat exaggerated and some misconceptions about his piano technique may exist. Liszt's music is dynamic enough and needs not to be taken to the extremes to move the listener.
Nevertheless a great, highly recommended recording - Hitzlberger's style is very personal without sounding simply subjective, and he does all the pieces justice.
Спасибо ehondik за предоставленный рип.
/1 
发表于 2020-12-8 14:58:15
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