ConfluencesWagner·Franck·Rousseau·Bruckner·Liszt
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2018
Жанр: Classical, Organ
Издатель (лейбл): Aeolus
Продолжительность: 01:19:04
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер): qobuz.comТреклист:
Richard Wagner (1813 - 1883)
1. Vorspiel zu „Tristan und Isolde” (1859)
César Franck (1822 - 1890)
2. Fantaisie en A Minor (from „Trois pièces”, 1878)
Samuel Rousseau (1853 - 1904)
3. Fantaisie pour orgue Op. 73 (1894)
Anton Bruckner (1824 - 1896)
4. Adagio - „Sehr feierlich und sehr langsam”(from Symphony No.7, 1883)
Franz Liszt (1811 - 1886)
5. „Am Grabe Richard Wagners” (1883)
6. „Funérailles” (from „Harmonies poétiques et religieuses”, 1849)
Maurice Clement - Organ
Official DR value: DR14
foobar2000 1.3.17 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-06-02 21:43:23
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Анализ: Maurice Clement / Confluences
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DR Пики RMS Продолжительность трека
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DR14 -5.33 дБ -29.25 дБ 10:34 01-Prelude for "Tristan"
DR13 -6.58 дБ -25.61 дБ 14:47 02-Fantasy in A Minor
DR15 -1.30 дБ -22.96 дБ 14:10 03-Fantasy for Organ Op. 73
DR16 -3.44 дБ -25.53 дБ 21:23 04-Symphony No. 7 in E Major: II. Adagio
DR10 -20.07 дБ -37.02 дБ 4:46 05-Am Grabe Richard Wagners
DR15 -1.12 дБ -22.13 дБ 13:26 06-Funérailles
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Количество треков: 6
Реальные значения DR: DR14
Частота: 96000 Гц
Каналов: 2
Разрядность: 24
Битрейт: 2127 кбит/с
Кодек: FLAC
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Скриншот спектра частот
01. Prelude for Tristan
Об альбоме (сборнике)
The programme of Maurice Clement’s album Confluences represents ‘a process of merger’ in which works by a number of composers are contrasted with one another. Taking a transcription of the Prelude from Tristan (in a concert version arranged by the composer) as point of departure, the pieces illustrate the influence of Wagner on German and French composers from the mid-nineteenth century to the early twentieth. This musical concept also goes to justify the particular choice of instrument, since the organ used for the recording is well suited to both the ‘Germanic’ world and the more hedonistic French spirit. The interpretations (which take into account historical, analytical and aesthetic considerations) therefore also benefit from the hybrid nature of this instrument: built by Dalstein & Haerpfer and reconstructed by Manufacture d’Orgues Thomas, it represents a successful synthesis of the two sound worlds. It is therefore able to do equal justice to both Liszt and Franck, and to create a coherent and captivating symphonic context for the chosen transcriptions.
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发表于 2020-12-8 15:03:16
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